Nervous Breakdown and Sorrow of Love

By Isaac Mampuya Samba

Nervous depression or grief love is actually a story; or rather, it is in fact stories such as Isaac Mampuya Samba, the author, loves to narrate. This used to it in this novel, another form of expression, or rather, other forms of expression, to paint better.

• Language: English
• Publisher: AuthorHouse UK
• Release date: Oct 29, 2015
• ISBN: 9781504992602

Isaac Mampuya Samba

Isaac MAMPUYA Samba (IsMaSa) est né en juillet 1952 à Kinshasa (au Congo - Kinshasa [alors : Congo belge et Kinshasa, la Capitale, anciennement Léopoldville]). Après ses Études Primaires dans la Commune de Ndjili, Quartier 2 [École Officielle Ndjili - XII, dans la même Capitale], Isaac MAMPUYA Samba avait soutenu plus tard, sa Thèse Doctorale à Paris - IV - Sorbonne, en 1989. Une Thèse PHÉNOMÉNALE qui fait Références dans Plusieurs Dizaines de Bibliothèques en France actuellement. Cfr. : Mampuya, Samba [WorldCat Identities] https://www.worldcat.org › identities › lccn-n92054012 Décembre 2019. Isaac MAMPUYA Samba rêvait déjà, déjà et déjà, depuis sa très tendre enfance, qu'il allait n'importe comment, devenir beaucoup, beaucoup plus tard dans sa carrière : un Écrivain . Qui plus est : un Écrivain Populaire . Et là, son rêve "de très tendre - enfance" devient : Plus que la Réalité. Plus que la Réalité ; car à l'Heure actuelle, Plusieurs Shops en Ligne répartis sur les Quatre Coins du Monde, consacrent ses bouquins : Plus Populaires . Sensationnelle Consécration.

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© 2015 Isaac Mampuya Samba. All rights reserved.

No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

Published by AuthorHouse   10/09/2015

ISBN: 978-1-5049-9261-9 (sc)

ISBN: 978-1-5049-9260-2 (e)

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Contents

Principle

Note

Main Characters (continued):

Preamble

Why: Just A Flip Of Things?

Chapter 1

Chapter II

Chapter III

Preamble

Novels Of The Same Author

Endnotes

Vol 2 b)

DEDICATION

To those who unknowingly

really, or without paying too much attention, they

amounted sincerely

their offspring

[one child or not]

so that it becomes

bold or capricious;

if not downright hysterical;

even from their very childhood.

THE ULTIMATE INTEREST OF THIS MONOGRAPH ENTITLED NERVOUS DEPRESSION OR GRIEF LOVE TO THE PUBLIC.

T he ultimate benefit of this monograph happens to be a muted warning, matching a sneaky free will, cleverly addressed to men in search of soul mates or even men already living in eh couple!. What for? This is simply because:

The demonics hags; or rather vampiric countesses acting in relation of pleasures or blandishments, reflecting incessant and recurrent very, very strong incurable crises, anxiety; they actually exist. This is not a myth or a legend and still less a joke. So really: it is not at all a joke; because a Julio Fernandez (: and this, with a very, very large) and his brother by Law: a certain Lucian CHAPERON (and this one, with a magnitude somewhat minimal), had made bitter experiences; and what’s more: they had to feel the impact of all their lots rather melodramatic consequences. Hence the ultimate benefit of this muted warning, matching a sneaky free will, cleverly directed men seeking soulmates very, very careful, before deciding: to engage in any sensual relationship or even addressed to men already living with a partner to also, very, very careful, before venturing into a any other erotic relationship ; before it was too late for them; or to better express it: to hardly have the misfortune of falling for example, on lewd shepherdesses or baroness libidinous; which would empty them all their vital energies; and that, when one is completely emptied of its substantifics marrows; we are looking for another example, to take to their heels, thereafter. In short, so to speak, that love grass or men already cohabiting, do very, very careful; since vampires feminine; or rather ghouls, in terms of marriage; to not say female demons in terms of Hymen, actually exist. So really, they (the demons) do exist; since a Julio Fernandez was unfortunately alas!; and that, in the context of its cultural life, fell by chance, on one of the sulfur-there precisely phenomenon. And it is about the same (himself personally in this monograph entitled Nervous Depression or Grief of Love), starting by telling us his experience. And he knows very, very well the experience in question which he tells us, for the fact of having been himself a active players; or rather passive actor; hardly to say: a sucked. And he tells us this experiment in question, even in its smallest details, to raise smart men, trying very, very careful, about this subliminal vampire phenomenon in question to: hardly very, very bad fall, for example, and then have to regret it. (See this: The demonstration will begin).

