Voices in an Artist’s Head
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About this ebook
This book documents artist/sculptor Gyuri Hollsy register moments, insights, betraying his sensibilities and give consideration to elements of his muse while grappling with various inspirational problems.
Gyuri Hollosy
Gyuri Hollósy, a Hungarian American sculptor and artist, was born Ervin György Hollósy in 1946 in Bad Aibling, a small village in the Bavaria region of Germany. His artistic roots can be found on both sides of his family. In 1955, his family moved to Cleveland, where he later studied at the Cleveland Institute of Art and then earned his BFA from Ohio University. Hollósy did five and a half years of military service in the US Coast Guard and thereafter resumed his fine arts studies at Tulane University, where he earned his MFA. His first teaching position at Tulane University was followed by faculty positions at Washington University, St. Louis, and Bethany College in Lindsborg, Kansas. In 1988, he moved to New Jersey, where he started as an instructor at the Johnson Atelier Technical Institute of Sculpture in Mercerville and later became assistant director of their academic program and gallery director. Currently, he is a resident artist at the Grounds for Sculpture in Hamilton, where he pursues his work in sculpture and painting. Hollósy’s work is featured in public and private collections in Europe and many parts of the United States and can be viewed on his website (www.hollosy.com).
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Voices in an Artist’s Head - Gyuri Hollosy
Copyright © 2017 by Gyuri Hollósy. 724848
Library of Congress Control Number: 2016912502
ISBN: Softcover 978-1-5245-2927-7
Hardcover 978-1-5245-2928-4
EBook 978-1-5245-2926-0
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Rev. date: 01/11/2017
Xlibris
1-888-795-4274
www.Xlibris.com
ENDORSEMENTS
As an art historian who has known Gyuri Hollósy for many years, I am struck by one of his most recent works in his book Voices In An Artist’s Head, a relief called Fugue In Hornet Mansion (2016). In its organic and mathematical intricacies, it combines reverence for the social intelligence and cooperative ecology of natural architecture
with suggestions of the complex, rhythmic variety and contrapuntal voices of Bach’s fugues. Whether intentional or not, its kinetic gesture also seems to evoke the Victory of Samothrace. Its allusive, humanistic synthesis of figuration and abstraction exemplifies a unified vision forged over the course of a lifetime dedicated to the wonder of creation.
Marilyn R. Brown, Professor
Department of Art & History, University of Colorado at Boulder
I have known Gyuri Hollósy for many years and have been deeply influenced by his sculptures, as well as his searching heart. This current piece of art, this book, is for all people. It is a guide to discover your own unique calling and to be able to express it. This book invites its readers to treasure their own internal message and to dance with the inevitable difficulties of life in such a way that your love shines through whatever you create. What a beautiful combination of words, stories, images and recipes. They speak to all of our senses. With our eyes, we see the artwork and it enlarges our ability to see the world. With our ears we hear the language, sometimes song like, sometimes poetic and haunting, and sometimes simple. With our nose and tongue we smell and taste the wonderful aromas of Gyuri’s favorite foods. I recommend this book to anyone who wishes to discover their deepest creative longings.
Maya Kollman, MA, Emago Relationship Therapy
International Master Trainer, Pennington, NJ
The reason you absolutely must study and underline this book is that Gyuri Hollósy blazes a clear and sensible path to creative treasures within that the rest of us have yet to exploit. With interest and awe I have for years watched Gyuri creating and listened to his profound musings. In person and in these pages he displays a sheer honesty and ability to turn abstract pondering into useable tools. His artistic talent is exquisite, eccentric, and startlingly exciting. But apart from nimble psyche and fingers, Gyuri melds his desire to impart his message with the deepest needs of his audience. And perhaps the greatest joy is Gyuri greets all life and art with a spice of humor.
