Research on the European Polyphonic Music in the Sixteenth Century: 十六世紀歐洲多聲部音樂研究

By Dingcheng Dai and 戴定澄

本書是音樂理論家戴定澄教授有關西方音樂早期和聲研究的最新成績報告書，也是他繼《歐洲早期和聲的觀念和形態》（2000）、《合唱經典－歐洲文藝復興時期合唱曲選》（2008）、《二十世紀澳門天主教音樂：獨特歷史背景下的作曲者與作品》（2013）之後，令人驚艷的一部力作。眾所週知，時至今日在西方音樂學術界，以巴洛克時期之前音樂做為研究主題的成果，原即相對有限，不少著名音樂史書於該年代的發展敘述，也多半停留在口頭語言當中，少有豐富音響與譜例參考。

歐洲文藝復興時期是為世人所公認西洋音樂史上聲樂複調的黃金時期，這時期的合唱作品，無論從內容、風格、體裁、結構、節奏、織體、寫作方法等各方面，都體現出合唱藝術的經典意義，更是多聲音樂與聲樂藝術極為寶貴的歷史財富。在歐美，對該時期作品的探討、應

• Language: 中文
• Publisher: EHGBooks
• Release date: Oct 1, 2017
• ISBN: 9781625037572

Book preview

作者簡介

戴定澄，教授，作曲技術理論博士。主要研究領域為歐洲早期多聲音樂，2003年赴澳門工作後同時開始關注和研究澳門城市音樂。現爲公立澳門理工學院藝術高等學校資深教授，澳門特區政府文化諮詢委員。兼任中國音樂家協會理事，中國高校理論作曲委員會副主任，中國中央音樂學院、中國音樂學院、英國紐卡素大學、中國廣州星海音樂學院、華南師範大學等客席教授，世界合唱聯盟、亞太民族音樂學會等理事，澳門樂團顧問委員，澳門教育青年局中小學音樂學力要求研製組顧問，澳門長虹音樂會、澳門道樂團、澳門管樂協會、集樂澳門協會、世界南音聯誼會等團體名譽音樂總監、名譽會長等。曾任上海師範大學音樂學院首任院長，上海音樂家協會副主席，上海音樂家協會理論委員會主任，澳門理工學院藝術高等學校校長。

幼時學習音樂，參與各類音樂團體演奏活動，並於上海完成音樂學士學位及助教進修，後赴日本國立靜岡大學隨須貝 靜直（Shizunao Sugai）教授研修，再於上海音樂學院作曲系隨桑桐先生學習。多次赴海內外講學和作課題研究。著述10餘部，中、英、日文論文及音樂文章百餘篇，包括：《初期多声音楽における双音原理について》（日本，1996）；《歐洲早期和聲的觀念與形態》(2000、2001) ；《鍵盤和聲》（1992、2001、2004）；《音樂教育在澳門》（2005）；《音樂表演在澳門》（2005）；《音樂創作在澳門》（2007）；《澳門音樂簡史》（2008）；《合唱經典》（2008）； 《20世紀澳門天主教音樂》（中文版2013 ；英文版2015）； A survey of liturgical composition in Macao in the twentieth century: musical life with Sao Jose as its centre .Rouledge Taylor and Francis Group  LONGDON AND NEW YORK  2013）；《澳門城市音樂文化研究》等。音樂研究、創作與教學獲獎無數。2013年，因對本地音樂文化的學術貢獻，被澳門 特區政府授予文化功績勳章。

Dai Dingcheng, holder of PhD (Composition Theory), is Professor of Musicology of the School of Arts at Macao Polytechnic Institute (MPI). His research is largely based on early European polyphony and contemporary music. Ever since his arrival in Macao in 2003, Dai is involved in projects related to urban musicology. He is a member of Cultural Consultative Committee of the Macao SAR, committee member of Asia Pacific Society for Ethnomusicology, Deputy Director of National Higher Education Academic Committee on Music Theory and Composition, committee member of World Choir Council, guest fellow of Central Conservatory, guest professor of Xinghai Conservatory of Music and South China Normal University . He is also the advisor to the Macao Orchestra, consultant of‘Aptitude Requirement of Music for Primary and Secondary Schools’ developed by Direcção dos Serviços de Educação e Juventude, honorary chairperson and artistic director of various societies in Macao such as Macao Cheong Hong Music Club, Macao Taoist Orchestra Association, Macao Band Directors Association and World Southern Music Friendship Association. Dai has been the Dean of the Music College of Shanghai Normal University, Visiting Professor of Newcastle University in United Kingdom, Vice President of Shanghai Musicians Association, and Director of School of Arts of Macao Polytechnic Institute. Dai received his early music training and studied the Bachelor of Music degree in Shanghai. He then further studied his postgraduate degree at Shizuoka National University. Afterwards, he went back to Shanghai and continued his PhD study under the instruction of Sang Tong in the Department of Composition of SCM. He frequently visited various countries to do research and