The Atlantic

The ’90s Blockbuster That’s Also a Symphony

Megan Garber’s entertainment picks include the “full-throttle camp” of <em>Face/Off</em>, a forthcoming translation of <em>The Iliad</em>, and the cringe-comedy series <em>The Rehearsal.</em>
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This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

Good morning, and welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer reveals what’s keeping them entertained.

Today’s special guest is Megan Garber, a staff writer who frequently writes about the intersection of pop culture and politics for The Atlantic. Megan wrote our March cover story on the ever-blurrier distinction between reality and entertainment, which is currently on newsstands. She’s also the author of On Misdirection: Magic, Mayhem,, a collection ofessays on misinformation and America’s fracturing political culture, one of the three inaugural titles from our new book imprint. Megan is a fan of the classicist Emily Wilson’s literary translations and the artistry of Nicolas Cage, and she belly-laughed during the first episode of the “semi-satirical semi-documentary” HBO series

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