Misri Waadyayantra

By Moustafa Gadalla

Sankshipt Varnaan: Yah Pustak Praacheen Misr Ke Pramukh Vaadya Yntron, Unakee Shrenaiyon, Aur Unhen Bajaane Kee Takaneekon Kaa Varnaan Karatee Hai.
Is Pustak Men Paanch Adhyaaye Hain:

Adhyaay 1: Vaadyayantraon Ke Khazaane Men Misr Ke Vaadyayantraon Kee Saamaanya Visheshataayon Aur Orchestra Ke Pramukh Ghatakon Ko Sametaa Jaayegaa

Adhyaay 2: Taar Vaale Vaadyayantra Men Praacheen Misr Ke Taar Vaale Vibhinn Vaadyayantraon Jaise Ki Lyre Tri-Gonon (Zithar), Harp Aadi Ke Baare Men Jaanakaariyon Ko Unhen Bajaane Kee Takaneek Sahit Shaamil Kiyaa Jaayegaa; Harp - Bajaane Kee Takaneeken; Praacheen Misr Ke - Gardan Yukt Taar Vaale Vaadyayantra - Jaise Ki Chhotee Gardan Vaalee Lute; Lambee Gardan Vaale Misree Guitar; Aur Dhanushaakaar Kamanga, Rababa, Aadi Kee Sabhi Nihit Kshamataayon Par Prakaash Daalaa Jaayegaa

Adhyaay 3: Vaayu-Vaadya Men Khule Sire Vaalee Baansuree, Aadi Baansuree, Pan Baansuree, Singal Reed Pipe (Clarinet), Double Pipe, Double Clarinet, Double Oboe, Argool Tathaa Any Jaise (Bagpipe Aur Organ); Aur Singh/Turahiyon Aadi Ko Kavar Kiyaa Jaayegaa.

Adhyaay 4: Taalavaadya Men Drum Aur Duff Jaise Jhilleedaar Vaadyayantraon Aur Taal-Chhadi, Khadataal, Sistram/Sistraa, Jhaanjh, Majeeraa, Ghantee (Jhankaar), Xylophone Aur Glockenspiel Aur Maanav Angon (Haath, Ungaliyaan, Jaanghon, Pair, Aadi) Jaise Gair- Jhilleedaar Vaadyaon Par Prakaash Daalaa Jaayegaa.

Adhyaay 5: Sangeet Kaa Pradarshan Men Sangeet Ke Pradarshanon Aur Nirdeshan Men Ungaliyon Aur Unake Poron Ke Mahatva Aur Bhoomikaa Ke Baare Men Bataayaa Jaayegaa Saath Hee Likhit Prateekon Ke Upayog Sahit Taalabaddh Samay/Gati Ko Banaaye Rakhane Ke Lie Vibhinn Tareekon Par Prakaash Daalaa Jaayegaa.

• Language: हिन्दी
• Publisher: Moustafa Gadalla
• Release date: May 30, 2018
• ISBN: 9780463575505

Moustafa Gadalla

Moustafa Gadalla is an Egyptian-American independent Egyptologist who was born in Cairo, Egypt in 1944. He holds a Bachelor of Science degree in civil engineering from Cairo University. From his early childhood, Gadalla pursued his Ancient Egyptian roots with passion, through continuous study and research. Since 1990, he has dedicated and concentrated all his time to researching and writing. Gadalla is the author of twenty-two published internationally acclaimed books about the various aspects of the Ancient Egyptian history and civilization and its influences worldwide. In addition he operates a multimedia resource center for accurate, educative studies of Ancient Egypt, presented in an engaging, practical, and interesting manner that appeals to the general public. He was the Founder of Tehuti Research Foundation which was later incorporated into the multi-lingual Egyptian Wisdom Center (https://www.egyptianwisdomcenter.org) in more than ten languages. Another ongoing activity has been his creation and production of performing arts projects such as the Isis Rises Operetta and Horus The Initiate Operetta; to be followed soon by other productions. Check Egyptian Wisdom Center website regularly.

