All's Well That Ends Well In Plain and Simple English (A Modern Translation and the Original Version)
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It's a comedy! It's a tragedy! It's...confusing! Shakespeare doesn't have to be confusing and hard to read. Let BookCaps help with this modern retelling.
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The original text is also presented in the book, along with a comparable version of both text.
We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
BookCaps
We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.Visit www.bookcaps.com to see more of our books, or contact us with any questions.
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All's Well That Ends Well In Plain and Simple English (A Modern Translation and the Original Version) - BookCaps
About This Series
The Classic Retold
series started as a way of telling classics for the modern reader—being careful to preserve the themes and integrity of the original. Whether you want to understand Shakespeare a little more or are trying to get a better grasps of the Greek classics, there is a book waiting for you!
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Characters
KING OF FRANCE.
THE DUKE OF FLORENCE. BERTRAM, Count of Rousillon.
LAFEU, an old Lord.
PAROLLES, a follower of Bertram.
Several young French Lords, that serve with Bertram in the Florentine War.
Steward, Servant to the Countess of Rousillon.
Clown, Servant to the Countess of Rousillon.
A Page, Servant to the Countess of Rousillon.
COUNTESS OF ROUSILLON, Mother to Bertram.
HELENA, a Gentlewoman protected by the Countess.
An old Widow of Florence.
DIANA, daughter to the Widow.
VIOLENTA, neighbour and friend to the Widow.
MARIANA, neighbour and friend to the Widow.
Lords attending on the KING; Officers; Soldiers, &c., French and Florentine.
Comparative Version
SCENE I. Rousillon. The COUNT's palace.
Enter BERTRAM, the COUNTESS of Rousillon, HELENA, and LAFEU, all in black
COUNTESS
In delivering my son from me, I bury a second husband.
In sending away my son, it is as if I buried my husband again.
BERTRAM
And I in going, madam, weep o'er my father's death
anew: but I must attend his majesty's command, to
whom I am now in ward, evermore in subjection.
And in going away, madam, I weep for my father's death
over again: but I must obey his Majesty's command,
for he is now my guardian and I am forever under his rule.
LAFEU
You shall find of the king a husband, madam; you,
sir, a father: he that so generally is at all times
good must of necessity hold his virtue to you; whose
worthiness would stir it up where it wanted rather
than lack it where there is such abundance.
You shall find the king like a husband, madam; you
sir will find him like a father: he is always so good
that he will of course be good to you; you
deserve it and would provoke goodness if it was lacking,
so you will not lack it where there is so much available.
COUNTESS
What hope is there of his majesty's amendment?
What hope is there of his Majesty getting better?
LAFEU
He hath abandoned his physicians, madam; under whose
practises he hath persecuted time with hope, and
finds no other advantage in the process but only the
losing of hope by time.
He has given up on his doctors, madam; he had
hoped to get more time through them, and now
he thinks that the only thing they can give him
is that he will lose hope over time.
COUNTESS
This young gentlewoman had a father,--O, that
'had'! how sad a passage 'tis!--whose skill was
almost as great as his honesty; had it stretched so
far, would have made nature immortal, and death
should have play for lack of work. Would, for the
king's sake, he were living! I think it would be
the death of the king's disease.
This young lady had a father–oh how sad
it is to say ‘had’!–whose skill was almost as great
as his honesty; if it had been he could have made
mankind immortal, and death would have had
time on his hands through lack of work. I wish he were alive,
for the King's sake! I think he would have
killed off the King's disease.
LAFEU
How called you the man you speak of, madam?
What was the name of this man you speak of, madam?
COUNTESS
He was famous, sir, in his profession, and it was
his great right to be so: Gerard de Narbon.
He was famous in his profession, Sir, and
he had every right to be: Gerard de Narbon.
LAFEU
He was excellent indeed, madam: the king very
lately spoke of him admiringly and mourningly: he
was skilful enough to have lived still, if knowledge
could be set up against mortality.
He was indeed a great man, madam: just recently
the King spoke of him admiringly and sadly: he
had the skills to still be alive, if knowledge
could triumph over death.
BERTRAM
What is it, my good lord, the king languishes of?
What is the nature of the King's illness, my good lord?
LAFEU
A fistula, my lord.
He has a fistula, my Lord.
BERTRAM
I heard not of it before.
I have never heard of that.
LAFEU
I would it were not notorious. Was this gentlewoman
the daughter of Gerard de Narbon?
I wish nobody had. Was this young lady
the daughter of Gerard de Narbon?
