Prabhat Samgiita – Songs 801-900: Translations by Abhidevananda Avadhuta: Prabhat Samgiita, #9
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Shrii Prabhat Ranjan Sarkar (aka Shrii Shrii Anandamurti) is widely viewed as the preeminent spiritual master of the 20th Century. Among his many and varied achievements, he gave 5018 sublime songs, most of them in Bengali and all of them in the last eight years of his life. That collection of songs is known as Prabhat Samgiita (Songs of Prabhat). This book contains Abhidevananda's English translations of Songs 801-900.
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Prabhat Samgiita – Songs 801-900 - Shrii Prabhat Ranjan Sarkar
Prabhat Samgiita
Songs 801-900
All melodies and original lyrics by Shrii Prabhat Ranjan Sarkar
English translations by Ac. Abhidevananda Avadhuta
A wonderful exposition of Baba's voluminous mystical work. With Abhidevananda's impeccable English and attention to both context and detail, these are far and away the best translations of Prabhat Samgiita ever done, bar none. Ac. Bhaskarananda Avadhuta, author of Glimpses of a Mystery
Very fine translations of Prabhat Samgiita which are both accurate and poetic. Undoubtedly,
the best translations by far to date. Ac. Gunamuktananda Avadhuta, P.R. Sarkar Institute
© 2017 Limited copyright in respect to translations only: Ac. Abhidevananda Avadhuta
© 1982-2017 Full copyright in respect to original lyics and melodies: Ananda Marga Pracaraka Samgha on behalf of Shrii Prabhat Ranjan Sarkar
Graphic on cover by Tadeusz (Trilokesh) Majewski
Published by AmRevolution, Inc.
First Edition: 2017 August 15
Preface
Prabhat Samgiita is the collection of 5,018 songs composed by Shrii Prabhat Ranjan Sarkar, also known as Shrii Shrii Anandamurti and affectionately addressed as Baba. As the translater of this book’s songs feels privileged to have been and to still be a disciple of the songs’ composer, all further references to him (other than in formal citations) will be simply as Baba.
The first song of Prabhat Samgiita was given on 1982 September 14. The last song was given on 1990 October 20 (less than 24 hours before Baba's physical departure). All of the 100 songs that appear in this book were given over a period of less than one month from 1983 August 28 to September 23. Most of the songs in this book were given in Kolkata; and most of those songs were given in Baba’s Tiljala residence, known as Madhumálaiṋca (sweet flower garden
).
Baba's songs cover a multitude of themes and genres. There are devotional songs, mystical songs, and revolutionary songs. There are folk songs, children's songs, women's songs, and ballads. There are wedding songs, birthday songs, and festival songs. Regardless of the theme or the way it is expressed, in every song there is a strong spiritual undercurrent, expressive of Baba's personal philosophy of Neohumanism.
Most of the song lyrics are in Bengali or a Bengali dialect.[n1] Nevertheless, the lyrics of over 40 songs are in other languages (including English, Samskrta, Hindi, Urdu, Magahi, Maithili, and Angika).
The melodies of Prabhat Samgiita represent most, if not all, of the major and even minor classical and folk styles of India. However, these Indian musical styles are often blended, occasionally for the first time, with musical styles from different parts of the world and different historical eras.[1][2] In addition, Prabhat Samgiita introduces many melodies that are original to Baba.
As Baba rarely gave titles to his songs, the songs are generally referenced by their first line. In other words, the first line of each song is usually treated as the song's title. On the rare occasions when the first line of more than one song is the same or similar to the first line of one or more other songs, the songs may be distinguished by the song number or the second line of the song.
All of the material in this book (and more) will eventually be available free of charge on Sarkarverse. There may even be some corrections and updates there. Proceeds from the sale of this book will be used to support Sarkarverse and its affiliated projects, primarily PROUT Films.
Notes
Bengali is the sixth most spoken language in the world. Its script is the sixth most common script. The Roman script notation for Bengali used in this book was developed by Baba himself. For details on the notation, see Roman Bengali transliteration.
References
Sarkar, Shrii Prabhat Ranjan (1993) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 Kolkata: Ananda Marga Publications
ISBN81-7252-041-7
Sarkar, Shrii Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN81-7252-082-4
Introduction
There have been several translations of Prabhat Samgiita over the last 34 years since Baba gave his first composition. None, however, have been as well-considered or as well-researched as these translations by Ac. Abhidevananda Avadhuta (Dada).
Prabhat Samgiita is a treasure trove of subtle devotional nuances that can only be deeply experienced and absorbed in the listening devotee’s heart. Such profound and intimate spiritual ideation can never be translated into any language, as such bháva lies beyond the world of words in an eternal sphere of cosmic inspiration. Yet, it is human nature to want to describe our deepest, most ecstatic and also most heart-wrenching spiritual realizations and longings in words and images. We need to attempt to translate the realm of the supra-aesthetic (mohan vijiṋána) into the realm of subtle art, subtle appreciation of beauty, which Baba called aesthetic science, nandan vijiṋána.