PRINCIPLE

« The Imaginary first;

then "(¹) the Real" after that. ».

NOTE

… / … Yes ih!, Eh, eh!, … / … but that’s only at that time eh!, eh, eh … / …!.

W e want straight away, to report to our readers that: all or almost all of those stories, told in this volume (as well as all those told in all other volumes that [later] will follow it) are simply based on true stories; that many of the names of organizations; or institutions or towns and cetera and cetera …; Brief: that many place’s names and same number of names countries listed within are sweetened; or if they are downright fanciful or utopian; some characters had very, very strongly been fictionalized; and finally, that certain events as to them as they had also very, very strongly changed (paid: very, very strongly changed in their spaces and their times).

They said, … / …

N ervous Depression or Grief Love is actually a story; or rather, it is in fact, stories such as Isaac Mampuya Samba, the author loves to narrate. This used to it in this novel, another form of expression; or rather: other forms of expression, to paint better. In doing so, we will discover:

Strong expressions, somewhere;

simple expressions, frequently;

expressions coded from time to time;

expressions no-coded, generally;

herds expressions, repeatedly;

oracular phrases, sometimes; divination certainly; but above all expressions accessible, readable and interpretable for almost majority of people;

both expressions:

not only male and female;

but also seniors or adults and junior; see: sometimes childish.

The whole story with:

Strong language, on the other;

simple language, usually;

a coded language, several times;

a no-coded language, usually;

a hard language, sometimes;

a provisional language, sometimes; forecast certainly; but before all intelligible and understandable to the majority of readers almost penetrable language.

It’s a whole program!

F or those who had already read the first volume, entitled. An untimely Genuine Awareness you will continue your walk [literary] at the heart of: – (as for those who start at that volume 2, entitled Nervous Depression or Grief Love, you’ll do your. Diving [literature]), the heart: a foreign writing, called Samba-Style or Style-Samba. In short, it is a strange style. In short, this style is strange indeed, but perfectly at ease with its many volunteers rehearsed; with his many poems. In fact, it is a new literary genre, with going and coming.

I speak to you, for example, the innumerable themes such as those to folLaw; to enlighten you just a little?

Or you talk I e.g. by singing and dancing in other horizons, people felt; or rather, they still always feel far be possessed enormous energy to spare?

Or you talk I such that these people with concerns precisely, celebrations of dance; they have the bad reputation?

And that women and young ladies choose consequently, their riders to endless melee, exciting?

Or rather, furious?

Or funny (, or even seductive, to express ourselves in this way)?

Or see, for endless melee: hard?

For endless melee: sensually provocative speaking than anything else?

Or you speak I, for example, in songs of these people, there was the poetic power?

Or you talk I such that their festivities and ceremonies: they were also for those people who practiced; or who still practice, extraordinary means to communicate with nature?

Or you talk I for example a female creature dream for many men; but paradoxically decidedly less open to them and above all less complacent; or to better express it: a female creature who recognized herself in reality be fierce. Less open; Less complacent and wild men of course, but in any case, no less-raunchy nymphomaniac. This is a show!