COUNTESS
His sole child, my lord, and bequeathed to my
overlooking. I have those hopes of her good that
her education promises; her dispositions she
inherits, which makes fair gifts fairer; for where
an unclean mind carries virtuous qualities, there
commendations go with pity; they are virtues and
traitors too; in her they are the better for their
simpleness; she derives her honesty and achieves her goodness.
His only child, my lord, and left in my care.
I have high hopes for her due to
the education she has received; she has inherited
a good character which improves her gifts; when
an unclean mind has good qualities, praise
goes along with pity; they are virtues
but they are corrupted; in her they are better for her
innocence; she inherits her honesty and has worked for her goodness.
LAFEU
Your commendations, madam, get from her tears.
Your praise has made her cry, madam.
COUNTESS
'Tis the best brine a maiden can season her praise
in. The remembrance of her father never approaches
her heart but the tyranny of her sorrows takes all
livelihood from her cheek. No more of this, Helena;
go to, no more; lest it be rather thought you affect
a sorrow than have it.
Tears give the best salt for a girl to flavour her praise with.
She can never remember her father
without her great sorrow draining all the colour from her cheeks.
Stop this, Helena; come on, stop it, you don't want people to think
that your sorrow isn't genuine.
HELENA
I do affect a sorrow indeed, but I have it too.
I am making a show of mourning, but it is genuine.
LAFEU
Moderate lamentation is the right of the dead,
excessive grief the enemy to the living.
The dead have a right to expect a little mourning,
but excessive grief damages the living.
COUNTESS
If the living be enemy to the grief, the excess
makes it soon mortal.
If those who are alive fight against the grief,
it will soon die.
BERTRAM
Madam, I desire your holy wishes.
Madam, I want your blessing.
LAFEU
How understand we that?
What does that mean?
COUNTESS
Be thou blest, Bertram, and succeed thy father
In manners, as in shape! thy blood and virtue
Contend for empire in thee, and thy goodness
Share with thy birthright! Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use, and keep thy friend
Under thy own life's key: be cheque'd for silence,
But never tax'd for speech. What heaven more will,
That thee may furnish and my prayers pluck down,
Fall on thy head! Farewell, my lord;
'Tis an unseason'd courtier; good my lord,
Advise him.
Bertram, may you have the blessing of copying your father's
manners as well as his shape! Your passion and your virtues
fight to rule over you, and your goodness
fights with your inheritance! Love everyone, only trust a few,
do no harm to any; be prepared for your enemy
but don't attack him, and defend your friends
with your life: don't be too quiet,
but don't talk too much.May whatever else heaven will allow,
and my prayers get for you,
fall upon your head! Farewell, my lord;
he is not used to courts; my good lord,
look after him.
LAFEU
He cannot want the best
That shall attend his love.
He will get the best he deserves.
COUNTESS
Heaven bless him! Farewell, Bertram.
May Heaven bless him! Farewell, Bertram.
Exit
BERTRAM
[To HELENA] The best wishes that can be forged in
your thoughts be servants to you! Be comfortable
to my mother, your mistress, and make much of her.
May your thoughts be full of goodness! Be good
to my mother, your mistress, and look after her.
LAFEU
Farewell, pretty lady: you must hold the credit of
your father.
Goodbye, pretty lady: be a credit to your father.
Exeunt BERTRAM and LAFEU
HELENA
O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
Oh if that were all! I'm not thinking of my father:
I am weeping more for the memory of him
than I am for his person. What was he like?
I have forgotten him: my mind
has no love in it except for Bertram.
I am lost: I cannot live at all
without Bertram. I might just as well
be in love with a bright star above
and think I could marry it, he is so far above me:
I must be happy to bathe in his reflected light,
because I cannot get near to him.
And so my love tortures itself:
the deer that wanted to mate with a lion
would die of love. It was lovely, though torture,
to see him all the time, to sit and draw
a picture in my heart of his arched brows,
his sharp eye; my heart knows all too well
every little line of his sweet face:
but now he's gone, and all I have left to worship
are my memories of him. Who's this?
Enter PAROLLES
Aside
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.
It's one of those that goes with him: I love him for what he is,
and yet I know he is a terrible liar,
I think he is very foolish, a complete coward;
yet he is so suited to his flaws
that they look good, when cold virtues
look harsh: it's true that we often see
cold wisdom is not as attractive as foolishness.
PAROLLES
Save you, fair queen!
Greetings, lovely Queen!
HELENA
And you, monarch!
The same to you, King!
PAROLLES
No.
I'm not a king.
HELENA
And no.
And I'm not a Queen.
PAROLLES
Are you meditating on virginity?
