Contact with Outer Space

By Annie Bejart

The Contact with Outer Space is a novel based on an authentic account. The book explores the differences and similarities between life on Earth and life on the planet Zoí, located 37 light-years away from Earth.

The protagonist, Ida, undergoes a transformation that enables her to establish contact with the leader, Morelove, from the other planet. Over many years, he appears to her inner vision, narrating the changes that have occurred on Zoí through generations and their evolutionary progress. Concurrently, as Ida maintains her contact with Morelove, she herself evolves. One day, he informs her that she will have the opportunity to visit him and experience life on Earth. Morelove imparts insights on what each individual can do, as well as collective actions, to foster inner peace and consequently peace in the world.

 

The book is captivating; each page turns effortlessly. It is also instructive, offering many valuable perspectives on life. Tina Mainz, healer and masseuse

 

An incredibly thrilling book that has gripped me from the very first word. It is exceptionally well-written and easy to read. I am completely enamoured with it. Janni Qvie, reflexologist

• Language: English
• Publisher: Annie Bejart
• Release date: Feb 15, 2024
• ISBN: 9788794548052

Annie Bejart

I began my career as a biotherapist in 1984. The reason I refer to it as biotherapy is that I identify the root cause of the problem, whether it's physical, psychological, or karmic. In 2005, I acquired a bioresonance machine, the English Lybra, enabling me to assist people worldwide. Drawing from my own personal development, clinical experience, and teaching, I ventured into writing in 1994. To date, I have authored 15 books, including two novels. All my books are grounded in personal growth, incorporating both personal experiences and case studies from my practice and teachings as a kinesiologist and psychotherapist.

Book preview

Contact with Outer Space

Annie Bejart

Published by Annie Bejart, 2024.

While every precaution has been taken in the preparation of this book, the publisher assumes no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein.

CONTACT WITH OUTER SPACE

First edition. February 15, 2024.

Copyright © 2024 Annie Bejart.

ISBN: 978-8794548052

Written by Annie Bejart.

Contact with Outer Space

Contact with Outer Space by Annie Bejart

© Huana Publishing, 2024 

Phone: [phone] 

Email: [e-mail]

Translation: Artificial Intelligence 

Cover: Sara Fog, www.magicalart.dk

EAN: 9788794548052

www.huana.dk

By the same author, translated into English, and published by Huana Publishing in 2024:

Angels and Other Invisible Beings 

Power of Thought

The Girl In The Heart

The Light of Death

Other works by the same author published in Danish by Huana Publishing: 

Light of Death, 1994 + E-book 2019 

The Bright Thoughts, 1996 + E-book 2019 

Developmental Kinesiology Textbook, 1998 

The Power of Thought, 2001 + E-book 2019 

Ghosts and Other Invisible Beings, 2003 + E-book 2019 

The Little Quick One, 2003 

Faith is Your Sail, 2006 + E-book 2019 

The Inner King and Queen, 2010 + E-book 2019 

Pilot, From Dyslexic to Bookworm, 2010 

Dancer, From Dyslexic to Bookworm, 2012 

The Girl in the Heart, 2019 + E-book 2019 

Wheel of Life, 2022 + E-book 2022

Published by other publishers: 

Hidden Resources, 2004 

How to Interpret Your Dreams, 2005 + E-book 2019, 

Dream Interpretation

Other books published in Danish by Huana Publishing: 

My Yes to Life, Jørn Birch, 2014

Nothing happens until something moves, Albert Einstein

Summary

From the book, The Girl in the Heart, which is the first book in the series about Ida.

Life changed radically when Ida made a decision to address the personal patterns that constantly made her long to die. She heard herself thinking that she wanted to go home. In her mind, she looked up towards the sky. Up there somewhere was her real home. Although she had many friends, she didn't let anyone fully penetrate beyond her cheerful but silent exterior. Behind the defense, there was anxiety, insecurity, and a sense of hopelessness running on autopilot. It was only after Ida underwent a profound transformation of emotions and thoughts that she felt free from the traumas and could forgive her parents. Ida's mother had first tried to kill her, and later she harassed her daily. So much so that Ida identified with Cinderella and her mother with the evil stepmother. A father, who had been accused of sexually inappropriate behavior and therefore mostly kept his distance. However, he had never crossed his daughter's boundaries sexually, it was something the mother had made up. Ida called her mother her father's wife because she had never been a mother to her daughter, even though they were biologically mother and daughter. The father withdrew both to protect Ida and to protect himself. When her mother admitted to Ida a year and a half before her death that she had tried to suffocate her, Ida's acquaintances asked if it wasn't a relief that her mother had admitted it, so she knew it was true. When she had previously tried to confide in her friends, she mostly got the response that it was a typical mother-daughter problem, or that no mother could be that evil. Ida needed no confirmation of the incident because she had known all along. The positive aspect of her mother's admission was that they could talk as two adults, even though her mother still wanted to switch roles. The mother had also manipulated the whole family by portraying herself as a victim and saying that she could never do anything good enough or never be right. When the mother ran the show, the whole family fell silent and complied. Before her parents' death, Ida knew she had to avoid them for a while to find herself. The period turned out to be much longer than she had thought. It lasted for eight years, during which she rarely saw her parents. In her childhood, Ida's mother was like a witch to her, able to get under her skin and poison her with both her energy and her words. Her mother repeatedly crossed Ida's boundaries both sexually and verbally. She hated her mother until the day she transformed the traumas she had hidden inside through an in-depth therapy process. By the turn of the millennium, both of Ida's parents had died, but she managed to build a good relationship with them before they took their last breath. She emerged on the other side ready to fulfill the task that was her life's mission, together with Morelove, who was her contact from outer space.

