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Sonder Jou/Desolation
Sonder Jou/Desolation
Sonder Jou/Desolation
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Sonder Jou/Desolation

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Sonder Jou - Desolation comprises 164 poems; 120 in Afrikaans, two in Dutch, and 42 in English. Only one English poem is a translation of its Afrikaans equivalent. The volume is an ode to love; homage to loneliness; an intense expression of mourning. It can also be regarded as biographical bibliotherapy. The first section (Youth) consists of 12 short poems in Afrikaans conveying the loneliness the author experienced during his adolescent years. In 19 poems (8 in Afrikaans and 11 in English) of the second section (Seasons of our love) the happiness of finding love and the maturation of the relationship with his wife are conveyed, also the hiccups that occurred. What the loss of his wife meant is evident in the 133 poems (102 in Afrikaans; 31 English) of the main section, Without You - Desolation (Sonder Jou - Verlatenheid). This section is devoted to the poems written during the 20 months following the death of his wife. He now finds himself even more desolate than in his youth.

Several aspects of the volume are of interest. The ability of the author to be in touch with and to express the various facets of his grief in simple language, in a cultural context where the expression of such emotions by men is frowned upon, is noteworthy. The poems also highlight the therapeutic self-help value of bibliotherapy. The poems of loss celebrate the mundane and relatively insignificant daily events that he shared with his wife. In being in touch with his grief and in concretising the accompanying pain he attempts to find meaning in the paradox between consciousness, highly developed as it is in humankind, and death. An answer is not evident, except perhaps that humankind is destined by gravity to be absorbed by the sixth dimension of dark matter. The bilingual aspect of the volume provides an additional aspect of interest.

LanguageEnglish
Release dateFeb 22, 2007
ISBN9781412240178
Sonder Jou/Desolation
Author

Holdstock

Len Holdstock, PhD, has studied and worked in South Africa, the USA and the Netherlands. At the time of his retirement in 1999 he was professor of Clinical Psychology at the Vrije Universiteit in Amsterdam. He has published widely within and outside the field of psychology; presented papers and conducted workshops in archetypal psychology and Person- Centred therapy in various parts of the world. In psychology his major publications have been in the areas of brain and sleep research, personality and psychotherapy theory, as well as critical theory and cultural psychology.<\p> He has done extensive work with the indigenous healers of South Africa and endeavoured, not only to Africanise psychology in that country, but the educational system as well. Even in post-apartheid South Africa reconsideration and reshaping of existing curricula and teaching methodologies in terms of African values, are necessary. He believes that sub-Saharan Africa has a great deal to offer in establishing a humane new world order. His last book, Re-examining psychology: Critical perspectives and African insights, Routledge, 2000, addresses the role psychology needs to play in creating universal cultural awareness. Although he focuses primarily on the cultural unawareness in the Western world with respect to sub-Saharan Africa, recent conflicts have pointed out similar shortcomings in the West with respect to Islamic culture. Holdstock has also co-edited a book on Western and Buddhist psychology, Eburon, 1996. In addition to his publications in psychology he has published on art and education: Transpersonal Art (1986) and Education for a new nation (1987). The present poetry volume is his first experiential publication. It can best be described as his bibliotherapy in which he processes his grief during the first 20 months following the death of his wife, his love of 50 years.

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    Sonder Jou/Desolation - Holdstock

    SONDER JOU

    DESOLATION

    t.l. holdstock

    © Copyright 2006 Dr. Thomas L. Holdstock.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval

    system, or transmitted, in any form or by any means, electronic, mechanical, photocopying,

    recording, or otherwise, without the written prior permission of the author.

    Note for Librarians: A cataloguing record for this book is available from Library and Archives

    Canada at www.collectionscanada.ca/amicus/index-e.html

    ISBN 1-4120-7782-6

    ISBN 978-1-4122-4017-8 (ebook)

    \\cebsrv01\CEB-O-EBOOKOPTIN\IN-PROGRESS\__For QA\for eBook\TRAFFORD\_Brylle\ongoing\media\image2.jpeg

    Offices in Canada, USA, Ireland and UK

    This book was published on-demand in cooperation with Trafford Publishing. On-demand

    publishing is a unique process and service of making a book available for retail sale to the

    public taking advantage of on-demand manufacturing and Internet marketing. On-demand

    publishing includes promotions, retail sales, manufacturing, order fulfilment, accounting and

    collecting royalties on behalf of the author.