Are you thinking about virginity?
HELENA
Ay. You have some stain of soldier in you: let me
ask you a question. Man is enemy to virginity; how
may we barricado it against him?
Yes. You have something of the soldier about you: let me
ask you a question. Man is the enemy of virginity; how
can we resist him?
PAROLLES
Keep him out.
Keep him out.
HELENA
But he assails; and our virginity, though valiant,
in the defence yet is weak: unfold to us some
warlike resistance.
But he attacks, and although our virginity is brave,
it is weak in its defence: tell me a soldier's way
of resisting.
PAROLLES
There is none: man, sitting down before you, will
undermine you and blow you up.
There isn't one: a man, sitting down in front of you, will
get under your defences and blow you up.
HELENA
Bless our poor virginity from underminers and
blowers up! Is there no military policy, how
virgins might blow up men?
Save our poor virginity from these underminers
and blowers up! Is there no military way for
virgins to blow up men?
PAROLLES
Virginity being blown down, man will quicklier be
blown up: marry, in blowing him down again, with
the breach yourselves made, you lose your city. It
is not politic in the commonwealth of nature to
preserve virginity. Loss of virginity is rational
increase and there was never virgin got till
virginity was first lost. That you were made of is
metal to make virgins. Virginity by being once lost
may be ten times found; by being ever kept, it is
ever lost: 'tis too cold a companion; away with 't!
Once virginity has been beaten, men will quickly
be blown up: in fact, the action of blowing him down
will bring your city walls tumbling. It's not part of nature
to preserve virginity. The loss of virginity means the increase
of the population, no virgin was ever born unless
somebody lost their virginity first. You were made
to make virgins. Once your virginity is lost
you can make ten more virgins; if you keep it
there will be no more virgins: it's a cold companion, get rid of it!
HELENA
I will stand for 't a little, though therefore I die a virgin.
I think I'll put up with it for a while, even if it means I died a virgin.
PAROLLES
There's little can be said in 't; 'tis against the
rule of nature. To speak on the part of virginity,
is to accuse your mothers; which is most infallible
disobedience. He that hangs himself is a virgin:
virginity murders itself and should be buried in
highways out of all sanctified limit, as a desperate
offendress against nature. Virginity breeds mites,
much like a cheese; consumes itself to the very
paring, and so dies with feeding his own stomach.
Besides, virginity is peevish, proud, idle, made of
self-love, which is the most inhibited sin in the
canon. Keep it not; you cannot choose but loose
by't: out with 't! within ten year it will make
itself ten, which is a goodly increase; and the
principal itself not much the worse: away with 't!
There's not much to be said for it; it's against
the law of nature. If you defend virginity
then you are attacking your mother; which is a terrible
thing to do. A suicide is a virgin:
virginity murders itself and should be buried
by the roadside, not in the holy ground, as being a terrible
offender against nature. Virginity breeds parasites
like a cheese does; it eats itself right down to the
rind, and so dies feeding itself.
Besides, virginity is testy, arrogant, lazy, made of
self-love, which is the most prohibited sin of
all. Don't hang onto it, you will only lose by
doing so: get rid of it! Within ten years you will have made
ten more virgins, which is a good return; and you won't have lost
much of your capital. Get rid of it!
HELENA
How might one do, sir, to lose it to her own liking?
What should one do, Sir, to lose it in a pleasing manner?
PAROLLES
Let me see: marry, ill, to like him that ne'er it
likes. 'Tis a commodity will lose the gloss with
lying; the longer kept, the less worth: off with 't
while 'tis vendible; answer the time of request.
Virginity, like an old courtier, wears her cap out
of fashion: richly suited, but unsuitable: just
like the brooch and the tooth-pick, which wear not
now. Your date is better in your pie and your
porridge than in your cheek; and your virginity,
your old virginity, is like one of our French
withered pears, it looks ill, it eats drily; marry,
'tis a withered pear; it was formerly better;
marry, yet 'tis a withered pear: will you anything with it?
Let me see; well, you must like someone who doesn't
like virginity;it's a commodity that will go off;
the longer you keep it, the less it is worth: get rid of it
while it's still saleable; give it up when asked.
Virginity, like an old courtier, wears an unfashionable
cap: good quality, but unsuitable: like
brooches and toothpicks, which nobody wears
now. Dates are nicer in pies or in
porridge than eaten raw; and your virginity,
your old virginity, is like one of those dried
French pears, it looks nasty, it's dry to eat; in fact
it's a withered pear: what can you do with it?
