Old Love
By Norm Foster
()
About this ebook
"The story spans three decades and half a dozen meetings between Bud, a salesman, and Molly, his boss's wife. One of them is smitten from the very first meeting—the other, let's just say—less so. The story is straightforward, easy to follow and funny, often very funny. Canada's pre-eminent comic playwright Norm Foster has written a clever and witty dialogue celebrating the pursuit of love, the kind of love that makes you breathe just a little bit faster. Charmingly written, with just a few curse words for effect, Foster's use of one-liner's serve the script well and has the audience smiling, chuckling and laughing throughout the entire play." —The Hub
Norm Foster
Norm Foster has been the most produced playwright in Canada every year for the past twenty years. His plays receive an average of one hundred and fifty productions annually. Norm has over sixty plays to his credit, including The Foursome, On a First Name Basis, and Hilda’s Yard. He is the recipient of the Los Angeles Drama-Logue Award for his play The Melville Boys and is an Officer of the Order of Canada. He lives in Fredericton.
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Old Love - Norm Foster
OLD LOVE
by
Norm Foster
Second Scene Editions
Playwrights Canada Press • Toronto
Old Love © Copyright 2008 by Norm Foster
First edition: December 2008.
Production Editor: M.Z.K.
Playwrights Canada Press
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For professional or amateur production rights, please contact:
The GGA
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No part of this book may be reproduced, downloaded, or used in any form or by any means without the prior written permission of the publisher, except for excerpts in a review or by a licence from Access Copyright, www.accesscopyright.ca.
LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION
Foster, Norm, 1949-
Old love / by Norm Foster.
A play.
ISBN 978-0-88754-883-3
I. Title.
PS8561.O7745O44 2008 C812’.54 C2008-907695-8
Playwrights Canada Press operates on Mississaugas of the Credit, Wendat, Anishinaabe, Métis, and Haudenosaunee land. It always was and always will be Indigenous land.
We acknowledge the financial support of the Canada Council for the Arts, the Ontario Arts Council (OAC), Ontario Creates, and the Government of Canada for our publishing activities.
Four logos. One is for the Canada Council for the Arts, one is for the Government of Canada, another is for the Ontario Arts Council and the fourth is for the Ontario Media Development Corporation. The latter two organizations are agencies of the Ontario government.Old Love was first produced at The Lighthouse Festival Theatre in Port Dover, Ontario, from May 20 – June 11, 2008 with the following cast:
BUD MITCHELL
ARTHUR GRAHAM
ARTHUR JUNIOR ............Jerry Franken
MOLLY GRAHAM
KITTY MITCHELL
KENDRA
SHIRLEY
SANDRA
DELORES
CLAIRE ...............................Brenda Bazinet
Director ...............................Chris McHarge
Stage manager ...................Bill Brillinger
Set designer ........................Eileen Earnshaw-Borghesan
Lighting designer ..............Renee Brode
Costume designer .............Jasmine Aitcheson
CHARACTERS
BUD MITCHELL
MOLLY GRAHAM
KITTY MITCHELL
ARTHUR GRAHAM
ARTHUR JUNIOR
KENDRA
SHIRLEY, SANDRA, DELORES & CLAIRE
•••
The play can be done with only two actors, one male and one female, playing all of the parts, or it can be done with four actors, two male and two female.
With four actors:
Actor #1
BUD in the present, ARTHUR.
Actor #2
MOLLY in the present, SHIRLEY, SANDRA,
DELORES, CLAIRE.
Actor #3
YOUNGER BUD in the flashbacks, ARTHUR JUNIOR.
Actor #4
YOUNGER MOLLY in the flashbacks, KITTY, KENDRA.
ACT ONE
Time: The present.
The stage is bare except for a couch and a kitchen table with two chairs and a park bench. These objects represent different settings throughout the play. The play can also be done with raised levels representing the furniture.
Lights up to reveal a spotlit area onstage. BUD Mitchell steps into the spotlight and speaks to the audience.
BUD: This is the story of my pursuit of a good woman. And I don’t mean just any good woman, because I know there are millions of good women out there. I’m sure there are some here right now. But I have a particular woman in mind. Her name is Molly. I first met Molly twenty-five years ago. We met only three times, very briefly, over the course of the next three years. We were both married back then. Me to my wife Kitty, and Molly to Arthur Graham, the owner of the company I worked for. Eventually Arthur Graham sold the company and I didn’t see Molly again, but she would always come back to me. Sometimes in a dream. Sometimes while I was just sitting at home going over the monthly bills. Or sometimes when I was driving over a long distance. Her face would suddenly pop into my mind at these times and I would wonder how she was doing. Now, I didn’t really know Molly all that well, so it’s hard to explain my infatuation with her. I do know that the few times we did meet and talk she left quite an impression on me. And after my wife and I got divorced I would think about Molly more and more. Oh, I tried dating other women, but nothing ever came of that. They just weren’t what I was looking for. I always found something wrong with them. That’s when I started to wonder, Am I being too picky? Am I hard to please?
Well you be the judge. First of all there was Sandra.
Lights up on SANDRA.
SANDRA: What do you mean I’m needy? I’m not needy. What do I need? I just need you. That’s all I need. And if you leave me I’ll kill myself. I swear to God. You don’t think I will? Just try me. Needy. I’m not needy. Who in the hell are you calling needy?! Oh God, don’t leave me!!! I’m begging you!!
BUD: (to the audience) That was our first date. And then there was Delores.
Lights up on DELORES.
DELORES: You think three margaritas is too much? Honey, that’s breakfast.
BUD: And finally Claire.
Lights up on CLAIRE.
CLAIRE: There will be no kissing until the fourth date, and we will always make love in complete darkness. You will never ever see me naked, so you can get that sick thought out of your head right now, mister.
BUD: So as you can see… (He speaks to CLAIRE.) Never?
CLAIRE: Never.
Lights out on CLAIRE.
BUD: So as you can see, this whole dating concept just wasn’t working out for me. But then something miraculous happened. I was in my office one morning a few months ago when an inter-office memo came across my desk.
SHIRLEY the secretary enters carrying a memo. She walks with a limp.
SHIRLEY: Memo, Bud. (She hands the memo to BUD.)
BUD: Thanks, Shirley.
SHIRLEY turns to leave.
Uh, Shirley. Do you think it’s appropriate that you call