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1.1 MISRI WAADYAYANTRA

Misri Sangeet Kaa Puraataatvik Aur Paaramparik Itihaas Kisi Bhi Anya Desh Ki Tulanaa Mein Adhik Samriddh Hai. Praacheen Misri Mandiron Aur Maqabaron Ki Deevaaron Par Bane Bhitti-Chitraon Mein, Bhinn-Bhinn Aakaar Aur Prakaar Vaale Waadyayantron, Unke Waadan Aur Samaayojan Ki Vidhiyon, Waadan Karate Kalaakaaron Ki Mandaaliyon, Ke Saath-Saath Aur Bhi Bahut Saari Cheezon Ko Darshaayaa Gayaa Hai. In Sangeet Drishyon Mein Harp (Ek Prakaar Kaa Veenaa) Ke Khaas Taaron Ko Chhedate Waadak Ke

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Haath Spasht Dikhate Hain, Aur Uske Saath Vaayu-Waadya Waadakon Ko Vishisht Swar Bajaate Pradarshit Kiyaa Gayaa Hai.

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The distances between the lute frets clearly show that the corresponding intervals and scales can be measured and calculated. [A detailed analysis is shown in a later chapter in this book.]

Isamein Lute-Fret Ki Doori Spasht Darshaati Hai, Ki Sambandhit Antaraal Aur Uske Scale Kaa Maapan Tathaa Ganaanaa Sambhav Hai.

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Taar Par Waadak Ke Haathon Ki Sthiti Spasht Roop Se Chaturth, Pancham, Aur Saptak (Octave) Jaise Anupaaton Ko Darshaati Hai—Jo Nishchit Roop Se Sur-Taal Ke Baareek Niyamon Ke Gyaan Kaa Dyotak Hai.

Waadyayantra Ke Waadan Ko Waadak Ke Haathon Ki Gati Se Bhi Niyantrait Hote Darshaayaa Gayaa Hai, Jo Vishesh Suron, Antaraal Aur Dhvani Ke Utaar-Chadhaavon Ki Pahachaan Karane Mein Hamaari Sahaayataa Karataa Hai, Jaisaa Ki Diye Gaye Chitra Mein Darshaayaa Gayaa Hai.

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Praacheen Misri Niroopana Mein Chaturth, Pancham, Aur Saptak (Octave) Antare Sabse Aam The. Curt Sachs (Apani Pustak, History Of Musical Instruments Mein) Ne (Abhilekh Ke Yatharthawaadee, Vishisht Aur Paryaapt Vishvasaneey Hone Par) Paayaa Ki Misri Kalaakritiyon Mein Chitrait 17 Harp Waadakon Mein Se Saat Chauthe Taar Ko Chhed Rahe The, Jabaki Paanch Paanchaven Taar Ko, Aur Paanch Hi Saptak Ko Chhed Rahe The.

Harp Mein Adhikatar Saat Taar Chitrait Kie Gaye Hain, Aur Misri Upakaranaon Ke Baare Mein Curt Sachs Kaa Adhyayan Bataataa Hai, Ki Misravaasi Apani Harp Ko Theek Isi Prakaar Ki Saragam Shrrinkhalaa Aur Antaraal Ke Saath Bajaate The.

Remases Triteey Ke Maqabare Mein Chitrait (Neeche Pradarshit) Do Harp Mein Se Ek Mein 13 Taar Hain, Jisamein Sabse Lambaa Taar Agar Sabse Nimn Sur (Pros-Lambanomeinos Yaa D) Kaa Pratinidhitv Karataa Hai To, Shesh 12 Taar Sabhi Saptak Ke Vistaar (Kampaas) Mein Diatonic, Chromatic Aur Enharmonic Shreni Ke Suron, Ardhaswaron Aur Paadaswaron Ko Utpann Karate Honge.

harp

Misri Raajavansheey Itihaas Ke Samooche Daur Mein Mandiron Aur Maqabaron Mein Chitrait Kayi Sangeet Drishyon Ke Alaavaa, Hamaare Paas Unke Maqabaron Se Mile Kayi Praacheen Misri Waadyayantra Hain. Ye Misri Waadyayantra Ab Duniyaa Bhar Ke Sangrahaalayon Aur Niji Sangrahakartaayon Ke Paas Pade Hain.