HELENA
Not my virginity yet
There shall your master have a thousand loves,
A mother and a mistress and a friend,
A phoenix, captain and an enemy,
A guide, a goddess, and a sovereign,
A counsellor, a traitress, and a dear;
His humble ambition, proud humility,
His jarring concord, and his discord dulcet,
His faith, his sweet disaster; with a world
Of pretty, fond, adoptious christendoms,
That blinking Cupid gossips. Now shall he--
I know not what he shall. God send him well!
The court's a learning place, and he is one—
Your master shall not have my virginity yet,
but he will have thousand loves,
a mother and a mistress and friend,
a phoenix, a captain and an enemy,
a guide, a Goddess and Queen,
a counsellor, a traitoress and a dear one;
his humble ambition, his proud humility,
his clashing harmonies, his sweet discord,
his faith, his sweet disaster; these are all
the pretty, fond, adopted names
that men give, inspired by love. Now he shall–
I don't know what he shall. May God look after him!
The court's a place where one learns, and he is one–
PAROLLES
What one, i' faith?
For heaven's sake, who are you talking about?
HELENA
That I wish well. 'Tis pity—
The one that I wish well. It's a shame-
PAROLLES
What's pity?
What's a shame?
HELENA
That wishing well had not a body in't,
Which might be felt; that we, the poorer born,
Whose baser stars do shut us up in wishes,
Might with effects of them follow our friends,
And show what we alone must think, which never
Return us thanks.
That good wishes don't have a physical body,
so that we who are born poor, whose lowly position
means wishes are all we have,
might use them to follow our friends,
and show them things we are only allowed to think,
which never do us any good.
Enter Page
Page
Monsieur Parolles, my lord calls for you.
Monsieur Parolles,my lord wants you.
Exit
PAROLLES
Little Helen, farewell; if I can remember thee, I
will think of thee at court.
Farewell little Helen; if I remember you, I
will think of you when I'm at the court.
HELENA
Monsieur Parolles, you were born under a charitable star.
Monsieur Parolles, you were born under a star sign which makes you kind.
PAROLLES
Under Mars, I.
I was born under Mars.
HELENA
I especially think, under Mars.
Definitely under Mars, I think.
PAROLLES
Why under Mars?
Why under Mars?
HELENA
The wars have so kept you under that you must needs
be born under Mars.
You can have been so much in the wars that you must
have been born under Mars.
PAROLLES
When he was predominant.
When he was in the ascendant.
HELENA
When he was retrograde, I think, rather.
I think when he was descending, actually.
PAROLLES
Why think you so?
Why do you think that?
HELENA
You go so much backward when you fight.
You are always going backwards when you fight.
PAROLLES
That's for advantage.
That's to get an advantage.
HELENA
So is running away, when fear proposes the safety;
but the composition that your valour and fear makes
in you is a virtue of a good wing, and I like the wear well.
So is running away, when you're inspired by fear;
but the mixture of your bravery and fear
makes a good outfit, and I like the look of it.
PAROLLES
I am so full of businesses, I cannot answer thee
acutely. I will return perfect courtier; in the
which, my instruction shall serve to naturalize
thee, so thou wilt be capable of a courtier's
counsel and understand what advice shall thrust upon
thee; else thou diest in thine unthankfulness, and
thine ignorance makes thee away: farewell. When
thou hast leisure, say thy prayers; when thou hast
none, remember thy friends; get thee a good husband,
and use him as he uses thee; so, farewell.
I'm too busy to answer you properly.
I will come back the perfect courtier; and when I do
I will teach you all the ways of the court
so you will be ready for a courtier's
advice and be able to understand it;
otherwise you'll die lonely,
kept alone by your ignorance: goodbye.
When you have the time, say your prayers;
don't bother remembering your friends;
get yourself a husband and
treat him the same as he treats you.
Exit
HELENA
Our remedies oft in ourselves do lie,
Which we ascribe to heaven: the fated sky
Gives us free scope, only doth backward pull
Our slow designs when we ourselves are dull.
What power is it which mounts my love so high,
That makes me see, and cannot feed mine eye?
The mightiest space in fortune nature brings
To join like likes and kiss like native things.
Impossible be strange attempts to those
That weigh their pains in sense and do suppose
What hath been cannot be: who ever strove
So show her merit, that did miss her love?
The king's disease--my project may deceive me,
But my intents are fix'd and will not leave me.
We have the power to take fate into our own hands,
which we usually say is controlled by the stars; the fateful sky
gives us free rein, it only pulls back
our clumsy plans when we are clumsy ourselves.
What is the power that gives me so much love,
that lets me look when I cannot touch?
