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The Easy
The Easy
The Easy
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The Easy

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Amanda Bucelli is a twenty-something waitress aspiring writer/producer frustrated with having to wait on tables to make a living! Amanda needs a change for fulfillment; frustrated thus far with what LIFE has offered her. Amanda writes a screenplay about the day in the life of Amanda Bucelli at the restaurant THE EASY! Filled with crazy co-worker

LanguageEnglish
Release dateMay 14, 2021
ISBN9781643987361
The Easy
Author

Michael Mohan Joshua

Michael Mohan Joshua is an eccentric/eclectic author/artist in search of same things as everyone else in the world--- Freedom!

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    Book preview

    The Easy - Michael Mohan Joshua

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    The Easy

    Copyright © 2021 by Michael Mohan Joshua

    All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher or author, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

    Although every precaution has been taken to verify the accuracy of the information contained herein, the author and publisher assume no responsibility for any errors or omissions. No liability is assumed for damages that may result from the use of information contained within.

    ISBN- ePub: 978-1-64398-736-1

    Printed in the United States of America

    LitFire LLC

    1-800-511-9787

    www.litfirepublishing.com

    order@litfirepublishing.com

    Contents

    1 EXT/INT. THE EASY - MOVING POV 1

    2 INT. COAT AREA/ SMOKE ROOM - NOON 2

    3 INT. THE MAIN HUTCH - MONTAGE - NOON 3

    4 INT. COAT AREA/ SMOKE ROOM - NOON 4

    5 INT. RESTAURANT KITCHEN - NOON 5

    6 INT. RESTAURANT HOST STAND - DAY 6

    7 INT. THE MAIN HUTCH 7

    8 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 8

    9 INT. RESTAURANT HOST STAND 9

    10 INT. COAT AREA/ SMOKE ROOM 10

    11 INT. SMOKE ROOM/ KITCHEN 11

    12 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 12

    13 INT. COAT AREA/ SMOKE ROOM 13

    14 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 14

    15 INT. RESTAURANT KITCHEN 15

    16 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 16

    17 INT. RESTAURANT KITCHEN 17

    18 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 18

    19 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 19

    20 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 20

    21 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 21

    22 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 22

    23 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 23

    24 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 24

    25 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 25

    26 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 26

    27 INT. THE MAIN HUTCH 27

    28 INT. RESTAURANT KITCHEN 28

    29 INT. THE MAIN HUTCH 29

    30 INT. RESTAURANT KITCHEN 30

    31 INT. BANQUET ROOM - ESTABLISHING SHOT 31

    32 INT. RESTAURANT KITCHEN 32

    33 INT. RESTAURANT - COMPUTER TERMINAL 2 33

    34 INT. MAIN DINING AREA - TABLE 91, HOBBIT WOMAN’S BOOTH 34

    35 INT. THE MAIN HUTCH - MINUTES LATER 35

    36 INT. MAIN DINING AREA, TOWARD TABLE 91 36

    37 INT. THE MAIN HUTCH 37

    38 INT. THE MAIN HUTCH 38

    39 INT. MAIN DINING AREA - TABLE 91, HOBBIT WOMAN’S BOOTH 39

    40 INT. THE MAIN HUTCH 40

    41 INT. MAIN DINING AREA 41

    42 INT. THE MAIN HUTCH 42

    43 INT. MAIN DINING AREA 43

    44 INT. RESTAURANT BAR - ESTABLISHING - DAY 44

    45 INT. RESTAURANT BAR - JOE’S TABLE 45

    46 INT. RESTAURANT BAR - JOE’S TABLE 46

    47 INT. AT THE BAR 47

    48 INT. RESTAURANT BAR - JOE’S TABLE 48

    49 INT. AT THE BAR 49

    50 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 50

    51 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 51

    52 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 52

    53 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 53

    54 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 54

    55 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 55

    56 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 56

    57 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 57

    58 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 58

    59 INT. THE MAIN HUTCH 59

    60 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 60

    61 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 61

    62 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 62

    63 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 63

    64 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 64

    65 INT. MAIN DINING AREA - MOVING 65

    66 INT. RESTAURANT BAR 66

    67 INT. RESTAURANT BAR - JOE’S TABLE 67

    68 INT. AT THE BAR 68

    69 INT. RESTAURANT BAR 69

    70 INT. MAIN DINING AREA 70

    71 INT. MAIN HUTCH 71

    72 INT. RESTAURANT KITCHEN 72

    73 INT. RESTAURANT BAR 73

    74 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 74

    75 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 75

    76 INT. MAIN DINING AREA - TABLE 91, HOBBIT WOMAN’S BOOTH 76

    77 INT. MAIN DINING AREA - TABLE 21, NURSES’ TABLE 77

    78 INT. MAIN DINING AREA - TABLE 43, BUSINESS TABLE 78

    79 INT. MAIN DINING AREA - TABLE 91, HOBBIT WOMAN’S BOOTH 79

    80 INT. RESTAURANT - COMPUTER TERMINAL 2 80

    81 INT. AMANDA’S BEDROOM 81

    82 INT. AMANDA’S BEDROOM - LATER 82

    83 EXT/INT. THE EASY - MOVING POV 83

    84 INT. RESTAURANT KITCHEN 84

    FADE IN:

    EXT/INT. THE EASY - MOVING POV 1

    OVER MAIN CREDITS ROLL.

    FOLK MUSIC, ala The 10,000 Maniacs, is the only sound heard.

    A HAND opens the left side of two RED DOORS to enter into THE EASY, a two and a half star restaurant wanting to be a four star Italian bistro.

    THE ENTRANCE AREA…

    shows an older black couple, putting on their woolen gloves and winter jackets, before they make their way out into the cold winter afternoon.

    The same HAND opens another set of RED DOORS to lead us into…

    THE MAIN DINING AREA…

    where JENNIFER the hostess, a skinny white teenager with braces, frantically gathers menus to seat impatient customers. She hurriedly gives a half-smile and a wave in our direction.

    We turn right and then left, as we head towards the back of the building, the employees coat area.

    Along the way, we see THE WAITSTAFF in their colorful Caribbean outfits, some shirts are baby blue, some are rosy red, some are sky blue, others are passionate purple: LAURA, an older waitress, chats with her customers… JIM, a nerdy waiter, rushes past us, says a quick Hi, and heads to take an order… VERONIQUE, a fat-as-an-ox waitress, hurries past us carrying a tray of drinks.

    We pass a pig pen type, slow moving bus-boy, BILL SCOTCH, hunched over from carrying a tub of filthy plates, cups, utensils, and half-eaten food.

    We pass CUSTOMERS stuffing themselves on whatever is on the table. Usually this place is packed for lunch, but today it’s not as busy. Now we pass on the left side,

    THE MAIN HUTCH…

    the main waitstaff area. The Main Hutch is separated from the dining area by a wall which has openings for the customers and waitstaff to view each other’s faces. However, the customers cannot see the counters or the sinks.

    Not only is this area where the staff pick up the food and drinks for the customers, this is also designated as the complaint and bitch area on any number of subjects. Today is no different.

    Another waiter, BOB FORTIER, a good looking Irish lad, carries an armful of burning plates in our direction. We see him mouth some obscenity.

    We leave all

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