Torment of "Julio, Descent from Poitvese"

By Isaac Mampuya Samba

In short: a man stuffed of the diplomas; but which did not have the chance to take a job based on his qualifications precisely; and that he could not: be content with being a mere agent monitoring; a man whose his godmother was not stopping to her shenanigans; a man whose his poor mother kept echoing and thus suffer the effects of hers sufferings upon him; a man whose his companys Supervisory not stop bothering him little, because he was beginning to seniority; which cost dear to the boss, for premiums; a man witch one, his little sisters didnt stop little insidiously and relentlessly engage them fighting butt; a man whose his womanishstar is nymphomaniac hot could not stop to make him see all the colors, thus providing almost daily crispy shows scenes of households the various penguins; which were eager to see such shows and they even ask for again and again. And: stories of diplomas; to stories of godmother; to stories of a poor mother; to stories of a partnership Monitoring; stories in fighting butt; and stories a raunchy nymphomania shrew; it inevitably leads to something that looks more like for example: Torments of JULIO, Descent From Poitvese Progeny ; Which torments just have simply become the title of this monograph.

• Language: English
• Publisher: AuthorHouse UK
• Release date: Feb 26, 2016
• ISBN: 9781504998314

Isaac Mampuya Samba

Isaac MAMPUYA Samba (IsMaSa) est né en juillet 1952 à Kinshasa (au Congo - Kinshasa [alors : Congo belge et Kinshasa, la Capitale, anciennement Léopoldville]). Après ses Études Primaires dans la Commune de Ndjili, Quartier 2 [École Officielle Ndjili - XII, dans la même Capitale], Isaac MAMPUYA Samba avait soutenu plus tard, sa Thèse Doctorale à Paris - IV - Sorbonne, en 1989. Une Thèse PHÉNOMÉNALE qui fait Références dans Plusieurs Dizaines de Bibliothèques en France actuellement. Cfr. : Mampuya, Samba [WorldCat Identities] https://www.worldcat.org › identities › lccn-n92054012 Décembre 2019. Isaac MAMPUYA Samba rêvait déjà, déjà et déjà, depuis sa très tendre enfance, qu'il allait n'importe comment, devenir beaucoup, beaucoup plus tard dans sa carrière : un Écrivain . Qui plus est : un Écrivain Populaire . Et là, son rêve "de très tendre - enfance" devient : Plus que la Réalité. Plus que la Réalité ; car à l'Heure actuelle, Plusieurs Shops en Ligne répartis sur les Quatre Coins du Monde, consacrent ses bouquins : Plus Populaires . Sensationnelle Consécration.

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Published by AuthorHouse    01/21/2016

ISBN: 978-1-5049-9830-7 (sc)

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Contents

Dedication

Principle.

Notes

Messy, The Characters Mentioned In This Third Volume.

Preamble

Chapter: First

Chapter: II

Chapter: III

Preamble

Novels Of The Same Author

Endnotes

"Brush - Engraving » : Is Ma Sa.

Editions IsMaSa, London – Paris – Los Angeles.

TRANSLATED FROM THE FRENCH TO AMERICAN

BY HIMSELF THE AUTHOR ISAAC MAMPUYA SAMBA

Doctor of Es Letters (Paris-Sorbonne)

Series or Sub-Series :

"…/… Their

Membership Negritude in

Africa and in the World …/…" ».

Torments of JULIO, Descent From Poitvese, Whose Fate had favored the meeting with MARYVONNE Descent From Parisian

3 - « Torment of JULIO, Descent From Poitvese ».

Preceded by:

1 A True untimely Awareness.

And:

2 Nervous Depression or Grief of Love.

The French Act of 11 March 1957 authorizing, under paragraphs 2 and 3 of Article 41, on the one hand, that copies or reproductions strictly reserved for private use and not intended for collective use and, secondly, analyzes and short quotations for the purposes of example and illustration, any reproduction or integral or partial reproduction without the consent of the author or his heirs or assigns, is unlawful (paragraph 1 of Article 40).

This representation or reproduction, by any means whatsoever, constitutes an infringement punishable by Articles 425 and following of the Penal Code.

ã IsMaSa-Publishing, London – Paris – Los Angeles.

In 1st Quarter 2016.

