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    Summary of Diana Gabaldon's "I Give You My Body . . ."
    Summary of Diana Gabaldon's "I Give You My Body . . ."
    Summary of Diana Gabaldon's "I Give You My Body . . ."
    Ebook26 pages11 minutes

    Summary of Diana Gabaldon's "I Give You My Body . . ."

    By IRB Media

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    Please note: This is a companion version & not the original book. Book Preview:

    #1 A good sex scene is a dialogue scene with physical details. It should be a sensual detail rather than a overtly sexual one. The Rule of Three can help you make a scene vivid and three-dimensional: if you use any three of the five senses, it will make the scene immediately three-dimensional.

    #2 When he came to her, he found that she didn’t want gentleness or courting. She wanted directness. She wanted to be broken, and she wanted to slash him with her jagged edges.

    LanguageEnglish
    PublisherIRB Media
    Release dateJun 10, 2022
    ISBN9798822537392
    Summary of Diana Gabaldon's "I Give You My Body . . ."
    Author

    IRB Media

    With IRB books, you can get the key takeaways and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience.

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      Book preview

      Summary of Diana Gabaldon's "I Give You My Body . . ." - IRB Media

      Insights on Diana Gabaldon's I Give You My Body . . .

      Contents

      Insights from Chapter 1

      Insights from Chapter 2

      Insights from Chapter 3

      Insights from Chapter 4

      Insights from Chapter 5

      Insights from Chapter 6

      Insights from Chapter 7

      Insights from Chapter 8

      Insights from Chapter 9

      Insights from Chapter 10

      Insights from Chapter 11

      Insights from Chapter 12

      Insights from Chapter 13

      Insights from Chapter 1

      #1

      A good sex scene is a dialogue scene with physical details. It should be a sensual detail rather than a overtly sexual one. The Rule of Three can help you make a scene vivid and three-dimensional: if you use any three of the five senses, it will make the scene immediately three-dimensional.

      #2

      When he came to her, he found that she didn’t want gentleness or courting. She wanted directness. She wanted to be broken, and she wanted to slash him with her jagged edges.

      Insights from

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