1

The 1970s

In the beginning, it was a great challenge to tidy up the inner chaos, for the direction Ida took made her foundation even more uncertain than it already was. Before she began to act on her decision, she was familiar with the insecurity and anxiety, as they had been her companions throughout her life.

She knew when anxiety was creeping in and about to surface because she got sweaty hands, a dry mouth, and tingling lips. Her heart pounded vigorously in Ida's unconscious struggle to avoid emotional contact with the traumas. She was fully aware of them on a mental level, as she had a memory like an elephant. Using the innate survival strategy, she instinctively avoided feeling the emotions associated with the traumas.

She used the ego's defense mechanism, clenching her jaws and tightening her abdominal muscles to keep the emotions down in her body.

Ida wasn't afraid of the changes because she couldn't get any worse than she already felt. She was uneasy about the way forward because she had neither experience nor knowledge of how to handle it. But she felt like a container filled to the brim with rubbish, so a transformation was inevitable. She could no longer contain herself. When Ida began to address the patterns that hindered her personal freedom, she had no idea what would happen to her. She was on shaky ground more than ever before. Shortly after she made her decision, the first challenge came as if sent from heaven. She was in her twenties, too thin for her height but outwardly cheerful and inwardly shy. She used makeup and got her long blonde hair permed to divert others' attention from her too-thin body compared to her height. In her teenage years, like many other young girls, she also used artificial eyelashes and a false bun to give her hair height. Over time, she became more natural because of her new friends at the nursery school. They used very little makeup when they went to jazz clubs or bars.

When they ate in the canteen, one of their classmates, Sanne, would loudly say to the others, I wonder how she looks without that mask on.

Ida gritted her teeth and pretended not to hear what Sanne said.

Don't mind what Sanne says. If she's talking to you, she should say it directly, said Anita, one of the girls Ida spoke to at the seminar.

Neither do I. I'd rather look like myself than like her, said Ida, with her mouth corners pointing downwards.

Sanne was a feminist and dressed only in long trousers and men's undershirts that went down over her buttocks, and her small, loose breasts bounced slightly as she walked. On her feet, she wore hand-knitted socks with many different stripes and a pair of brown, foot-shaped shoes. She cut her hair herself because she didn't want to support capitalists. She preferred to have a hairstyle that was cut wild and uneven. Sanne was often outspoken and stood at the front of the queue when those who did or said something she despised were to be condemned.

Sanne's remark had prompted Ida to push back, and it took her longer before she started using less makeup. She didn't want to give Sanne the power over how she looked.

How did Sanne actually get accepted to the college? Anita asked.

Well, that will remain a big mystery.

Imagine having such a loudmouth as a role model for children. I don't understand them at all.

Although Sanne was right that Ida used makeup as a mask to hide behind, she wasn't quite ready to show her face. She didn't want to show anyone how she felt because it would feel as vulnerable as a chick that had its shell broken before it was time to come out. The chick would be vulnerable and likely die. She felt the same way, so her lively exterior protected her like the eggshell protects the chick. At some point, however, she felt like she was like a container filled to the brim and it needed to be emptied. Otherwise, Ida wouldn't survive. Even though she had wished for death to come and free her throughout her life, she knew it wouldn't happen like that. She had to be alive; she must not make the mistake of escaping by taking her own life. In her childhood, she had fantasized about how she would leave this place, but all the ideas were discarded because she intuitively knew she would regret it when she came up and saw everything from above. Before Ida herself began the change, she had been to a psychologist who was afraid to work with her because she was afraid they would trigger an avalanche. For psychological processes, there were no other therapists than psychologists and psychiatrists, so Ida decided that there was only one way. It was to go with the flow without resisting and land in a 100% better place.

In the late 1970s, it had become fashionable to meditate, and at her workplace, City nursery, there was a colleague named Yrsa who meditated every day. She had been hired after her colleague and friend Inge moved to Switzerland.

If you start missing me, you can always come and visit me, Inge said.

"I might take