Otherwise expressed: Or you talk I like « crazy a countess hysterical »; and that, in the true sense of the word; which would yet it’s all natural beauty, wonder people in ways that will follow:

« What a brilliant female suicide bomber!

What a beauty!

What damsel!

What elegant shrew!

What a delightful girl!

What chick!

That chick must surely be as wonderful as brilliant!

What sensational female creature!

What sensual nymphet! A wench with a good mix of skin colors! Which mixture gives to finish turn a dazzling skin color! A very nice marmot which would indeed create consequently, from Men of connoisseurs love for example: dizziness or admiration of Games conquest or seduction mixed or wonders of surprises!

What a great find you have just one, digging up eh!

What a beauty!

What lass! Such beauty all natural as a gazelle of course! ". I need regular! »?

In other words: with the gazelle-here, his future hominid would it not, for example, there indeed matter to « a shepherd attack steamy nymphomania »?

Does not he have their case a lassie by which his torrid nymphomania in question would cause even unintentionally; or: perhaps intentionally e.g. multiple scenes folk households; which amuse of window shopping? The gullible more and more?

Curious more and more numerous, and that it looks like in the very place to have such shame, but otherwise, she would love it the most?

The loafers who heard among others, that: [and here presents the premiere]: « » «

» « I would greatly appreciate reach the dizzying of ecstasies. » «

» « I almost forgot that you are a peeress virtuoso to relevant! I know that these things as you say, you’re not at all, at all, a Rebecca who would just as light satisfactions! And what’s more, you have the advantage of having a formidable libidinal energy to spare! ". » «

» « And so, your hot libido will literally dry up my moderate ; or rather my cold pleasure; because every time I make your happiness in these things! You on the contrary, you make my misery! You make my misfortune, undermining growing my genitalia! . » «

» « For there, it would be visual voyeurism, hot erotic scenes with I’ll grant me the blandishments to offer! In short, because there it is indeed me your own wife who would do them real’s voyeur; Real voyeurs as hearing; that visual so to speak! » «

» « One still had to «die of shame» in the show then, because of my junk! » «

» « Oh!, and there are days where I thought the same example and these, inside myself as: » «

» « There are limits to the same point my obscenities! And so sometimes I wonder: » «

» « How far could I, for example, actually go in my quest for ecstasy? » «

» « From the ecstasy sublime? » «

How far could I really go?

» « To see such probably good someday on a mirror surface: » «

Who am I exactly?

And as a result, no longer have to bear myself?

» « So, this good someday, I would understand and consequently, I would proceed decidedly easy on-easy on, regarding the search for my great organ; so as not to scare away some good days too, my gentleman. » «

» « But that’s only while waiting to get there, I tack, I take and I would take advantage and yet still very full, of all my through dazzling; all my carnal pleasures. » « ».

« Anyway, in short, every insurance duty hymeneal; or rather, each accomplishment mild charming is … / … ».

Messy, the characters mentioned in this second volume.

One of the main characters:

Maryvonne KEVILER, said: «The Mixed Descent From Paris and D›Rear Kinese Descendant".

A bout Maryvonne KEVILER precisely, it would absolutely be appreciated (and especially not little at all [then really: hardly at all, at all forget] and this: throughout – yea: up to the end of this Volume N° 2, and see: Volumes up:

[3. - « Torments of JULIO, Descent From Poitevese. ».

4 - «An Ultimate …………………………………………… …».

and 5 - « Impacts of … ………………………………….. … »;

which, in turn, they will soon follow the volume No. 2 herein]), that:

Maryvonne KEVILER would prove to be «a beauty» with almost perpetually: very, very dirty behaviors; very, very dirty characters!

And these, would manifest themselves in her; and this, almost perpetually out by incessant and recurrent very, very strong incurable crises (especially), anxiety; she would suffer severely. At the time, «this poor woman» had consulted for this, several renowned psychoanalysts; and these, be it: in France; England and even as far as Mexico, to «try to find» a «hypothetical healing.» But alas!, nothing to do this unfortunate matter was not (; then really: not at all, at all)! The smallest safety. In doing so, this pitiful sick would become one would say: a real social event, had finally dip: it was for her, an incurable disease. Hence, she had come to find herself: every time these very, very deep crisis would trip on her: How precisely appease if only temporarily.

