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No Dice: Gambling and Risk in Modern Culture
No Dice: Gambling and Risk in Modern Culture
No Dice: Gambling and Risk in Modern Culture
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No Dice: Gambling and Risk in Modern Culture

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When you think of 'gambling' you might think of Vegas casinos, betting shops and football flutters but the risk of gambling is embedded in numerous corners of popular culture that many of us consume.
By considering the concept of 'soft gambling', No Dice asks how we could possibly link the Pokémon Trading Card Game with gambling. Can we compare Netflix to a night at the theatre? When does fictional gambling within video games go too far with their infamous loot boxes? Does such risk affect everyone or are socio-economic divides driving further inequality?
No Dice explores the messy world of gambling and risk that we encounter regularly, from childhood through adulthood, considering if it is worth the risk and if we even know what risks we might be taking.
LanguageEnglish
Publisher404 Ink
Release dateOct 29, 2022
ISBN9781912489671
No Dice: Gambling and Risk in Modern Culture
Author

Nathan Charles

Nathan Charles is a working-class theatre maker, producer and director from Portsmouth. He is also Co-Artistic Director of Brightmouth Productions, Co-Editor of The Crumb and Co-Founder of devised comedy group Red Biscuit Theatre. Nathan focuses on work that challenges our existing relationship to pressing socio-economic issues.

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    No Dice - Nathan Charles

    No_Dice.jpg

    No Dice

    Published by 404 Ink Limited

    www.404Ink.com

    @404Ink

    All rights reserved © Nathan Charles, 2022.

    The right of Nathan Charles to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patent Act 1988.

    No part of this publication may be reproduced, distributed, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without first obtaining the written permission of the rights owner, except for the use of brief quotations in reviews.

    Please note: Some references include URLs which may change or be unavailable after publication of this book. All references within endnotes were accessible and accurate as of September 2022 but may experience link rot from there on in.

    Editing: Laura Jones

    Typesetting: Laura Jones

    Cover design: Luke Bird

    Co-founders and publishers of 404 Ink:

    Heather McDaid & Laura Jones

    Print ISBN: 978-1-912489-66-4

    Ebook ISBN: 978-1-912489-67-1

    No Dice

    Gambling and Risk in Modern Culture

    Nathan Charles

    for my wonderful mother

    my hilarious old man

    my beautiful sister kate

    love you all eternally

    sorry for being such a little

    shit in school

    x

    Contents

    Introduction: Risk & Play

    Chapter 1: Loot Box Bonanza

    Chapter 2: Disaster + Capitalism = Risk

    Chapter 3: Football Flutter

    Chapter 4: Cardboard Nostalgia

    Conclusion

    Resources

    References

    About the Author

    About the Inklings series

    Introduction: Risk & Play

    I am somebody that has never truly defined themselves as a gambling addict. I consider myself, rather, a person who has, at times, religiously gambled and taken risks. A person who has an addictive personality with an attraction to the uncertain. When somebody asks me whether I am a gambling addict, I say something along the lines of ‘it’s a complicated relationship’ or, more often than not, ‘I can only gamble what I can afford’. I am a person who likes to take risks.

    When you begin looking into society’s understanding of gambling and risk, with focus on the UK, it can be easy to get lost in the sheer amount of numbers, graphs, diagrams and statistics. Quantitative data forms the basis of shocking headlines and news articles buzzed to our phones. But what about the less obvious ways in which we gamble and take risks as consumers? How could you possibly link the Pokémon Trading Card Game with gambling? Compare Netflix to a night out in the West End? When does fictional gambling within video games go too far with their infamous loot boxes?

    When I say ‘gambling’ you might picture a high-stakes Monaco casino, filled with dashing patrons in glamorous suits and frocks with sparkling jewellery to match. The reality is that gambling and the idea of risk is much closer to home then we realise, where fluffy dressing gowns and slippers are more the attire.

    Throughout No Dice I am going to explore various forms of legal gambling embedded in popular culture, particularly within working class communities, that repeatedly avoid adequate legislative regulations, which I refer to as ‘soft gambling’ activities. For the context of this book, I define ‘soft gambling’ as an activity that is legal and either partly-regulated or not regulated at all, which requires an element of financial risk to participate in. A stake.

    Research around the number of gamblers in the UK is skewed by prominent regulatory body the Gambling Commission and their definition of ‘gambling’: ‘betting, gaming or participating in a lottery. That definition distinguishes between activities which need to be licensed and other activities which do not.’¹

    According to the NHS, developing a problematic relationship with gambling can ‘harm your health and relationships and leave you in serious debt’² amongst a whole host of other complications that are, of course, different with every individual case of addiction.

    The NHS offers a questionnaire on their website to self-assess whether you may be, as they describe it, a ‘problem gambler’.

    Try this questionnaire:

    Do you bet more than you can afford to lose?

    Do you need to gamble with larger amounts of money to get the same feeling?

    Have you tried to win back money you have lost (chasing losses)?

    Have you borrowed money or sold

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