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An Ultimate Therapy to Save Their Children
An Ultimate Therapy to Save Their Children
An Ultimate Therapy to Save Their Children
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An Ultimate Therapy to Save Their Children

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And so their heels Julio Fernandez and even think to take, it would actually now prove to be a real disaster, a true loves sorrow. This grief rushed Maryvonne Keviler into a real nervous breakdown or depression that would slowly and very surely trash the only child. Parents of the latter (with a significant portion of their wealth) would do little, reluctant to use such blunt, unorthodox methods contrary to law and morality methods. Briefly, they used Machiavellian methods to bring Julio into the arms of their only daughter to save her life and, at the same time, to ensure, consequently, the legacy of their wealth in peace after death.

Why were Maryvonnes parents adamant about that guarantee? This is simply because, in their minds, if shethat is to say, their only daughter Maryvonnehad, for example, coincidentally died of a nervous breakdown, in this case, her son Lucilian too could possibly fall into any nervous breakdown, thinking naturally of his mother. And he could eventually pass away also. In this case, their efforts would be, for example, one way or another, simply wasted after death.

That was why theythat is to say, the wealthy parents of Miss Maryvonne Kevilerhad to absolutely guarantee the succession in peace. Therefore, according to their own way of doing things and using methods, even if the methods in question are just Machiavellian, to save their single offspring, while an evil or very evil someone else would really be there, in the way. It was the ultimate confidential therapy for this indirect emotional suffering, for this indirect afflictive suffering (if you could call it, like this). Suffering that would now affect the real Maryvonne Kevilers parents.
LanguageEnglish
Release dateMar 20, 2017
ISBN9781524679439
An Ultimate Therapy to Save Their Children
Author

Isaac Mampuya Samba

Isaac MAMPUYA Samba (IsMaSa) est né en juillet 1952 à Kinshasa (au Congo - Kinshasa [alors : Congo belge et Kinshasa, la Capitale, anciennement Léopoldville]). Après ses Études Primaires dans la Commune de Ndjili, Quartier 2 [École Officielle Ndjili - XII, dans la même Capitale], Isaac MAMPUYA Samba avait soutenu plus tard, sa Thèse Doctorale à Paris - IV - Sorbonne, en 1989. Une Thèse PHÉNOMÉNALE qui fait Références dans Plusieurs Dizaines de Bibliothèques en France actuellement. Cfr. : Mampuya, Samba [WorldCat Identities] https://www.worldcat.org › identities › lccn-n92054012 Décembre 2019. Isaac MAMPUYA Samba rêvait déjà, déjà et déjà, depuis sa très tendre enfance, qu'il allait n'importe comment, devenir beaucoup, beaucoup plus tard dans sa carrière : un Écrivain . Qui plus est : un Écrivain Populaire . Et là, son rêve "de très tendre - enfance" devient : Plus que la Réalité. Plus que la Réalité ; car à l'Heure actuelle, Plusieurs Shops en Ligne répartis sur les Quatre Coins du Monde, consacrent ses bouquins : Plus Populaires . Sensationnelle Consécration.

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    An Ultimate Therapy to Save Their Children - Isaac Mampuya Samba

    AuthorHouse™ UK

    1663 Liberty Drive

    Bloomington, IN 47403 USA

    www.authorhouse.co.uk

    Phone: 0800.197.4150

    © 2017 Isaac Mampuya Samba. All rights reserved.

    No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

    Published by AuthorHouse 03/17/2017

    ISBN: 978-1-5246-7942-2 (sc)

    ISBN: 978-1-5246-7943-9 (e)

    The French Act of 11 March 1957 authorizing, under paragraphs 2 and 3 of Article 41, on the one hand, that copies or reproductions strictly reserved for private use and not intended for collective use and, secondly, analyzes and short quotations for the purposes of example and illustration, any reproduction or integral or partial reproduction without the consent of the author or his heirs or assigns, is unlawful (paragraph 1 of Article 40).

    This representation or reproduction, by any means whatsoever, constitutes an infringement punishable by Articles 425 and following of the Penal Code.