Bart Jackson, CEO, Prometheus Publishing
author, The Art of the CEO
82_a_zzz.tifTHE FAMILY
- 1992 – bronze Peoria Municipal Complex Center, Peoria, Arizona
Photo by Gala Derroisne
CONTENTS
Dedication
Acknowledgments
Preface
Foreward
Introduction
An Artist’s Muse
The Voices In My Head
Reflections on Unfinished Work
Reflections On Accountability
Stressful Situations
Seeking Out Dreams
In Ending A Vision
Working With Others
Sharing Emotions
Sharing My Inner Self
The Dilemma In Asking
The Power Of Analysis
Working Fast And Furious
Holding Steadfast About Expectations
Making Satisfactory Choices
Understanding Memories
Staying On Track
Starting Off The Day
The Affliction Of Creating
Being Open To Someone
The Distance In Achieving
Faith
Balancing Between Family And Art
Rationality
The Stride of Creating
Unexplored Possibilities
Misread Motives
Remaking An Idea
Attitudes With Creative Elements
Struggles To The Next Level
Difficulty In Grasping Concepts
Animals Are Forever
Self Importance
Creating Art And My Responsibility
Using Colloquialism In Conversations
How I Work
Creative Process Within Ideas
Secrecy In Creativity
Composing My Visual Stories
Emotional Dynamics
What I Can Control
Staying On Course
An Artist’s Reality
Reality Turning Into Fantasy
Individual Surprises
Listening In Communicating
Controlling Others
Change Of Attitude
Soulful
Daydreaming
Unrestrained Visions
A Perfect Day
Opportune Moment
An Artist’s Expectation
Capturing A Vision
Thoughts About Existence
Whispers Of The Heart
Intuition
Composing
Maintaining A Positive Attitude
Creativity
Adopting A Grateful Heart
Lipto
Drawing
Emotion In Art
Fulfilling Commitments
Working With Limitless Forms
Living In Two Worlds
Determining A Destination
Effective Words Is Change
Reaching A Destination
Creative Perception
Frame of Mind
Taking A Nap
Perspective Movements
Reflections On Criticism
Muses In My Creative Mind
Stumbling Moments
Reflections On My Humanness
Dilemma In Creating Art
Paying Attention
Bitter Sweet MidSummer Chilly Nights Chili
Power Struggles Within Myself
Constructive Behavior
In The Creative Process
The Driving Force In Creating
Simply Doing The Right Thing
Anticipated Dreams
Hesitancy When Communicating Art
Compromised Emotions Shattering Inspirations
Difficult Discussions As An Artist
Having Second Thoughts
Absorbing Emotions
Self-improvement
A Grateful Heart
Momentary Stress Release
Sweet Summer’s End
Struggling With My Calling
Moving Forward
The Ego Within
Is Being Positive Enough?
Changing Creative Directions
First Appearances
Being Distracted
Achieving My Dreams
The Fugue of Unchartered Territories
Overcast Murky Visions
Seeking One’s Potential
Analytical Thinking
Realizing Dreams
Much About Nothing
Thinking Sharply
A Decisive Factor
Childhood Feelings
Complexity Of Inspiration
Within The Bounds Of Possibilities
Indulging In Fantasies
Being Perseverant
Burr Under The Saddle
Holding The Creative Halter And Lead
Determination
Abundance
Precarious Creativity
Maintaining Discussions
Intuitive Voices
Being Open to Ideas
Modification For New Uses
Assimilation
Bright Ideas
Cajun Gypsy Bean Gulyas
Emotional Risk
To Strive And Complete
Mérges Shrimp And Bay Scallops with rosemary and beer
Establishing New Visions
When To Relinquish
Creative Existence As An Artist
Conceptual Fun And Games
Trials And Tribulations
The Balance In Fulfilling Needs
Assumptions About My Goals
Empowerment
Focusing On My Inner Powers
Sticking To Plans
Choosing My Actions
About The Artist
Epilogue
Time Left to Work
List of Artwork Plates
DEDICATION
First and foremost I would like to thank the Almighty. In the process of putting this book together I realized that the gift of writing is as important as creating my sculptures, paintings and drawings. You blessed me with the power to believe in my passion and pursue my dreams; You gave me that dream in the summer of 58’, at a summer camp in a seminary. During the construction of a new chapel, at age 12, I witnessed one of Your monks etch and burnish the saints into large oak pillars using hot poker heated over hot coals. Through the smoke, the crackle, the hiss, I felt the magical desire to be an artist. I could never