The songs of Prabhat Samgiita are Baba’s gift to humanity. They express all our most noble spiritual feelings as human beings, feelings in relation to our own minds as well as to all the expressed world – plants, animals, humans, human society, and the natural environment. Yet they are coming from one who was ensconsed in the realm of eternal, cosmic bháva. As such, these songs are Baba’s multi-faceted expressions from the stance of mohan vijiṋána into the jewels of nandan vijiṋána. They help stir the latent feelings of spiritual ecstasy and spiritual mission in the devotee’s heart.
It is no easy task to translate into English these jewels from the original Bengali, Bengali dialect, Urdu, or other language in which Baba chose to compose them. None of the other translations to date have been as painstakingly true to the literal as well as to the spiritual meaning as those by Ac. Abhidevananda. And so this book is an incredible labor of love. In it, Dada has achieved a sublime result. For those of us who are not familiar enough with the original language of these Prabhat Samgiita songs, Dada’s translations offer an invaluable tool with which we may go deep into our own personal experience of the bháva of Baba’s divine compositions.
In my song, there is no prayer;
In my smile, no expectation of reward.
All my movements, all my expressions
Ascend with exquisite grace,
Proceeding toward enlightenment.
(excerpt from Andharer sei hatasha, the ninth song of Prabhat Samgiita)
Avadhutika Ananda Gaorii Acarya
Contents
0801 Tumi amay bhalobesechile
0802 Tomake dekhechi manera mukure
0803 Nijer aloy tumi esechile
0804 Chande sure tumi eso prabhu
0805 Tomakei ami bhalobasiyachi, tomake jenechi sar
0806 Ami sudhar svanane bhasi go
0807 Tumi alor sagar theke esecho
0808 Man jadi mor bheunge pare kabhu
0809 Hiyara viinay nava dyotanay
0810 Andhar sagar pare esecho
0811 Alora jharana namiya eseche
0812 Udayacale mana majhe ele
0813 Sab priitite pran bharecho
0814 Tava surera tane mama manavitane
0815 Tomari name tomari gane
0816 Jadi nayane na bhase ar karo chabi
0817 Tumi amay jano
0818 Eso tumi eso, eso amar dhyane
0819 Aji vasante mor phulavane
0820 Tumi na dakitei ele amara ghare
0821 Tumi amare bhalobese
0822 Tomare bhalobesechi nirdvidhay
0823 Tomar tare base base
0824 Nayana bhariya dekhivare cai
0825 Tomar kache ami
0826 Bhorer aloy tomay pelum
0827 Alor mahotsabe kena
0828 Jale bhara ei varasay
0829 Vishva tomar mane nace
0830 Tumi jadi jagatjora
0831 Tomari tare alo jhare
0832 Tava liilarase bhese achi
0833 Kena aso na amar kache
0834 Tomar krpakana pele ami
0835 Tomar krpay sab kichu hay
0836 Pranera aloke tomare peyechi
0837 Tomar hiyay amar
0838 Ami ar kona kichu bhuli na
0839 Andhar sagar tiire base base
0840 Ke go tumi ele amari mane
0841 Alora sayare sahasa samiire
0842 Pradiip jvaliya giyacho caliya
0843 Tomare dekhinu jabe manera kone
0844 Tumi sabar nayane varasa enecho
0845 Aji badal ghana gahan rate
0846 Ami tomakei niye achi go
0847 Sei andhar bhara bhay dharano rate
0848 Jhainjhar buke dekhechi tomake
0849 Pranam pathanu gane gane
0850 Amar andhar gharer alo tumi
0851 Apan mane base base
0852 Ami aro vyatha saite pari prabhu
0853 Maner kone ke elo
0854 Ke tumi hrdaye ese
0855 Jariye achi dekho prabhu
0856 Phuler suvase eso
0857 Tumi je path dekhaye diyacho
0858 Esecho hiya jinecho
0859 Arup sagar par haye ele
0860 Hiyara gahane barek jadi takao
0861 Akhanda mane anidra dhyane
0862 Manera upavane malaya pavane eso
0863 Rager madhurii haraye phelechi
0864 Tumi nikate thekeo dure acho
0865 Alor sagare dheu jagayecho
0866 Chande bhuvan bhara
0867 Tandra dao katiye
0868 Ami tomar dake beriyechi
0869 Alo jhara je path dekhaye diyacho tumi
0870 Ami tomakei bujhiyachi sar
0871 Phuler nirjase tumi esecho
0872 Jyotir sagar egiye caleche
0873 Aloker oi jharnadharay
0874 Tumi sabay bhalobasiyacho
0875 Ami cai aloker path dhare jai
0876 Egiye cale tomar rather caka
0877 Tomar carantale tomar carantale
0878 Manavatar ketan sammukhe dhari
0879 Aloker ei uttarane
0880 Manav samaj avibhajya
0881 Cale gele more phele jadi
0882 Tomar namer bharasay prabhu
0883 Tava agamane udvel paramanu
0884 Tumi je esechile
0885 Amar ghare eso prabhu
0886 Aj tomay pelum
0887 Tava ratula carane varane varane
0888 Aruna aloke taruna prabhate
0889 Tomar lagi rati jagi
0890 Vijane basiya kii jena kahile
0891 Bhalobesechi hiya sanpechi
0892 Tandra bheunge dio
0893 Vishve