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168 - One Hundred Sixty Eight

168 - One Hundred Sixty Eight

FromBreaker Whiskey


168 - One Hundred Sixty Eight

FromBreaker Whiskey

ratings:
Length:
4 minutes
Released:
Mar 13, 2024
Format:
Podcast episode

Description

Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday. ------ [TRANSCRIPT] [click, static] Okay, so I’ve been reading this fucking book, The End of Eternity by Isaac Asimov and I finally finished it … Listen, it’s not really my thing. Not that sci-fi isn’t my thing, but I’m not sure this kind of sci-fi is up my alley. And why are male writers so weird about women so often? That’s not the point. The point is…I assume you’re trying to tell me something with this. That you’re trying to say that this somehow holds the answers.  I’m going to assume also that it doesn’t hold all the answers. That it’s more of a…nudge in the right direction. A shorthand for you to use to try and easily explain complicated shit to me.  You know, you’d think Birdie would’ve been able to figure something out like this, right? Presumably they’ve also read books.  Anyway. The End of Eternity. It’s about time travel. Or, well, not time travel, but—actually, there is literal time travel, in these things called kettles but it’s not time travel the way we think about time travel, you know, it’s— Let me start over. There’s this guy, Andrew Harlan, he’s the main character, and he works for this god-like organization called “Eternity” that basically…alters reality to make humans suffer less. But they can only go back in time so far because the technology to go upwhen and downwhen—that’s what they call going up and down the…timeline, I guess, which I think is sort of cute actually—so, yeah, they can only go back in time so far because that technology was only invented in the 27th century, and they can only go so far forward because after a certain point, the world is just…empty. And they don’t really know why. So, yeah. There’s that. And Harlan brings Nöys—that’s this woman that he falls in love with when he’s in a certain time and that time is supposed to be altered, so she’s going to disappear—or, the version he knows of her is going to disappear, she’s going to change because of the way that Eternity is going to alter reality and he’s you know, falling in love with her and he doesn’t want her to change so he brings her on a kettle to one of those empty centuries to hide her from Eternity and keep her safe, keep her trapped in amber. Which…well, listen, I have a lot of thoughts about that, but I’m not here to get into what Asimov is saying about women or being in love or any of that. I’m here to try to understand what the hell you want me to get out of this.  I haven’t time traveled. I’m not in some kind of far, distant future after humanity has ceased to exist, because everything’s the same, just minus all the people. If I’m living in the Hidden Centuries, why do they look the same and how did I get here? At the end of the book…well, it turns out that Nöys isn’t exactly who she said she was, surprise surprise, and she and Harlan have this stand-off. She’s from a version of time that also had time travel, but not Eternity, so they had lots of different futures instead of just the one that Eternity would always be making by altering reality. That’s Eternity’s big thing—that’s what people like Harlan would do. They would go to different times and do different things so that Eternity could perfectly shape the history and the future of the world in the way they thought it should be shaped. But Nöys…her time didn’t do that—they came about the technology a different way and saw things differently. And she tries to convince Harlan that that’s the better way to do things and I guess he does get convinced because all of a sudden, something in reality changes and the kettles disappear, so it turns out that Eternity never happened—oh, they have this stand-off in the 30s—the 1930s—somehow, so
Released:
Mar 13, 2024
Format:
Podcast episode

Titles in the series (100)

BREAKER WHISKEY is an ongoing, daily microfiction podcast exploring one woman’s journey to find additional survivors in an America made empty by an unknown event in the late 1960s. In 1968, two women find themselves in rural Pennsylvania during what turns out to be some kind of apocalyptic event. By the time they discover that everyone else is gone, it’s too late to figure out what happened. Despite not liking each other at all, the women work together to survive, until six years later one of them sets out on her own, driving around the country to find other survivors. This is her, calling out to anyone who might listen. BREAKER WHISKEY is made by Lauren Shippen and recorded on a 1976 Midland CB Radio. It releases daily, Monday through Friday. If you would like the entire week's episodes as one single download, released on Monday, you can support the show at patreon.com/breakerwhiskey or by becoming an Atypical Plus supporter at atypicalartists.co/support. Please visit breakerwhiskey.com for more information or to send a message to Whiskey.