ISBN -––––––––– XX.xx XXXX

1st Edition: 2016

Legal Deposit: 1st Quarter 2016

DEDICATION

To those who do not dare contradict the mediocre; see: the very mediocre; and see: the very, very mediocre whims of their offspring’s.

PRINCIPLE.

The Imaginary" first;

then "(¹) the Real" after that. ».

NOTES

B y his pen, Isaac Mampuya Samba thus proves to be unquestionably the Orthodox Creator of New Literary Art: The Samba-Style or The Style-Samba; which draws its inspiration and its rhythms in some well-chosen samples on popular vicissitudes; or rather inspired by some fortunate or unfortunate events experienced by the masses, at day by day.

We point out to our readers that: ... / ... number of names and numbers of names of countries same listed within are sweetened; or if they are downright fanciful or utopian; Some characters had very, very strongly been fictionalized; and finally, that certain events as to them as they had also very, very strongly changed (paid: very, very strongly changed in their spaces and their times).

These so-called critical (critical to the male or critical feminine [whatever], because it depends: one, either, explanations of various dictionaries; [these criticisms]) are warned. And so they did not say, for example that: … / ... Yes ih!, eh!, eh!, ... / ... but only here at that time eh!, eh!, eh! ... /…!.

Torments of JULIO, Descent From Poitvese Whose Fate had favored the meeting with MARYVONNE Descent From Parisian" », it is actually indeed a story; or rather, it is in fact actually, stories such as Isaac Mampuya Samba, the author loves to narrate.

For those who had already read the second volume of IsMaSa, entitled Nervous Depression or Grief Love, you will continue your walk [literary] at the heart of: -— (as well as for those who begin at this present volume, entitled torment of JULIO, Descent from Poitvese Whose Fate had favored the meeting with « MARYVONNE Descent from Parisian », you will continue dive: [literary]) the heart: a foreign writing, called: Samba-Style or Style-Samba".

The so we will continue the literary diving; and we will discover such stories such as:

« » « Anyway, in short, every insurance duty hymeneal »; or rather, each accomplishment sweet charming is ... / ... all a nightmare; A mysterious nightmare; but a real nightmare anyway, for me, the brave JULIO. » « ».

» « In short, in short, every insurance duty wedding; or rather, each accomplishment of the charming pretty, it’s a dream; a fairy dream; but a real dream anyway to she, my muse MARYVONNE". » « ». ».

Or you talk I e.g. a face a spark revenge by some CHATELAINE cheated by a former swimmer; which was nothing else:

A real bitch; a frenzied bitch;

a real sorceress; a sultry seductress;

a real sorceress; coaxing a luscious;

and especially a real nice female creature created by God here on Earth indeed.

Or I speak to you, then, of the face of a revanchist ignition, so to speak , incest "?

Or you talk I would include some fights of buttocks; some of ruthless fighting buttocks between sisters of the same family; which fights the same CHATELAINE had eventually nicknamed: « The insidious and relentless fighting sister-fernandez-idyllic of buttocks » ?

It should say that this certain CHATELAINE in question would light a certain LUCIAN; which end up as a consequence then quite frankly, facing a pretty explosive cocktail, to express ourselves in this way; or rather, face to ignition [of course], phraseology based on enticing many words recorded sensual gestures and especially sulfur zest; that cocktail would turn him, the hornet LUCIAN the head. What eroticism from the bee CHATELAINE? And yes ih!, eroticism at once: intrinsic and extrinsic, that also mesmerizing-forced.

What eroticism certainly, but also what terrible act and put too!

"» « I will certainly make a very, very immoral act; a very, very shameful act; and a non-noble act; an act that is a sickening servility; a despicable act; a sordid act. In short, I will certainly be a very, very shameful for all to act; and I CHATELAINE, I know! I know as well, that the consequences of such an act could possibly be very unpredictable and even especially very serious consequences! » « ».

In short, the last words and the last very, very erotic’s gestures of the saucepan CHATELAINE would invite therefore inexorably the cover of saucepan LUCIAN finally, to go explore further in her; and later; that is to say, of such feminine curves, with their powerful buttresses; or rather voluptuous; and also beyond just a pretty effective trap; but also rather shameful that it would be very, very difficult to escape, would open and immediately close again against him LUCIAN, and along with it, of course, its whole lot of consequences, rather sad. And yes ih!, biology menstruating!; why many people still fail to master, take its course; or rather, his foot!