    1st Edition: Second Quarter 2016

    Legal Deposit: 2nd Quarter 2016

    Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    Contents

    DEDICATION

    PRINCIPLE

    NOTE

    PREAMBLE

    CHAPTER FIRST

    CHAPTER II

    CHAPTER III

    PREAMBLE

    NOVELS OF THE SAME AUTHOR

    VOLUME NO: 4

    Isaac MAMPUYA Samba,

    In :

    Image33785.JPGImage33793.JPG

    AN ULTIMATE THERAPY TO SAVE THEIR CHILDREN.

    « Brush - Engraving » : Is Ma Sa.

    Editions IsMaSa, London – Paris – Los Angeles.

    TRANSLATED FROM THE FRENCH TO AMERICAN

    BY HIMSELF THE AUTHOR ISAAC MAMPUYA SAMBA

    Doctor of Es Letters (Paris-Sorbonne)

    4 A Therapy For Ultimate Save Their Children.

    Preceded by:

    2 Nervous Depression or Grief of Love.

    And:

    3 - « Torment of JULIO, Descent From Poitevese ».

    DEDICATION

    To those who raise such very, very wrong (in terms of education received in the family home), their children.

    PRINCIPLE

    The Imaginary" first;

    then "(¹) the Real" after that. ».

    NOTE

    If, however, some people would feel anyway despite them (Anyway), more or less [or same: to be systematically] injured, after reading this short novel backward – looking; or rather, from reading these novels smalls retrospectives characters;

    it is because their stories are not sufficiently distorted (they argue);

    it is because their stories are not really transformed (according to them);

    it is because their stories are not really translated (according to them);

    or: because their names; or even: because their bad memories experienced in the past, yet look like considerably; … / …

    A gain in Volume 4, entitled: " An Ultimate Therapy To Save Their Child ", we hope that the Samba-Style or Style-Samba, we will try to do everything for us heard.

    One will see for example among others:

    The consequences of a child too, spoiled since childhood.

    The lack of control primitive instincts "of a Daughter of Eva".

    Good hysterical Arian of the worst kind that can exist, and with her, a blood vampirian; a blood vampire who rose to her nerves; that rose in her throat; and that made her therefore declare the worst nonsense!

    An Artemis always frantic search a low step quality.

    "An Andromache who would remember among others; and this for a very, very long time, with crunchy" she would soon point scare:

    How "we did for example, inflate the meat injection; and that they knew how to do"!

    How is made for example, make red-hot the big labia’s; and that they knew how to do!

    The consequences for an Eva, because the guy had taken his legs around his neck.

    Will for example, a fact surprising here, readers and captivate consequently, their attention, the following questions:

    In short: Is Paula’s father also BERC for example, was even no work related to his multiple university degrees; sadly and unfortunately, he could only accept despite himself, to simply being a Security Guard?

    In short: Does the father of Dorety Amann also for example; was not a victim of a cultural misunderstanding?

    In short: Does the mother of Marilyn HANEY also to cements for example more link their hymeneal, she also simulated, against her ape; that is to say, vis-à-vis the father of Marilyn HANEY precisely, multiple true-false incessant scenes households?

    In short: Does mom Cathy PEGGY also to cements for example more link their wedding, she also simulated, against her gas; that is to say: against the father of Cathy PEGGY precisely, multiple constant false-true scenes households?

    In short: … / …?

    In short: Does the mother of Todd TEXLER also to cements for example further their relationship marriage, she also simulated, vis-à-vis the bimanous; that is to say, against the father of Todd TEXLER precisely, the various scenes of households; but unfortunately alas!, himself the father of Todd TEXLER in question, not knowing actually nothing at all, at all, all these theatrics fashionable Blondinian for example, he could only take these domestic scenes in the first degree, and consequently, he had saved for him?

    In short: Does the father of Milene VELASCO also have been the victim of miscegenation common senses; or rather cultures?

    In short: Does the father of Jay CAREEN similarly, was the scapegoat of culture shock?

    In short: … / … here, here, here!

    Of course, at the end of this volume 4, our strange Samba-Style will go away. But rest assured, it will not be for long;

    not for long because Style-Samba will return almost immediately, in Volume 5; which will follow.

