Boy in Various Poses
By Lewis Buxton
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About this ebook
The boy in question is often shapeshifting, slippery, unreliable, close yet never quite in focus, moving too fast to pause and take a breath - yet Buxton studies these boys, their bodies and behaviours, with a disarming intimacy and precision. These poems are provocative, nuanced and often laugh-out-loud funny, shining with a naked, shameless brilliance.
"Poems that capture the rugby scrum of insight and uncertainty, the questions and discoveries I remember and still live. It pulled me in and showed me its birth marks. Loved it." – Steven Camden, Polarbear
"Corporeal, surreal, and shocking, these poems are also beautifully tender - and Buxton's precise, imagistic use of language often has the poems singing from the page. A bold and moving debut." – Hannah Lowe
"In this assured debut, Lewis Buxton asks 'how does a boy become a man?'. The answers are myriad and transgressive, lyrical and smart. The answers are more questions. The answers are flowers and oranges, hunger, knuckles, slow dancing, glitter and fear. In these taut poems, conventions are dropped stylishly, elegantly 'like a coat on a dance floor.' We are left watching a departing figure, a boy running 'out of his lungs', 'the sky's hair...flecked with grey.' This book is unforgettable, utterly addictive." – Helen Mort
Lewis Buxton
Lewis Buxton was born in 1993 and is a poet, performer and arts producer. His poems have appeared in The Rialto, Magma, Ambit and Oxford Poetry. In 2018 he received the UEA Literary Festival Bursary and was named one of The Poetry School and Nine Arches Press’ Primers poets. He is Director of the poetry project, TOAST and teaches writing in schools and libraries around the country. He currently lives in Norfolk. Boy in Various Poses is his first collection.
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Boy in Various Poses - Lewis Buxton
A Boy Becomes a Brooding Hen
A boy wants a baby, dreams of being a father, stuffs footballs up his jumper & practises midlife crises, crocodile tears in the shower. He wants to lay an egg but looks down at his body, presses his belly outward: moon held in his hands, listens to the water under his skin. He imagines himself running with a buggy, looks at his friends with babies, is jealous of their casual fatherhood, their Sundays & car keys. He thinks he’d like to have a boy and for that boy to be a dancer. He touches his nipples and asks what are these? Memories of the parent I could have been when I was a half-formed thing, sexless & drifting in water.
The Partridges
take off with the same anxious
engine-flap of wings you hear
from topless boys on mopeds
who fly together up
a high road in August, t-shirts
fluttering round shoulders.
In autumn the partridges
do not know they are being
hunted or that this hum-thrum-beat
of their wing-machines is good
as a car horn for the mouths
of the shotguns. The partridges
are too slow & stupid to survive
so they feather-drum
into the shout of the guns
swallowed whole by the scatter-pattern
leaving the silence of a crashed
moped behind them.
A Boy Becomes a Mandrake
A boy is born screaming, his knotted root face wrenched from the good, clean earth. Before he was skin he was green, before he was bone he was bark. Shouting from his bed, gasping for water before milk. Scream & writhe is the only language he is capable of so far. It was lonely in the soil but to be pulled from the packed dirt’s dark hug with no warning is even worse. Now the only thing he knows each day is there will be morning & hunger again & again.
Small Hands
We hug on the only chair left in the classroom,
high-pitched love & no fight.
We are so small that our bottoms
fit on the same dip of red plastic.
We are only vaguely aware of the