And how exactly?

In short, MARYVONNE would show in her: a compulsive behavior rather pronounced; which would constantly uncomfortable; and which constantly as she would sort this out any cost (, and this in its own way, of course) to resolve quickly: the incessant and repeated very, very strong crises incurable anxiety in question; and to feel better morally first; followed immediately: physically, too.

T hese being said, « any study of this very, very long historical-file; any statement of this very, very long monograph » ; or rather « any analysis of what-river-historical saga" » would focus consequently to a very, very much, among others:

Firstly, just on « the incessant and recurrent very, very strong crises incurable anxiety in effect, of this Delilah dubbed herself: The Descendants Mulatto Of Paris. ».

And second: also on « how to sort it out no matter what (: and this in its own way, of course) to resolve quickly: the incessant and repeated very, very strong crises incurable anxiety precisely; and to feel better morally first; followed immediately: physically, too, always the Joan of Arc dubbed herself: The Mixed-Descent Kinese On Back. ».

And there, « the self-psychoanalysis thought be incomparable (as psychotherapeutic approach: weighing be not comparable; or rather: as a psychoanalytic technique: be weighed especially exquisite and incomparable used by this Artemis named MARYVONNE, was an illusion, mystical illusion, mystical illusion perfect, since, anyhow, these incessant and repeated very, very strong crises incurable anxiety in question could not possibly: not be repeated », used by that Agnes dubbed herself: The Mixed Descent of Paris and D’Background Kinese Progeny) lead to the fullness of the latter; and moreover, it just instantly feel superlatively better. And because of this, it would get (and it would benefit from this opportunity) a breathing space (about the very, very strong anxiety attacks [breathing space that can extend from a few minutes to just hours]). In a few minutes or a few hours does not matter, for this Eva; since the outset, she would feel no matter how actually superlatively better. Superlatively best, of course; but only this: not for a very long time indeed. Not for long, long time; since this respite again to generate that Salome: very, very strong anxiety attacks; this is because, the next day (and if it would not even: just a few minutes later, or else: a few hours only later), very, very strong anxiety attacks of this Juno named Maryvonne KEVILER, would recommence net indeed. And consequently every time before such a circumstance, it would inevitably for her, return the counter at zero, to look even again, to always feel superlatively better. It would undoubtedly for this Artemis named MARYVONNE, all over again. Or indeed, given the fact that these very, very strong anxiety attacks would return for her almost every time; therefore almost every time as well, it would take for this Venus, that she self-rid unstoppable [And how! To read very, very carefully, of course this sacred monograph to find out.]. It would take for this Venus of self-unstoppable rid of hers incessant very, very strong anxiety attacks in question. If not for her: Nothing would go!.

And so, it would be for her:

« For the joy!

But that›s the joy of course!

For me MARYVONNE, it›s as simple as that!

It›s as simple as e.g. «history junkies and regular daily doses»!

It is imperative that they take them, otherwise nothing works! ».

And so, it would be then for «this Rebecca»:

«Very, very strong anxiety:⇒ attacks for her that Rebecca" just: ⇒

« Self-psychoanalysis thought be:⇒ outstanding »:

⇒ The culmination of fullness:

⇒ Superlative instant sensation:⇒ best:

⇒ A respite about these very, very question:⇒strong anxiety attacks in question ⇒:

Very, very strong anxiety attacks for her that Rebecca precisely; and cetera and cetera …;

that is to say: a diabolical or infernal circle vicious, very, very hard to break so slightly, for this Rebecca in question actually, what.