    Messy, the characters mentioned in this small fourth volume.

    Main characters:

    Julio Fernandez;

    Maryvonne KEVILER;

    Lucilian KEVILER (son of MARYVONNE and JULIO);

    Evelyn MULER, which would become for a given time: Ms. Evelyn MULER, spouse Julio FERNANDEZ;

    Christian GENEVRAY (a friend of JULIO).

    Sisters of JULIO:

    Ghislaine FERNANDEZ;

    Chatelaine Johannes FERNANDEZ;

    Solange FERNANDEZ.

    Parents of MARYVONNE:

    Maryssa Fouquet, spouse KEVILER.

    Mr. Moses KEVILER (or: Monze KEMVILA);

    Other peoples close to this:

    Henrietta Mafuta KEMVILA, spouse Nsenga, a sister of MOSES;

    Giraud ZEFRINO; which would succeed the dirty work to him, by the father of MARYVONNE, to recover JULIO;

    Poulain DERECK, a compagnero – accomplice of Giraud;

    Thierry Glorian, the oldest and most faithful workers, in the butchery’s Moses KEVILER.

    Friends of MARYVONNE:

    Lillian Quesnel, spouse Roger BOUSSARD;

    Mr. Alejandro of Verdun (a Lecturer in Modern and Contemporary History at the University of Paris-Sorbonne);

    Madame Louisette GRIFFIN, spouse VERDUN (ALEJANDRO’s wife).

    People who had approached closer to LUCILIAN or grandparents:

    Corinne KIMBERLIN (Mistress of the last class of the Kindergarten where LUCILIAN attended);

    Miss Jeanne CABROL, the babysitter that was hired to MARYSSA for the interest of LUCILIAN;

    Madame Joubert Menia, the Mistress of the CPB School JOFFRE.

    Mr. Augustan LAMARTINE, a child psychologist; or rather, a child psychotherapist in Benedict MARCONI Center for children, at Rueil-Malmaison;

    Ms. Paloma ORNELLA, a child psychologist; or rather, a child psychotherapist at the same Benedict MARCONI Center;

    Madame Leonie COLBERT, a child psychologist; or rather, a psychotherapist with children, always in the same Benedict MARCONI Center.

    Children who were receiving therapy together with Lucilian KEVILER in the Benedict Center MARCONI:

    Magdalena MATT;

    Regina BLAIN;

    Betty MANNERS;

    Laurie Zuker;

    Janet SANTINI;

    Bennett WEAVER;

    Jacob BERGER;

    Stephan Lorentz;

    Delfino STESCHER;

    Jonathan Hanks;

    Dave RABWIN;

    Steve Shiban;

    Adeline KAPLAIN;

    Damien HOWE.

    Secondary characters:

    Gary ULRICH and Aziz OF ROBIAN: Without accommodations Fixed capita for a time in the Relay Center Social Atlantis (122).

    Brats of children ages that followed the therapy in the Marconi Centre; which was observed behaviors, through different tapes-videos:

    Paula BERC;

    Dorothy Amman;

    Marilyn HANEY;

    Cathy PEGGY;

    Austin STEWART;

    Todd TEXLER;

    Milene Velasko;

    Jay CAREEN;

    Sebastian MARION;

    Anaïs ARMIN;

    Jacquelyn DORIS;

    Andreas NELLY.

    Other secondary characters:

    Gilles Carpentier, another worker of MOSES;

    Yves MULER, the father of EVELYN;

    Simone Durand, spouse MULER, the mother of EVELYN;

    Laval BRICE and Loïc MORIN: loyal colleagues working with Yves MULER.

    Annick Tyssandier subversive used by the father of MARYVONNE, to make a dirty job;

    Patrick Fernandez, the little brother of LUCILIAN;

    Yolanda FERNANDEZ, little sister of LUCILIAN and PATRICK.

    Claude Roland, the Chief of Staff of the Company Guarding the SÉCUDARGAUD;

    Regis HARISSON, the Chief Executive of SÉCUDARGAUD.

    Guards of SÉCUDARGAUD serving in a site located at Saint-Quentin-En-Yvelines

    Bertolotti Foppiani;

    Lionel REYNALD.

