On a First Name Basis
By Norm Foster
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About this ebook
Norm Foster
Norm Foster has been the most produced playwright in Canada every year for the past twenty years. His plays receive an average of one hundred and fifty productions annually. Norm has over sixty plays to his credit, including The Foursome, On a First Name Basis, and Hilda’s Yard. He is the recipient of the Los Angeles Drama-Logue Award for his play The Melville Boys and is an Officer of the Order of Canada. He lives in Fredericton.
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On a First Name Basis - Norm Foster
Norm Foster
On A First Name Basis
Playwrights Canada Press
Toronto
For my close friend and trusted director, David Nairn.
Contents
Dedication
Production History
Characters
Time
Setting
Act 1
Act 2
Timeline
Acknowledgements
About the Author
Also By Norm Foster
Copyright
On A First Name Basis was first workshopped at the Bermuda Musical and Dramatic Society from May 7–13, 2012, with the following creative team:
On A First Name Basis was first produced professionally at Theatre Orangeville, in Orangeville, Ontario, from April 4–21, 2013, with the following creative team:
Characters
David Kilbride: Sixty-two years old. A novelist.
Lucy Hopperstaad: Fifty-four years old. A housekeeper.
Time
Evening. November.
Setting
The home of David Kilbride.
ACT ONE
It is a large older home. There are two big wingback chairs with a table between them. There is a plate with a fork on it and a coffee cup and saucer on the table. There is also a music player in the room and a remote control. It is a wealthy man’s study. The exit to the kitchen is stage right and the exit to DAVID’s office is stage left.
As the lights come up, we see DAVID Kilbride sitting in a chair reading the newspaper. He drops one section of the newspaper on the floor beside him. LUCY Hopperstaad enters stage right. She sets a glass of cognac on a coaster on the table.
DAVID
Oh. Thank you, Miss Hopperstaad. Is it seven-thirty already?
LUCY
Yes, sir. Seven thirty-two.
DAVID
Seven thirty-two? Then you’re late, aren’t you?
He laughs.
I’m kidding, Miss Hopperstaad.
LUCY
Of course you are, sir.
DAVID
It was a joke.
LUCY
Of course it was.
DAVID
You knew that, right? That it was a joke?
LUCY
Yes, sir. From the moment you said it was a joke.
DAVID
You know, I do have quite the sense of humour, Miss Hopperstaad.
LUCY stares at DAVID.
What’s wrong?
LUCY
I’m waiting for the punchline to this joke, sir.
DAVID
You don’t think I have a sense of humour?
LUCY
…Once again, sir, waiting for the payoff.
DAVID
Miss Hopperstaad, I’ll have you know that in my writing circles I’m known as quite the comedian.
He drops another section of the newspaper onto the floor.
LUCY
In your writing circles?
DAVID
Yes.
LUCY
With those gentlemen who write papers on the rate of photosynthesis in gymnosperms and the benefits of potassium bisulfate as a food preservative?
She picks the newspaper up off the floor and sets it on a shelf.
DAVID
Yes.
LUCY
Well, I don’t doubt that you are the class clown of that group, sir.
DAVID
How do you know about potassium bisulfate?
LUCY
It was discussed during the group’s last gathering here. I was in the kitchen.
DAVID
And you overheard us?
LUCY
Overheard every word. Even with my head in the oven and the gas up full.
DAVID
Now, Miss Hopperstaad, those meetings aren’t that tedious. True, these gentlemen are from the science field for the most part, but they are all writers nonetheless, and it is beneficial for writers to assemble on occasion for the exchange of ideas.
LUCY
Well, sir, I don’t think they’re exchanging ideas as much as they’re sitting at the feet of someone like yourself who has actually been published. They’re here in the hopes that some of your luck might rub off on them.
DAVID
Luck? Do you think it’s because of luck that I’m published?
LUCY
Not entirely, Mr. Kilbride.
DAVID
What do mean, not entirely?
He picks up his glass and drinks.
LUCY
I think it was a stroke of good fortune that your last novel saw the light of day, but the previous works were well-deserving of publication.
DAVID
You’ve read my novels?
LUCY
Every one.
DAVID
That surprises me.
He sets his glass down, but not on the coaster.
LUCY
And why is that, sir? Because I am merely the hired help? A societal ragamuffin who would have no interest in an activity that doesn’t involve someone shouting out bingo numbers to an assembled crowd of sweatpant-modelling chain-smokers?
She places his glass back on the coaster.
DAVID
No. It’s just that I write spy novels. I wouldn’t think spy novels would be to your taste. Besides, you’ve never mentioned to me that you’ve read them.
LUCY
Would you like a report every time I read one, sir?
DAVID
No, I just thought that at some point you might have mentioned in passing that you were enjoying them.
LUCY doesn’t answer.
…Reading them.
LUCY
I’ll make a mental note of that, sir. Employer’s ego needs stroking. Done.
DAVID drops another section of the newspaper onto the floor.
Shall I draw your bath now?
DAVID
You never draw my bath. I draw my own bath.
LUCY
Oh, that’s right. I knew there was something you did for yourself.
She picks the newspaper up off the floor and sets it on a shelf.
Right then. If you require nothing else of me then I shall call it a night.
DAVID
Wait a minute.
LUCY
Sir?
DAVID
What was wrong with the last one?
LUCY
The last what, sir?
DAVID
The last novel. The Brazilian Exchange. You said it wasn’t deserving of publication. Why?
LUCY
May I speak frankly, sir?
DAVID
Well…
LUCY
It was boring. It got bogged down in a lot of gratuitous detail. I would even go as far as to say that you seem