Ripley's Believe It or Not! The Cartoons 03: Longest Running Cartoon Ever
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About this ebook
The Ripley’s Believe It or Not! cartoon is the longest running cartoon strip in the world. It has been published since 1918, when Robert Ripley himself was the cartoonist.
By 1933, the Ripley's Believe It or Not! Cartoon was read daily by millions of people in 17 languages across 300 publications around the world. Selections from this rich treasure trove of unbelievable stories make up our compilation of cartoon ebooks, each guaranteed to astound, amuse and entertain.
Ripley's Believe It Or Not
Ripley's Believe It or Not! is globally renowned as the authority on the weird, the eccentric, and the amazing. Ripley's Believe It or Not! provides entertaining books for children of all ages which educates and informs them in a humorous style. The Ripley brand is known around the world as a trend-setting source of family-friendly fun and excitement! Every day the researchers at Ripley's are busy digging up the craziest true stories and the most unbelievable facts.
Read more from Ripley's Believe It Or Not
Ripley's Believe It or Not! The Cartoons 01: Longest Running Cartoon Ever Rating: 4 out of 5 stars4/5Ripley's Believe It or Not! The Cartoons 02: Longest Running Cartoon Ever Rating: 4 out of 5 stars4/5Ripley's Believe It or Not! The Cartoons 06: Longest Running Cartoon Ever Rating: 5 out of 5 stars5/5Ripley's Believe It or Not! The Cartoons 04: Longest Running Cartoon Ever Rating: 0 out of 5 stars0 ratingsRipley's Believe It or Not! The Cartoons 05: Longest Running Cartoon Ever Rating: 1 out of 5 stars1/5Ripley's Unbelievable Stories For Guys Rating: 5 out of 5 stars5/5
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Ripley's Believe It or Not! The Cartoons 03 - Ripley's Believe It Or Not
CONTENTS
The Story Behind the Cartoons
The Talented Mr. Ripley
Believe it or Not! is Born
More Popular than Santa Claus
Far-Reaching Consequences
Ripley at His Best
The Cartoons Post-Ripley
Take a Bow, John Graziano!
Cartoon Creation
The Cartoons
THE STORY BEHIND THE CARTOONS
It’s no exaggeration to assert that in the early part of the last century Ripley’s Believe It or Not! cartoons sparked a whole new family ritual in American households. When The New York Globe was flung onto porches each morning, all generations scrambled to view the daily, quirky cartoons that presented the incredible and the unusual in illustrated form. Like postcards sent from a traveling friend, the black-and-white sketches were as much a breakfast ritual as pancakes and muffins, a form of global, interactive communication, an early-day Facebook or Twitter.
Back then, cartoons were popular, quick-read journalism, the pictures adding fast information and atmosphere to newspaper reports, in a time before photographs could be sent to a paper at the press of a