    Peoples barely mentioned in this fourth volume:

    Roger BOUSSARD, the husband’s LILLIAN;

    Elian BOUSSARD, one of two daughters of LILLIAN;

    Nicole BOUSSARD, another of two girls ’s LILLIAN.

    Peoples who had tried in vain to recover [And how! And what for] in ways deplorable, JULIO!:

    Elvira AUBRY;

    Vincent GILBERTO;

    Henrique LEFEBVRE;

    Alfred Peuron;

    Marc THIEBAUT.

    Other friends of JULIO:

    Nelson RUDNIK;

    Roz LORENZO;

    Eric BATTLES;

    Jeffrey MAXWELL;

    Arthur RAVER.

    The others barely mentioned in this fourth volume:

    John Christopher WINDSOR;

    Giordano COROLIAN;

    Norberto MAURY;

    Kevin DE SOUSA;

    Alexander NAVARRE;

    Oliver Gauthier;

    Lucia GAUTHIER;

    Lucien CHAPERON;

    Cleopatra MOULLER, former worker of MOSES;

    Agatha LEROUX;

    Mvila KEMVILA, the dad of MOSES;

    Adolphina Nseke (or Mama ADOLO), the mother of MOSES;

    Patrick Fernandez, the deceased father of JULIO;

    Yolanda ROUSSEL, the mom of JULIO.

    PREAMBLE

    A nd so their heels Julio Fernandez and even think to take, it would actually, now proves to be a real disaster, " A True Love Sorrow ". This grief rush Maryvonne KEVILER in a real nervous breakdown; depression which would slowly and very surely, trashing the only child. Parents of the later (with a significant portion of their wealth) would do little reluctant to use such blunt, unorthodox methods; contrary to Law and morality methods; briefly, Machiavellian methods; to bring JULIO into the arms of their only daughter; to save her life; and at the same time, to ensure consequently, the legacy of their wealth in peace after death. Why MARYVONNE’s parents were adamant that guarantee? This is simply because, in their minds: «  If she; that is to say, their only daughter MARYVONNE had e.g., coincidentally, to die of a nervous breakdown; in this case, her son LUCILIAN too, could possibly fall into any nervous breakdown, thinking naturally to his mother; and he could well eventually pass away also. In this case, their efforts would be for example, one way or another, simply wasted after death. » .

    That was why they; that is to say: the wealthy parents, of Miss Maryvonne KEVILER, held to guarantee absolutely the succession in peace. Therefore, according to their own way of doing things: « Use methods, even if the methods in question are just Machiavellian to save their single offspring, while evil or very evil, someone else the way: would really be there, the ultimate confidential therapy for this indirect emotional suffering; for this indirect afflictive suffering [if you could call it, like this] »; Suffering which would affect now at Real Maryvonne KEVILER’s parents.

    I n short, for them, they would use methods for managing and transferring the nervous breakdown of their daughter, to another person, by the way. Which no one would recover little of this new situation and she just died. But for the parents of the only child: There is no getting around as it was then, the ultimate therapy in order to save our children, and ensure the legacy of our fortune with the utmost tranquility. Is this would also be accepted by the Other Justice; or to better express it: This would also be accepted by the Providential Justice?

    We had too much too spoiled since childhood! And worse, we never wanted for example dare contradict hers very, very poor whims; when she was growing up! And now the work!

    CHAPTER FIRST

    T hat is to say: eh!, eh, eh! Me JULIO, I’ll tell you what that is to say: eh!, eh, eh! -There! That is to say that it was exactly that way precisely you had done shame, number of days, certainly here in ourselves; but unfortunately alas!, in the presence of my friend CHRISTIAN!; in the presence of many other people and also among others especially in the presence of your own mom and not forgot to mention the fact that it was pretty much at any time, in the presence of LUCILIAN too!. Had consequently, JULIO responded to MARYVONNE at the end of Volume No. 3, entitled: «  Torment of JULIO, Descent From Poitevese   » .

    And thereby MARYVONNE would chain to the attention of JULIO: Could I ask you a question anyway JULIO?.

