Prabhat Samgiita Songs 2601-2700: Translations by Abhidevananda Avadhuta: Prabhat Samgiita, #27
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Shrii Prabhat Ranjan Sarkar (aka Shrii Shrii Anandamurti) is widely viewed as the preeminent spiritual master of the 20th Century. Among his many and varied achievements, he gave 5018 sublime songs, most of them in Bengali and all of them in the last eight years of his life. That collection of songs is known as Prabhat Samgiita (Songs of Prabhat). This book contains Abhidevananda's English translations of Songs 2601-2700 (2nd edition).
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Titles in the series (31)
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Prabhat Samgiita Songs 2601-2700 - Shrii Prabhat Ranjan Sarkar
Prabhat Samgiita
Songs 2601-2700
All melodies and original lyrics by Shrii Prabhat Ranjan Sarkar
English translations by Ac. Abhidevananda Avadhuta
A wonderful exposition of Baba's voluminous mystical work. With Abhidevananda's impeccable English and attention to both context and detail, these are far and away the best translations of Prabhat Samgiita ever done, bar none. Ac. Bhaskarananda Avadhuta, author of Glimpses of a Mystery
Very fine translations of Prabhat Samgiita which are both accurate and poetic. Undoubtedly,
the best translations by far to date. Ac. Gunamuktananda Avadhuta, P.R. Sarkar Institute
© 2023 Limited copyright in respect to translations only: Ac. Abhidevananda Avadhuta
© 1984-2023 Full copyright in respect to original lyrics and melodies: Ananda Marga Pracaraka Samgha on behalf of Shrii Prabhat Ranjan Sarkar
ISBN=9798223353959
Graphic on cover by Tadeusz (Trilokesh) Majewski
Published by AmRevolution, Inc.
First Edition: 2023 April 21
Second Edition: 2023 July 12
Preface
Prabhat Samgiita is the collection of 5,018 songs composed by Shrii Prabhat Ranjan Sarkar, also known as Shrii Shrii Anandamurti and affectionately addressed as Baba. As the translater of this book's songs feels privileged to have been and to still be a disciple of the songs' composer, all further references to him (other than in formal citations) will be simply as Baba.
The first song of Prabhat Samgiita was given on 1982 September 14. The last song was given on 1990 October 20 (less than 24 hours before Baba's physical departure). All of the 100 songs in this book were given over a month and a day from 1985 April 17 to May 18. The songs were all given at Baba’s Lake Gardens residence, known as Madhumálaiṋca (sweet flower garden
).
Baba's songs cover a multitude of themes and genres. There are devotional songs, mystical songs, and revolutionary songs. There are folk songs, children's songs, women's songs, and ballads. There are wedding songs, birthday songs, and festival songs. Regardless of the theme or the way it is expressed, in every song there is a strong spiritual undercurrent, expressive of Baba's personal philosophy of Neohumanism.
Most of the song lyrics are in Bengali or a Bengali dialect.[n1] Nevertheless, the lyrics of over 40 songs are in other languages (including English, Samskrta, Hindi, Urdu, Magahi, Maithili, and Angika).
The melodies of Prabhat Samgiita represent most, if not all, of the major and even minor classical and folk styles of India. However, these Indian musical styles are often blended, occasionally for the first time, with musical styles from different parts of the world and different historical eras.[1][2] In addition, Prabhat Samgiita introduces many melodies that are original to Baba.
As Baba rarely gave titles to his songs, the songs are generally referenced by their first line. In other words, the first line of each song is usually treated as the song's title. On the rare occasions when the first line of more than one song is the same or similar to the first line of one or more other songs, the songs may be distinguished by the song number or the second line of the song. In this book, wherever identification of a song on the basis of the first line alone might be ambiguous, that song is distinguished by adding the second line of the song, customarily separated from the first line by a comma.
All of the material in this book (and more) will eventually be available free of charge on Sarkarverse. There may even be some corrections and updates there. Proceeds from the sale of this book will be used to support Sarkarverse and its affiliated projects, primarily PROUT Films.
Notes
1. Bengali is the sixth most-spoken language in the world. Its script is the sixth most-common script. The Roman script notation for Bengali used in this book was developed by Baba himself. For details on the notation, see Roman Bengali transliteration.
References
1. Sarkar, Shrii Prabhat Ranjan (1993) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 Kolkata: Ananda Marga Publications
ISBN 81-7252-041-7
2. Sarkar, Shrii Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-082-4
Introduction
There have been several translations of Prabhat Samgiita over the past 35 years since Baba gave his first composition. None, however, have been as
well-considered or as well-researched as these translations by Ac. Abhidevananda Avadhuta (Dada).
Prabhat Samgiita is a treasure trove of subtle devotional nuances that can only be deeply experienced and absorbed in the listening devotee's heart.
Such profound and intimate spiritual bháva can never be translated into any language as it lies beyond the world of words in an eternal sphere of cosmic inspiration. In Song 1745, Baba beautifully describes this realm.
