Operadaki Hayalet
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Mevlânâ
Gotik edebiyatın en büyük eserlerinden Operadaki Hayalet'in tüylerimizi ürperten edebi çekiciliğinin nedeni, bir hayaleti değil vahşete dönüşen bir aşkı anlatıyor olması ve bunu yaparken okurları da tıpkı bir hayalet gibi hep arafta bırakması.Paris Operası'ndaki herkesi ürküten hayalet söylentisi, opera sanatçısı Christine Daae'nin kayboluşu ile büyük bir trajediye dönüşür... Operadaki Hayalet "gerçek" bir başyapıt.
"Şunu bil ki, tepeden tırnağa ölümden yaratıldım ben... ve seni seven, sana tapan ve seni asla ama asla terk etmeyecek olan bu kişi aslında bir ceset!"
Gaston Leroux
Gaston Leroux (1868-1927) was a French journalist and writer of detective fiction. Born in Paris, Leroux attended school in Normandy before returning to his home city to complete a degree in law. After squandering his inheritance, he began working as a court reporter and theater critic to avoid bankruptcy. As a journalist, Leroux earned a reputation as a leading international correspondent, particularly for his reporting on the 1905 Russian Revolution. In 1907, Leroux switched careers in order to become a professional fiction writer, focusing predominately on novels that could be turned into film scripts. With such novels as The Mystery of the Yellow Room (1908), Leroux established himself as a leading figure in detective fiction, eventually earning himself the title of Chevalier in the Legion of Honor, France’s highest award for merit. The Phantom of the Opera (1910), his most famous work, has been adapted countless times for theater, television, and film, most notably by Andrew Lloyd Webber in his 1986 musical of the same name.
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