    JULIO: Go ahead, I’m listening!.

    MARYVONNE: There lies anyway after all, among ourselves here in Montrouge, or rather you live in your friend CHRISTIAN or even in what many others which you allude, and also among them: my own mother?.

    JULIO: Certainly one is domiciled after all, among ourselves here in Montrouge! But when … / …..

    MARYVONNE: So, it has a right to some privacy in ourselves, or not?.

    JULIO: « It is certain that the answer is: Yeah!. But anyway! ».

    MARYVONNE: « Hmm mm! But anyway!. You tell me again! And why we should not erect a little privacy at ourselves in the apartment that we have the right and title of the tenants? Tell me a little JULIO if my mother was not aware, for example, we do almost all the time, what a mistake, good some day, we dared to do it in front of her, among others? ».

    JULIO: That is to say: eh!, eh, eh!.

    MARYVONNE: I note that you cannot disagree with me on that point very, very precisely!.

    JULIO: Perhaps not; but … / …..

    MARYVONNE: And besides, after all, is not in any case, the problem of my mother!.

    JULIO: It is not in any case, the problem of your mother; nor that of many others which among them, Christian GENEVRAY e.g. what!.

    MARYVONNE: And why do you bishop the case of the number of other people? And why do you quote me including the name of Christian GENEVRAY?.

    JULIO: « This is simply because it was also the same process very, very exactly, that you had also used the number of days in the presence of all these people; which yet had like everything wrong, that coming in good faith, we making courtesy visits; and putting well, very, very uncomfortable! And these people just believed it was a deliberate rise by both of us, to make them understand as what they were persona non grata at our home! Hmm mm! Among others, Christian GENEVRAY a persona non grata at our home! He who, and yet he was very, very dramatically pulled me out of the galley in which I am very, very strongly here entangled in the Paris’s region for several months! Finally is! ».

    MARYVONNE: « So what? Do you really think JULIO, if for my own mom, I had hardly spared; and that against, I would have spared him for the fact that his name is Christian GENEVRAY and also for the fact that he had very, very brought you out of the dramatically galley where you were you very, strongly entangled here in the Paris’s region for several months? It ah!, anyway, not at all, at all!!! Anyway ah!, it is: not at all, at all about the characters and temperaments of me your prostitute MARYVONNE!. ».

    JULIO: « Race Result: CHRISTIAN like these other people and we made it very, very uncomfortable with us; they interpreted our facts, our gestures and intimate lyrics (but rather I would say they had interpreted these cattle acts by us), as for example: A kind of deliberate connivance on the part of us and against them, to make them understand once and for all; and this, in a manner veiled: like what, that their presence in our apartment, we finally enormously embarrassed; and that, consequently, they were not at all, at all, welcome here in Montrouge! ».

    MARYVONNE: « Your friend Christian GENEVRAY and all those other guys who felt very, very uncomfortable with us, because of our intimate acts prying; they can all interpret those acts that you describe as cattle JULIO, as such [as you let me hear]: A kind of deliberate connivance on the part of us, and directed against them, so to make them understand once and for all; and this, in a manner veiled: like what, we do not want them here! They may interpret these actions as they want! But frankly JULIO! It’s really the least of my worries! ».

    JULIO: I had and even now I’m explaining; I tried to explain to these people and we made them very, very uncomfortable with us, like what, it was not at all, at all, what they believe; I tried to explain to them that this is not a league; but unfortunately; unfortunately for virtual majority of which among others for Christian GENEVRAY!; they do not even listen to me and they prefer not at all, at all, coming home; since, according to them, that’s it, our goal in making them; making their comfortable very, very badly, in our home!.

    MARYVONNE: I do not give a damn me MARYVONNE, they finally decide in their near majority, not to come back, here, at our home!.

    JULIO: Excuse me?.

    MARYVONNE: « It’s good like that ah!, they stay at their homes! And so there would be more likely that they still meet once more before scenes of nature! Scenes of nature; that is to say, like animals in heat in full rut! Scenes of nature; that is to say in other words; The terms of the Small Larousse: As in physiological state of mammals, which leads them to seek the tip. !. And so we would look for it, without being disturbed by visitors! ».