In short: About this last and about «her self-psychoanalysis sensed: be prominent, as: psychoanalytic approach: be better gauged; or rather: as a psychotherapeutic technique: be super appreciated, for self-unstoppable rid of hers incessant very, very strong anxiety attacks in question".

And what «psychotherapeutic approach: be judged superior»!

That ah!, that’s it a sacred program; that’s it a sacred program considered to be excellent; since, among others, precisely this self-psychoanalysis estimated to be preeminent: the connoisseurs in hymen will power tease boldly; or excite categorically; and see: they will naively tickle abruptly romantic lyricism; the emotional poetry or the epics courteous; the natural twist; or rather: the silhouette authentic; for not imply: at the claw spontaneous; or to organic look.

This is «a sacred program in effect»; including a fairly close reading, is absolutely: be recommended because:

It›s just unusual!

It›s simply awesome!

It›s simply stunning!

It›s simply lovely!

It›s just exciting!

It›s simply glorious!

It›s simply amazing!

This is simply outstanding!

It›s just fantastic!

This is simply subliminal!

It›s just spooky!

This is simply unprecedented, as program based among others on: an alleged self-psychoanalytic approach be better!

Whole program indeed!

MAIN CHARACTERS (CONTINUED):

Julio Fernandez, said: «From Poitevese Descent and Descent From Rear Spanish."

Agatha LEROUX: godmother «beloved» of JULIO.

Moses KEVILER (the Kinese): dad of MARYVONNE.

Henrietta Mafuta KEMVILA, spouse Nsenga: paternal aunt of Maryvonne KEVILER (; an Henrietta Mafuta KEMVILA [, that is to say: a sister of the father of The Mixed Descent From Paris and D’Rear Progeny Kinese], « a woman so to speak: at the vulgar manners, at manners certainly vulgar; but above all: a mature woman; a female of experience . »).

Jerome Nsenga, a resident of «Guigo»; which had married Henrietta Mafuta KEMVILA, a sister’s dad MARYVONNE.

Christian GENEVRAY: JULIO›s friend.

Maryssa Fouquet (Alsatian): mom of MARYVONNE.

Evelyn MULER: which would become the second wife of JULIO; or rather, which would become the first legitimate woman of JULIO.

Yolanda Russell, widow FERNANDEZ: JULIO mom.

Ghislaine FERNANDEZ: one of the three little sisters of JULIO.

Solange FERNANDEZ: Another of the three little sisters of JULIO.

Chatelaine Johannes FERNANDEZ: yet another of the three little sisters of JULIO.

Norberto MAURY: one of the three former partners of Agatha.

Kevin DE SOUSA: another of the three ex-spouses of AGATHA.

Alexander NAVARRE: yet another of the three ex-spouses of Agatha.

Oliver GAUTHIER: CHATELAINE’s husband; which would be seduced by GHISLAINE.

Arnaud HUGHES: the last joint of AGATHA.

Lucian CHAPERON: SOLANGE’s husband; which would become the new husband of CHATELAINE.

Juliet Russell, spouse Pellisson: JULIO’s maternal aunt.

Secondary characters:

Stephaney Pellisson: married to JULIET.

Marly CHRISTIANE: MARYVONNE’s friend.

Francis LARGIER: the owner of the building where MARYVONNE dwell.

Virginia DE SOUSA: one of the two daughters of AGATHA.

NAVARRE Odette: Another of the two girls of AGATHA.

Lucilian KEVILER: the son of MARYVONNE (and JULIO).

Lucia GAUTHIER: the daughter of OLIVER.

Sabine SITRUK: Congressman of Vienna.

Herbert BOSH: one of the Representatives of the Commissioner of Police of Vienna.

Geoffrey RIDING HOOD: a son of Lucian.

Guy CHAPERON: another son of Lucian.

Lydia CHAPERON: the daughter of Lucian.

Miss Jeanne CABROL, the babysitter that was hired by MARYSSA for the interest of LUCILIAN.