In Waadyayantron Mein Se Adhikaansh Ko Maqabare Mein Rakhe Jaane Se Pehle Saavadhaani Poorvak Kapade Mein Lapetaa Gayaa Thaa.

In Saare Nishkarshon Ke Saath-Saath, Praarnbhik Itihaasakaaron Ke Lekh Tathaa Neel Ke Aasapaas Rahane Vaale Aadhunik Nivaasiyon Ki Paramparaayen, Misri Sangeetamay Itihaas Ke Baare Mein Sabse Pukhtaa Suboot Pesh Karati Hain, Tathaa Misri Sangeet Ki Praacheen Aur Samriddh Viraasat Ki Pushti Karati Hain.

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Durbhaagyavash, Pashchimi Pandaito Dwaaraa In Spasht Misri Sabooton Ko Samooche Itihaas Mein Baar-Baar Vikrit Kiyaa Gayaa. Praacheen Misri Vishay Par, Vyaavahaarik Roop Se Sabhi Pashchimi Pandaiton Ne Is Mahaan Sabhyataa Ke Prati Tiraskaar Aur Irshyaa Kaa Bhaav Rakhaa. Pashchimi Pandaiton Ne Ek Taraf: 1) Misravaasiyon Ko Behad Roodhiwaadi Bataayaa, Jo N Badalate The N Hi Vikasit Hote The Aur N Hi Jinake Paas Koi Kalpanaa Thee, Vagairah-Vagairah; 2) Aur Saath Hi Saath Praacheen Misr Ki Upalabdhiyon Ko Gair Misri Sabhyataayon Se Udhaar/Choree/Nakal Kiyaa Gayaa Bataayaa. In Do Virodhaabhaasi Tarkon Kaa Ek Saath Upayog Bhalaa Kitanaa Tarkasangat Hai.

Jabaki Tathy Yeh Hai Ki Misravaasi (Praacheen Aur Baladi) Moolaroop Se Behad Paramparaawaadi Rahe Hain, Jaisaa Ki Sabhi Shuruaati Itihaasakaar Bataate Hain, Jaise Herodotus Ne The Histories, Book Two, 79 Mein, Kahaa Hai:

Misravaasi Apani Sthaaneey Reeti-Rivaajon Ko Nibhaate Hain, Aur Kabhi Bhi Koi Baahari Taur-Tareekaa Naheen Apanaate.

Herodotus, The Histories, Book Two, 91:

Misri Log Yoonaani Reeti-Rivaajon Ko Apanaanaa Naheen Chaahate, Yaa Ise Samaany Taur Par Kahen To Ve Kisi Bhi Anya Desh Ke Reeti-Rivaajon Ko Apanaanaa Naheen Chaahate.

1.2 MISRI WAADYAYANTRON KI SAAMAANYA VISHESHATAAYEN

1. Praacheen Misri Maqabaron Mein Pradarshit Sangeet Drishyon Ke Saath-Saath Puraane Aur Madhya Saamraajya Kaal Se Praapt Waadyayantron Se, Harp Ke Khule Taaron Ke Beech Ke Anupaaton, Lambi Gardan Ke Taar Vaale Waadyayantron Ke Saghan Kramon, Aur Vaayu Vaale Waadyayantron Mein Ungali Aur Chhed Ke Beech Ki Doori Pataa Chalati Hai. Isase Zaahir Hotaa