    JULIO: « In any case, there is no doubt that your adventurer Londonian; your adventurer WINDSOR was absolutely right to flee to the United States; and he was right! I hate about you; because quite frankly, you’re exaggerating anyway really MARYVONNE after all! ».

    MARYVONNE: « It fagot – Movie, only had to save (excuse me following terms: I do not care passionately, or to put it better myself:), I have nothing fuck! I do not really give a damn! ».

    JULIO: What you do not know … / …..

    MARYVONNE: Yep!, ih!, ih, ih! I do not know?.

    JULIO: What if this pace continues; if it continues; soon, me JULIO too, I’m going to save myself eventually anyway; since I cannot continue to stand here! I cannot stand to be so considered, for example, even a lemon that is decidedly not stop pressing, in order to obtain again and again always juice! Hence the fact that very soon, I also, I can save myself eventually anyway! At that time, you would have to miss me and hope that I return to you, here in this apartment of Montrouge! But only here, it would be too late!.

    MARYVONNE: You said what? There are not only long, you let me hear otherwise!.

    JULIO: I told you what?.

    MARYVONNE: You told me yourself that you had never suggested to me that you’d end up with absolutely sure drop me a good day; [even] if I do not do anything objectionable!.

    JULIO: That’s right!.

    MARYVONNE But here right now you already forget about your own good word and therefore you contradict yourself!.

    JULIO: « Excuse me, if I contradict myself as well! And besides, I do not even think I contradict myself! Also if I understand correctly, I spoke in the following terms you; that is to say, as you me rehearsal yourself MARYVONNE that: I never had you suggested that I would absolutely dropping you, by a good some day; [even] if you do not do anything objectionable!.

    That’s right! But only here, where quite frankly there anyway behaviors be criticized, no! Because no matter how, there you have committed reprehensible acts; because in front of people who come to visit us and in good faith anyway eh! Finally is! ».

    MARYVONNE: « Besides, if I look JULIO greatly! You have no more at all in thee something a real man; and it annoys me greatly when, despite all the efforts that, you frosted according to you, me, … / …. ».

    JULIO: « Okay! Only the word coward and you genes item! Only say the word impotence and you little discomfort especially for this! ».

    MARYVONNE: Despite your efforts that you frosted according to you, me, … / …..

    JULIO: « According to me!. ».

    MARYVONNE: « Aye, aye!, ih!, according to you! In your meet me as the best! But only here, one would say quite frankly, you’ve definitely blast at heart; and therefore you breathless you greatly; and you came to nothing about anything! And as to me MARYVONNE, I obviously feel: absolutely nothing at all. Deduction: There is no longer any doubt: Your mechanic does not work!. Impotence (in order to express ourselves in this way [and especially to be able to just drop the term, as you come yourself to me to express just now]) invades you somehow actually ; and this: very young; even too young!. ».

    JULIO: « That’s it! You finally dropped the word Me JULIO helpless!. ».

    MARYVONNE: Oh!, aye, ih!, ih, ih! Oh!, aye, aye!, ih!, Ih, ih! Oh!, uh – huh!, ih!, Ih, ih! So what?.

    JULIO: « So what? Hmm mm! So then, you really are exaggerating! You exaggerate really for the simple reason that to my knowledge: for me JULIO, the first question at this mechanical problem; I think this is not the truth! Is it not true that this is not untruth? ».

    MARYVONNE: « Is it not true that this is not untruth? Do you ask? Finally is! But first, you told me what about WINDSOR; and answer me honestly!. ».

    JULIO: Honestly! Okay! I said that this man had reason to flee you and go for him, for the United States; and that, therefore, me JULIO too, I’d end up inevitably a good some day, do the same: save me! Inevitably I’d end up making my bags and go away! I will not necessarily go abroad; but anyway, I will go hide myself where you could hardly find me!.

    MARYVONNE: « Well, me too, I was right when I did not before, to tell you my dual adventure that I had to know, before I met you! Now here’s the proof: WINDSOR was right to avoid me. You say! The moral of this case? By putting you aware of this double adventure I’d had

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