Fate leaves a space for nature to come in,
to join those who are similar and let them naturally kiss.
Strange plans look impossible to those
who weigh things in the balance sensibly and think
that nothing can be changed: who was there who ever
showed such merit, missing her love?
The king's disease-I may be deceiving myself with this plan,
but my mind is made up, I'm going ahead.
Exit
SCENE II. Paris. The KING's palace.
Flourish of cornets. Enter the KING of France, with letters, and divers Attendants
KING
The Florentines and Senoys are by the ears;
Have fought with equal fortune and continue
A braving war.
The Florentines and the Siennese are still at loggerheads;
they have had equal success and are continuing
a fierce war.
First Lord
So 'tis reported, sir.
So they say, sir.
KING
Nay, 'tis most credible; we here received it
A certainty, vouch'd from our cousin Austria,
With caution that the Florentine will move us
For speedy aid; wherein our dearest friend
Prejudicates the business and would seem
To have us make denial.
No, you can believe it; I've been told
it's definite by my cousin the King of Austria,
who warns that the Florentines will be coming to us
looking for help; and our dear friend
has weighed up the matter and seems
to want us to refuse.
First Lord
His love and wisdom,
Approved so to your majesty, may plead
For amplest credence.
His love and wisdom,
which your Majesty so values, means
we should give his views the greatest respect.
KING
He hath arm'd our answer,
And Florence is denied before he comes:
Yet, for our gentlemen that mean to see
The Tuscan service, freely have they leave
To stand on either part.
He has prepared our answer for us,
and Florence is refused before she asks.
But for any of our gentlemen who want
to fight in Tuscany, they have my permission
to fight for either side.
Second Lord
It well may serve
A nursery to our gentry, who are sick
For breathing and exploit.
It may well be
a good training ground for our gentry, who are itching
for exercise and adventure.
KING
What's he comes here?
Who's this coming?
Enter BERTRAM, LAFEU, and PAROLLES
First Lord
It is the Count Rousillon, my good lord,
Young Bertram.
It is Count Rousillon, my good lord,
young Bertram.
KING
Youth, thou bear'st thy father's face;
Frank nature, rather curious than in haste,
Hath well composed thee. Thy father's moral parts
Mayst thou inherit too! Welcome to Paris.
Young man, you look like your father;
nature has clearly worked carefully, not swiftly,
and made you well. May you also have inherited
your father's moral character! Welcome to Paris.
BERTRAM
My thanks and duty are your majesty's.
I give you my thanks, and I am at your Majesty's service.
KING
I would I had that corporal soundness now,
As when thy father and myself in friendship
First tried our soldiership! He did look far
Into the service of the time and was
Discipled of the bravest: he lasted long;
But on us both did haggish age steal on
And wore us out of act. It much repairs me
To talk of your good father. In his youth
He had the wit which I can well observe
To-day in our young lords; but they may jest
Till their own scorn return to them unnoted
Ere they can hide their levity in honour;
So like a courtier, contempt nor bitterness
Were in his pride or sharpness; if they were,
His equal had awaked them, and his honour,
Clock to itself, knew the true minute when
Exception bid him speak, and at this time
His tongue obey'd his hand: who were below him
He used as creatures of another place
And bow'd his eminent top to their low ranks,
Making them proud of his humility,
In their poor praise he humbled. Such a man
Might be a copy to these younger times;
Which, follow'd well, would demonstrate them now
But goers backward.
I wish that I was as healthy now
as I was when your father and I in friendship
First became soldiers! He spent
a long time in service and had
the bravest followers: he lasted for a long time;
but that old witch, age, crept up on us
and curtailed our actions. It cheers me up
to talk about your good father. In his youth
he was as witty as the young lords
whom I see today; but they can joke
until they're blue in the face
before they can match their wit with honour;
he was so courteous, there was no contempt or bitterness
in his pride or his wit; if there was
it was only ever to his equals, and his honour,
which governed him, knew the right time
to speak when he was offended, and at this time
his tongue would follow his hand: those below him
he treated as if they had a different position
and bowed his noble head to their lower ranks,
making them delighted with his humility;
he humbled himself to praise them. A man like this
would be a good example for modern times;
if it was followed, it would show these young ones
that they have actually fallen backwards.
BERTRAM
His good remembrance, sir,
Lies richer in your thoughts than on his tomb;
So in approof lives not his epitaph
As in your royal speech.
The best memorial for him, Sir,
is your memories rather than what's written on his tomb;
your royal speech is the best confirmation
of his epitaph.
KING
Would I were with him! He would always say--
Methinks