Still on this sacred CHATELAINE as if its sulfur acquaintances they would often decidedly with this certain LUCIAN does not already sufficient, she would write also a very, very Long Diary; that anyway, roughly half of the text is coded ; which also roughly half the text as is decoded by herself CHATELAINE, to provide an overview (And is overview a overview enough paralyzed or rather: quite paralyzed of astonishment, of course), people who read this very, very Long diary in question!; to already understand in advance the nature of the materials they will make a mess of meaning, in the case where they would reach much decoding result; that is to say, roughly half of this very, very precisely Long Diary"?

It should also be worth pointing out in advance, that the Non-Coded, there:

also not only roughly half content which herself this sacred CHATELAINE wanted to write using Third Person Singular;

also not only roughly half written with herself that sacred CHATELAINE wanted to write using First Person Singular;

also not only roughly half text which herself this sacred CHATELAINE wanted to write using Third Person Plural;

also not only roughly half writing which herself this sacred CHATELAINE wanted to write using First Person Plural;

also not only roughly half of the Party Non-Coded which herself this sacred CHATELAINE wanted to write using Conjugation of the Present Time";

but also roughly half of the Party Non-Coded which herself this sacred CHATELAINE wanted to write using Hookups Past Time.

And all the parameters used for writing this Non-Coded Party were also used by herself, this sacred CHATELAINE for her writing of her Party Coded; Part Coded yes!, but be careful: No Major Þ Read Denied anyway! Anyway, even especially the Non Coded, No Major Þ Read Denied also.

Where: You talk I still part of that famous very, very Long Diary in question?

Which, as regards its Coded Party transformed quite naturally in addition, our readers, the True Decoders to not even say for example, the Real Private Investigators in Grass, in to be able to allow us to express ourselves in this way?

Which will certainly try to watch word by word and sentence by sentence, for "this very, very Long Diary Coded ?

In order to understand the true meaning of written lying in?

One thing is not even sure of success, so that the Party Coded of this very, very concerned Long Diary actually turns out to be Extremely well – Coded?

Or you speak I still would include the consequences of such a spark revenge; or rather, of such fights of buttocks between the sisters?

Or you talk I would include shenanigans a godmother and yet beloved by his godson, with regard to this?

Or you talk I like a meeting of two women with so to speak, "a spectral blood; or rather vampire"?

Or you talk I would include collapses of a man, looking for a job on his intellectual capacity?

And one on of the best. In short, in this novel [Volume 3 entitled: « Torment of JULIO, Descent From Poitvese »] although retrospective (but we’ll find there, the social themes which effectively stick in parallel, obstinately; infallibly and calmly; which parallel inflexibly; unswervingly and tenaciously various social facts , and which finally, we will find them again and again still in the future, and these, in all countries of the world. Short, in this novel titled": « Torment. of JULIO, Descent from Poitvese » (Whose Fate had favored the meeting with « MARYVONNE Descent from Parisian »), we will find the Samba-Style or Style-Samba all in full; chiseled in style modesty. Of course, at the end of this volume 3, our strange Style will go away. But rest assured, it will not be for long; Not for long because it will almost immediately return, in volume 4; which will follow.

The pot Maryvonne KEVILER had acquired from the cover of pot Julio Fernandez, the reputation of being an inveterate runner superlative pleasures.

Sadomasochistic practice?

Even. This is because it was her way this guinea fowl Maryvonne, feeling seventh heaven; seventh heaven and yet still always superlative.

Messy, the characters mentioned in this third volume.

The main characters:

The partridge Maryvonne KEVILER, said: The Mixed Descent From Paris and D’Rear Kinese Descendants. A Parisian Descending which would be expected to her son of Adam, JULIO Descent From Poitvese [in privacy]: it can be imperative for her: the sparrow who knows to achieve for she: « the most dizzying blandishments »; and what’s more, simultaneously: he can be downright the bird who can make she to sing; and that in the perfection [And rightly so!!! -—] the Operetta and the operas; and those ones and these: even in the presence (, or not, the world would be in their living room, so one: whatever.). We will illustrate the operetta and these operas sung in question by this lobster, named MARYVONNE by a single illustration illustrative; Typical; Representative and Especially Eloquent but much further, during our solo hike.