    Book sales for North America and international:

    Trafford Publishing, 6E—2333 Government St.,

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    Order online at:

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    10   9   8   7   6   5   4   3   2

    Contents

    PROLOOG I JEUG

    selfportret

    adolossensie

    menswees

    bloekom teen die rant

    voël in ‘n kou

    die droom van God

    werkstewels

    vrou

    nag in Johannesburg

    Etosha

    winter in Stellenbosch

    atleet

    PROLOGUE II SEASONS OF OUR LOVE

    elebrating your 70th birthday, February 6, 2003, Kaysersburg, France

    verlief word op jou

    spring love

    falling in love

    awareness of you

    lente verlange

    ontwakende hartstog

    ons eerste soen

    somer herinneringe

    early morning stroll at Hogsback, ode to Alida

    Rough patches

    (d) let me be

    haar eerste kind

    man-talk

    Family

    autumn love

    SONDER JOU WITHOUT YOU

    vir oulaas in Suid-Afrika

    voorspel tot haar dood

    het telefoongesprek

    in coma, Kamer 134, Seksie H7, Academische Medische Center, Amsterdam

    Saterdagmiddag, 1 Mei, 2004, deur die oë van ‘n kind

    wat sou die beste wees

    eerste weke

    bij de noteman

    grade van bewussyn

    die glans is af

    die rou periode

    what not to say

    troos verward geraak

    gebreekte bekken

    wandelende ironie

    holding hands

    engel woord

    swart posbus

    die pienk roos

    the pink rose

    Woensdagaand, 26 Mei 2004

    sinkronisiteit

    beelde in die brein

    in my gedagtes by jou op weg na

    die ultieme vraag

    dit en dat

    wens en werklikheid

    the outer reaches

    only one more wish

    om van herinneringe vry te wees

    wat van die toekoms

    die kraaie kras

    death’s reality

    2.30 a.m.

    swanger foto

    limbic flashes

    breathing

    ontvlug met woorde?

    na my dood

    a brief interlude

    battered by Atlantic waves

    sonder haar

    tulpe stengels

    the new bench

    en wat het dit gehelp

    capital G

    sy was my alles

    waar is my liefie

    verdriet akademies vertaal

    20 Julie 2004

    e-pos aan Philip en Estelle

    beskermengel

    ankerloos

    op die snelweg

    op die sypaadjie

    gekondisioneerde reaksie

    soleil du sol

    verskietende ster

    leë dae

    swaartekrag

    Verse

    aan tafel

    die droograk

    27 Augustus 1960

    hoop

    vier maande al

    vier maande gelede

    aan die kinders

    the mirror of who i am

    the inevitable

    wat is werklikheid

    soos sy dit doen

    vyf maande vandag

    wat ons nie weet nie

    terug

    skeiding

    haar dood is so anders as my dood

    life blood

    verdriet wals

    hurricane force

    Back in South Africa

    hunkering

    absurdity

    angs

    tuiskoms

    sonder haar

    fisika van verdriet

    selfs ‘n velwond

    die dag begin

    die ander tafel

    alles eindig

    lente 2005

    soveel om te bely

    gebed

    1 Mei 2005

    sy en ek

    dubbelglas stil

    flat northern sky

    music of the spheres

    Mona Lisa beelde

    sinusoidal grief

    American dream

    toe alles nog moontlik was

    taferele

    lugposbriewe

    crossing borders

    memories

    Beloved, do not die. Do not dare die! I, the survivor, I wrap you in words so that the future inherits you. I snatch you from the death of forgetfulness. I tell your story, complete your ending-you who once whispered beside me in the dark.

    Antjie Krog, Country of my skull, 1998

    De werklijke catastrofes zijn we geneigd te omgeven met woorden, alsof we onszelf er zo tegen kunnen beschermen.

    Aharon Appelfeld, Het verhaal van een leven, 2005

    De ongedeelde herinnering sterft eenzaam.

    J.J. Streefkerk, de Volkskrant, Aug. 23, 2005, p. 13

    In memory of Alida

    To all who loved her and those she loved, especially our sons, their families; the grandchildren who do not have the privilege of growing up knowing her

    To friends who willingly read my tears, shared my grief, provided comments, proofreading: Estelle, Di, Chris, Joep, Bev, Bernie, Monika, Philip; Dorian for mentoring

    Candy, Tiël and Louis, your creative input and technical support are imprinted on the cover and the inside pages. Thank-you for helping when I got stuck.

    Jordan Reichert, author representative at Trafford, thank you for doing so in the way that you do.

    PROLOOG I

    JEUG

    selfportret

    met groot oop oë

    het hy

    aan die lewensbal geraak

    tenger vingers tastend

    was bang

    om die kristal te kraak

    swanger hart afwagtend

    kon nie die ritme

    van sy polslag vind

    adolossensie

    in ‘n sel

    ‘n klooster

    van my eie

    self gekluister

    vasgevang deur

    matelose onsekerheid

    het die angs

    van mens en

    volwasse wees

    die mure van

    my sosiale wese

    deur senuwee

    en kliermetabolisme

    al digter om

    my heen gekring

    menswees

    aan hierdie stang

    het God twee arms uitgehang

    aan die hande het Hy

    vingers vasgedraai

    en die fabriek

    waar elke bout en groef

    met bloed geolie

    in die

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