The songs of Prabhat Samgiita are Baba's gift to humanity. They express all our most noble spiritual feelings as human beings, feelings in relation to our own minds as well as to all the expressed world – plants, animals, humans, human society, and the natural environment. Yet they are coming from one who was ensconsed in the realm of eternal, cosmic bháva. As such, these songs are Baba's multi-faceted expressions from the stance of mohan vijiṋána into the jewels of nandan vijiṋána. They help stir the latent feelings of spiritual ecstasy and spiritual mission in the devotee's heart.
It is no easy task to translate into English these jewels from the original Bengali, Bengali dialect, Urdu, or other language in which Baba chose to compose them. None of the other translations to date have been as painstakingly true to the literal and spiritual meaning as those by Ac. Abhidevananda. And so this book is an incredible labor of love. In it, Dada has achieved a sublime result. For those of us who are not familiar enough with the original language of these Prabhat Samgiita songs, Dada's translations offer an invaluable tool with which we may go deep into our own personal experience of the bháva of Baba's divine compositions.
Avadhutika Ananda Gaorii Acarya
Contents
2601 Sharada pradose
2602 Tomake ceyechi ami dhyane
2603 Utala pavane madhura svapane
2604 Tomake ceyechilum je
2605 Kalo megher phanke phanke
2606 Tomare ceyechi ami rupe rage sure
2607 Ei sajala samiire susmitadhare
2608 Jeo na kache thako
2609 Kusumer papri sama anane
2610 Nijer katha balte gele
2611 Andhar jiivane alok enecho
2612 Aji notun aloke pulake palake
2613 Aloker path dhare, jara giyechilo dure
2614 Prane eso mane eso
2615 Ogo prabhu tomar liila apar
2616 Ei unmada malayanile
2617 Diiner kutiire tumi ese gele
2618 Lukiye tumi kaj kare jao
2619 Bhalabaso jadi tabe eso
2620 Arup ratan tumi vishvamohan
2621 Andhar jethay aloy misheche
2622 Ghurnivatya rate esechilo
2623 Arup ratan tumi rupe esecho
2624 Sharada prate jhara shephalite
2625 Prane esecho mane esecho
2626 Ei sandhya sindhu kule
2627 Cander alo lage na bhalo
2628 Tomakei bujhi tomakei khunji
2629 Snigdha sajala meghakajjala
2630 Eso maner madhur diipaloke
2631 Aji sandhyagagane jyotsna svapane
2632 Tomate amate kabekar paricay
2633 Kon deshete acho tumi
2634 Ei jharnadhara elo kotha theke
2635 Tomate amate dekha hayechilo
2636 Amar sakal jvalar
2637 Phuler parag bhese jay
2638 Sandhya samiir suvase adhiir
2639 Chotta pakhi bulbuli
2640 Diner pare din cale jay
2641 Tumi ese priya
2642 Ami tomay deke calechi
2643 Tomar priitir gabhiirata
2644 Cira nutaner ahvan
2645 Anadi pather pathik je ami
2646 Ei ghana varasay esecho aji
2647 Badha eseche bheunge geche
2648 Alakha nirainjana manorainjan
2649 Aloke snata anande smita
2650 Sajala pavane chinu anamane
2651 Calaman ei dharitriite
2652 Sandhya samiire maner mukure
2653 Dheu esechilo ajanar
2654 Bare bare asiyachi tomare khunjiyachi
2655 Andhar hiyay tumi alo
2656 Phuler vane bhomra elo
2657 Akash jethay chonya sagare
2658 Tomare peyechi pranera pradiipe
2659 Matta pavane nishiitha gagane
2660 Tomar dvare prarthana kare
2661 Dahana jvalay candana tumi
2662 Etadin jare ceyechinu
2663 Rupe raune bhara e bhuvane
2664 Bhanu bhore balechilo more
2665 Arupe chile tumi rupe esecho
2666 Eso eso dhyane
2667 Svarna pradiip jvele ami
2668 Jeo na jeo na, mor aro katha ache baki
2669 Andhare tumi andhare esecho
2670 Vasanta aj elo vane vane
2671 Sandhyabelay balukabelay
2672 Tomake peyechi ami
2673 Diip jvelecho alo dhelecho
2674 Tumi je amar andhar hiyar mani
2675 Keka kalatane vana vitane
2676 Raunin parii aj haslo go haslo
2677 Megher deshe hathat ese
2678 Candana surabhi niye
2679 Sukhe duhkhe ami tomay bhalabasi
2680 Kiser ashe raibo base
2681 Je madhu jaminiite basechinu mala hate
2682 He anirvan, kena aso nako
2683 Madhup aji kii katha kay
2684 Gane bhara ei vasudhay
2685 Gan geye geye esechile tumi
2686 Hariye giyechi ami
2687 Koti koti pranam nao mor
2688 Tumi esecho madhu hesecho
2689 Mor maneri alakay
2690 Priya tumi