I think we've all been told that we should look at the conductor or at our musical colleagues in chamber music settings. But how important is this really?Isn't it enough to have good ears, and simply listen really attentively? Or do we miss out on something when we're more focused on the music on the stand than our music-making partners?A study of the Afiara and Cecelia string quartets provide some clues.Get all the nerdy details here;Why Good Ensemble Playing May Require More Than Just Your Ears* * *BTW, have you ever wondered why things often sound better at home than they do on stage? If you’ve been confused (and frustrated) by the inconsistency of your performances, I put together a FREE 4-minute quiz called the Mental Skills Audit, which will help you pinpoint your mental strengths and weaknesses, and figure out what exactly to adjust and tweak in your preparation for more consistently optimal performances. It’s 100% free, takes only 4 minutes, and you’ll get a downloadable PDF with a personalized breakdown of where you stand in six key mental skill areas. You'll also get the Pressure Proof Practice Challenge, a free 1-week email course where you'll learn specific practice strategies that will help you perform your best, even under pressure.Take the quiz here: bulletproofmusician.com/msa