Julio Fernandez, said: From Poitvese Descent and Descent From Rear Spanish.

Agatha LEROUX: godmother beloved of JULIO.

Moses KEVILER (the Kinese): the dad of MARYVONNE.

Henrietta Mafuta KEMVILA, wife Nsenga: the paternal aunt of Maryvonne KEVILER.

Jerome Nsenga, the husband of Henrietta.

Christian GENEVRAY: closest friend of JULIO.

Maryssa Fouquet (the Alsatian): the MARYVONNE’s mom.

Evelyn MULER: which would become the second wife of JULIO; or rather, which would become the first legitimate woman of JULIO.

Yolanda Russell, widow FERNANDEZ: the JULIO’s mom.

Chatelaine Johannes FERNANDEZ: one of the three little sisters of JULIO.

Ghislaine FERNANDEZ: Another of the three little sisters of JULIO.

Solange FERNANDEZ: yet another of the three little sisters of JULIO.

Norberto MAURY: one of the three former partners of Agatha.

Kevin DE SOUSA: another of the three ex-spouses of AGATHA.

Alexander NAVARRE: yet another of the three ex-spouses of Agatha.

Oliver GAUTHIER: CHATELAINE’s husband; which would be seduced by GHISLAINE.

Arnaud HUGHES: the last joint of AGATHA.

Lucian CHAPERON: the SOLANGE’s husband; which would become the new husband of CHATELAINE.

Juliet Russell, wife Pellisson: the JULIO’s maternal aunt.

Secondary characters:

Stephan Pellisson: married to JULIET.

Marly CHRISTIANE: MARYVONNE’s closest friend.

Francis LARGIER: the owner of the building where MARYVONNE dwell.

Virginia DE SOUSA: one of the two daughters of AGATHA.

Odette NAVARRE: Another of the two girls of AGATHA.

Lucilian KEVILER: the son of MARYVONNE and JULIO.

Lucia GAUTHIER: the daughter of OLIVER.

Sabine SITRUK: Congressman of Vienna (in the Poitou – Charente’s).

Herbert BOSH: One of the Representatives of the Commissioner of Police of Vienna.

Geoffrey RIDING HOOD: One of the sons of Lucian .

Guy CHAPERON: another son of Lucian .

Lydia CHAPERON: the daughter of Lucian .

Miss Jeanne CABROL, the babysitter that was hired by MARYSSA for the interest of LUCILIAN.

People barely mentioned for the third volume:

John Christopher WINDSOR: one of the two former spouses [including: first] of MARYVONNE.

Giordano COROLIAN: another of the two former spouses [including: second] of MARYVONNE.

Eric STRATTON: the Prof. charged of English literature (in particular: the works of William Shakespeare at the Sorbonne).

Jacques Dupuy: the boss of MARYVONNE.

Cleopatra MOULLER: one of the former workers of MOSES.

Denis FONTAINE: one common friends of JULIO and CHRISTIAN.

Patrick FERNANDEZ: the deceased dad of JULIO.

Patricia Fernandez, wife CHOPINET: one of the paternal aunts of JULIO.

Alain CHOPINET: PATRICIA’s husband.

Maurice-Pierre FERNANDEZ: the paternal uncle of JULIO.

Julia MARTINEZ, wife FERNANDEZ: the wife of Maurice-Pierre FERNANDEZ.

Adrian OF SAINT-HILAIRE: the former boss of MOSES.

BUFFALO BILL: the incomparable and unsurpassed Fartman in "the Center of Relay Social Atlantis (122)."

Murielle Arnoux: the Head Office of the Rector of Paris.

Regis BLANCHARD: an Inspector of the Academy of Creteil.

Nelson HUMBERT: one of the persons in charges of the Bureau of Competition at the NSRO (the National Scientific Research Organization).

Other friends JULIO:

Nelson RUDNIK;

Roz LORENZO;

Eric BATTLES;

Jeffrey MAXWELL;

Arthur RAVER.

PREAMBLE

Why: Just A Flip Of Things?

This is about, the following: of: "Nervous Depression or Grief Love. And there with the female cherubs already quoted in this volume here; These angels came one would say" by the way, we would not stop a little bit, to be surprising.