People barely mentioned for the second volume:

John Christopher WINDSOR: one of the two former partners [including: the first] of MARYVONNE.

Giordano COROLIAN: one of the two former partners [including: the second] of MARYVONNE.

Eric STRATTON: Prof. charged of English literature (in particular: the works of William Shakespeare).

Jacques Dupuy: the boss of MARYVONNE.

Cleopatra MOULLER: one of the former workers of MOSES.

Denis FONTAINE: one of the common friends of JULIO and CHRISTIAN.

Patrick FERNANDEZ: the deceased dad of JULIO.

Patricia Fernandez, spouse CHOPINET: one of the paternal aunts of JULIO.

Alain CHOPINET: PATRICIA›s husband.

Maurice-Peter FERNANDEZ: the paternal uncle of JULIO.

Julia MARTINEZ spouse FERNANDEZ: considered: as another paternal aunts of JULIO; but in fact, she is the wife of Maurice Peter FERNANDEZ; that is to say: the little brother of the JULIO’s father.

Adrian OF SAINT-HILAIRE: the former boss of MOSES.

BUFFALO BILL: the incomparable and unsurpassed Fartman "in the Center of Atlantis (²)."

Murielle Arnoux: the Head Office of the Rector of Paris.

Regis BLANCHARD: an Inspector of the Academy of Creteil.

Nelson HUMBERT: one of the persons in charge of the Office of Competition at the CNRS

Other JULIO’s friends:

Nelson RUDNIK;

Roz LORENZO;

Eric BATTLES;

Jeffrey MAXWELL;

Arthur RAVER.

PREAMBLE

WHY: JUST A FLIP OF THINGS?

T his is about, the following: an A True untimely Taking Of Consciousness (A True untimely Awareness.). And there with the female cherubs cited above high; These angels came one would say: Skies; or rather, these vicious from elsewhere ([which were none other beauties as: MARYVONNE and CHATELAINE] and by way of information, for hardly say as a warning); And they just: Hymen connoisseurs will power vouvoyer (to use the ‘vous’ form in French language [ ; it mean ‘you’ in English], to speak to someone) squarely; or thou doubt; and see: they will simply systematically unmask of romantic poetry; the emotional lyricism or hypersensitive inspiration in the raw state; or rather: to state indigestible; hardly to say: in the obscene".

They will unquestionably «detect» of «the sensitive prosody» or «sentimental poetry» «in its original state»; or rather «in its natural state; not to say: in its" ‘pure’s state’.

They will discover that «the pleasure of lasciviousness; the malice in her own family and vampirism itself as it does combine the best possible anywhere else than in search and outcome of lasciviousness in two-lassies there. In addition to Miss Maryvonne KEVILER, she would suffer both directly and indirectly impact fairly negative impact that her honest man Julio Fernandez did have had to endure himself: first, their family social situation pretty miserable; and on the other hand, he himself would have both directly and indirectly, to suffer the consequences rather negative impact of dirty tricks orchestrated by his own godmother and yet beloved by himself and all his, Agatha LEROUX. JULIO himself would have both directly and indirectly suffer ultimately for example: a swing; he had to know the rejection of his own person; he had to know a rejection of his own person, like persona non grata (diplomatic language wishing, no more, no less: a person not welcome, an unwanted person). Or indeed, given such a situation in the home of JULIO and MARYVONNE, the only daughter of the Kinese MOSES account; the latter also would consequently, also to undergo it, and these, both directly and indirectly affect as a swing. « … MARYVONNE, the only daughter of the Kinese MOSES ». In … the country of origin thereof; that is to say: in the country of origin of the father of MARYVONNE: Successive constitutional reforms, strengthen the personal power of President Mobutu, through the single party. And the channel of a doctrine of zaïrisation of the economy: it would be carried out, a policy of nationalization of foreign companies.

And after being «balanced» in this way, as for example, «a simple parcel returned to sender» by his own beloved godmother Agatha