A lso as we have to express it just now: MARYVONNE possessed in herself and that, since her very childhood: the very, very bad characters. She would include, for example, at the time, almost very, very bad, vis-à-vis all visitors; which make them come visit home: number of times, she would show a typical beastly behavior towards them. And consequently, all these very, very bad characters there, hardly would settle marital relations on the one hand, him the turkey JULIO; and on the other hand she, the turtle MARYVONNE, the only daughter of the Kinese MOSES. And always in the country of origin of this last; that is to say: in the country of origin of the father of MARYVONNE: In 1978, the French paratroopers succeed to reach the mining town of Kolwezi; which would be for one time occupied by the forces (from to Angola; the forces -—) hostiles to the regime of Kinshasa.

And above all, the wolf Maryvonne KEVILER would never tolerate almost anything but her spouse JULIO make against she, any admonitions that are, for example. And aside from temperament-hot nymphomaniac to scare men, even the most energetic or strongest (whose temperament would MARYVONNE each time, evidence), that said, this one, several times, she would insult him, with terms: pretty vulgar; quite rude; enough raw; or rather violent. In short, it’s pretty insulting to terms with pitiful and rather sad, for the dignity of Julio Fernandez; so much so that the latter question, eventually crack; and consequently, he is simply a good certain day for example resolve, is to save for him, and this, definitely. For Miss Maryvonne KEVILER, it would be: An Awareness; it would be: A True Awareness; it would be: A True untimely Taking Of Consciousness. Maryvonne KEVILER would actually A True untimely Awareness and unfortunately alas!, this is already prove to be too late for she! This will prove to be already too late. This will prove to be already too late why? This will prove to be already too late; this is because; the problem is that, unfortunately, alas!, her husband Julio Fernandez; which certainly would have had so far, a son [Lucilian KEVILER] with she, would have already saved for him; cause: as a result of its many very, very bad characters precisely. This would now be A Real Disaster; and it would create a true Heartache Of Love; which would very greatly torment Miss Maryvonne KEVILER; which turned out to be a single girl of the wealthy parents. And this is going to talk. And that will really make people talking.

The Fate had wanted to form a pair from of diametrically opposite’s backgrounds, having at the same time very, very curiously, and some common points.

For those who were the diametrically opposed, for example:

Maryvonne = only child.

Julio = Children from large family.

Maryvonne = Child wealthy parents.

Julio = child of poor parents.

Maryvonne = Getting a truncated education from hers parents; and for good reason: only child; and we did not even want at all, at all, to correct anyway so slightly; if she was behaving badly; or very, very bad against the others people or when she committed so many mistakes or mischief’s.

Julio = Getting parental education, very, very well done.

When, for example, he walked; he walked.

When, for example, she walked; she didn’t walk.

Otherwise expressed:

Julio was often walks of Health;

while Maryvonne often made health’s walks;

Even otherwise expressed:

Often lacked even what to pay for public transport tickets; and therefore he had to make his movements (even long distances) on foot and in addition, walking very, very quickly; he was sweating considerably. And so, without realizing it: as a walk full of sweats, is very, very good for the health; it is even recommended by the health’s experts.

While she did not fail at all, at all of this, in order to pay for example, tickets for public transport; and even she had a luxury car for her (a Mercedes). Hence, sometimes when she had the urge to stretch hers legs out a little bit; she took her time walking out easily.

In short, the lion Julio and the lioness Maryvonne were two people who, it was very, very tempted to say: They were diametrically opposed; only here, the irony was that they wanted a lot of common denominators; among others: they had both made the Third Round at the Sorbonne; and they called themselves:

Who: Descent From Poitvese and background Progeny Spanish;

Who: Descent From Paris and background Kinese Descendant.

Just be careful!

The Chance of life, undertakes brought these two different people together, as a couple; which couple would have full, full, full of emotional ups and downs and ups and downs, at the fondness for melodramatics’.

"-What Irony of the fate!

It ah!

Eh!

We should admit that the biracial Maryvonne struggled compulsive ecstasy; or to be able to put it another way: the mixed-race Maryvonne suffers from a psychosomatic disorder uncommon; and moreover, unusual and even should admit rather, preposterous; or better to say: curious and strange. The mind and the body especially the biracial languished melodramatic climax; which prompted her to seek so to speak, and especially permanently a superlative; and yet always superlative, libidinous delight; and the latter, so radically and obsessive uncontrolled.

And it goes without saying that with such a pace would display shortly filly the mixed-race "Maryvonne, the daily life of her foal (and in this case: Julio) would hardly at all, at all be easy. Every day, Julio is a victim (And how painfully course? Because his mare Maryvonne herself was victim of a rare and strange psychosomatic illness (And how painfully Also course?.)

-What Story?

This was of course the story of the meeting of the cicada Maryvonne and the cricket Julio.

… / ... He threw himself on the track, just as a train was coming; and therefore, he was rendered completely slurry ... / .… !

CHAPTER: FIRST

A t the end of the novel Nervous Depression or Grief Love the following question: « Is it’d be that day and more specifically, a little less than two hours, she (CHATELAINE) would know as the happy ending (in its course) in its history [of love] with her brother in Law Lucian? » , Had already arisen. So we continue our literary trail by resting first course precisely the same question: Is this it would be that day and more specifically, a little less than two hours, she (CHATELAINE) would know as the happy ending (in its course) in its history [of love] with her brother in Law Lucian ?,

Is it not to deal with a potential persistent strength of Lucian; to fierce resistance from Lucian?

Does she would play, such a potential persistent invulnerability foolproof; such fierce resistance?

Such potential persistent defense; such fierce resistance such a LUCIAN apparently very, very conservative in terms of morals?

From such a LUCIAN , including: One would make his misfortune in "dragging him just enough meticulously in her game! The game of CHATELAINE?

Or, it would indeed him who would make suffer the misfortune! That is to say: to inflict the misfortune to CHATELAINE, making her overcomes his tenacity in the very, very apparent conservative?

Will it also be that day and, more specifically, in a space-time, to all: a little less than two hours, that would begin to Lucian, a history of manners, which would even stir while the rest of his life?

Do not LUCIAN make face long enough to the ignition of CHATELAINE?

Does he would make in piece, as a spark?

Such a warm ignition of such a CHATELAINE so lovely?

Such an ignition such a CHATELAINE as lovely, including: One would his unhappiness by refusing systematically hers advances?

Or, she would own; that is to say: the misfortune of Lucian, by making accepting this one, his advances?

One could not simply make the point clear, a blackout on this subject of conversation?

Anyway, all these issues had reached such an immensity; it obliged to the baroness named CHATELAINE" systematically ignore even possible responses.

Anyway, for CHATELAINE, it would be in the very second that started a space-time stretching roughly to a little less than two hours looking, that would introduce a implementation maneuvers quite clever and quite delicate.

Anyway, for CHATELAINE an uncertain atmosphere reign in her inner self.

Anyway, for CHATELAINE indeed, and her inner self just predictive reaction of Lucian answer could possibly that: be quarrels or bickering or even treble: din.

In short, in any case, for CHATELAINE, it was the stress. Indeed, within herself, the mood was hardly festive; rather, it was stressful.

In short, in any case, for CHATELAINE and herself in her Inside, the atmosphere was stressful; because the stakes were enormous; it was big; because:

Or, she managed revenge of a wife whose the husband had been bitten by her own sister; but only by deliberately deceiving, her little sister, as the target; but it did not matter; and therefore, in this case, then, the atmosphere would anyhow be clearly festive; and in fact, she, the fornicator, was able to burst with joy.

Or, she would not succeed; then in that case, Lucian could inevitably talk to other people, how to conduct his sister in Law CHATELAINE; and it would inexorably be for her precisely, a nightmarish shame.

But until CHATELAINE know: if the outcome of her business would be a nightmarish shame; or if it can be a clear atmosphere at the party would, hopes were still secretly low; very low; very, very low; very, very, very low; and therefore her blood pressure was found quite logically, at its height; and her spirit warmed quickly.

Just be careful: with more determination to want absolutely succeed: she, the swallow CHATELAINE, she undertook, not finally focusing too much, too, too much, a defeatist prognosis. No, she would not. What for? She would not do; it’s simply because she had a secret. And what was her secret? Learn obviously highlight the advantages which nature has well and truly wanted to develop beings called weak. The brothers in Law as wise and conservative morality, apparently,