Aesthetics of Music Composition: 1, #1

By Ruby Barnor

"Aesthetics of Music Composition" by Ruby Barnor is an insightful exploration into the intricate intersection of music theory, creativity, and artistic expression. Through a meticulous blend of theoretical analysis and practical application, Barnor delves deep into the essence of musical composition, offering a comprehensive guide for both novice and seasoned composers alike.

The book begins by laying a solid foundation in music theory, providing readers with a clear understanding of the fundamental elements such as melody, harmony, rhythm, and form. Barnor's lucid explanations and illustrative examples make even complex concepts accessible, ensuring that readers of all levels can grasp the underlying principles.

As the narrative progresses, Barnor shifts focus towards the subjective realm of aesthetics, delving into the nuances of musical expression and interpretation. Drawing upon a rich tapestry of historical and cultural references, the author invites readers to contemplate the diverse ways in which music evokes emotion, stimulates imagination, and communicates profound meaning.

Central to Barnor's discourse is the exploration of compositional techniques and methodologies. Through a series of case studies and analytical exercises, readers are encouraged to experiment with different approaches to crafting melodies, harmonies, and structures, fostering a deeper appreciation for the art of composition.

Furthermore, "Aesthetics of Music Composition" places a strong emphasis on the role of creativity and innovation in the compositional process. Barnor advocates for a holistic approach that encourages composers to draw inspiration from a myriad of sources, including literature, visual arts, and nature, thereby enriching their artistic vision and fostering originality.

Throughout the book, Barnor's prose is both erudite and engaging, seamlessly weaving together theoretical insights with practical wisdom gleaned from years of experience as a composer and educator. Each chapter is punctuated with thought-provoking reflections and stimulating exercises designed to stimulate creative thought and encourage self-reflection.

In summary, "Aesthetics of Music Composition" stands as a seminal work in the field, offering a comprehensive exploration of the theoretical, aesthetic, and practical dimensions of musical composition. Whether read as a textbook for academic study or as a guide for aspiring composers, Ruby Barnor's insightful treatise is sure to inspire, educate, and enrich the musical journey of its readers.

• Language: English
• Publisher: Ruby Barnor
• Release date: Feb 1, 2024
• ISBN: 9789988286569

Book preview

AESTHETICS OF MUSIC COMPOSITION

(How Composers Transmit Inner Emotions to Listeners)

RUBY BARNOR

AESTHETICS OF MUSIC COMPOSITION

Copyright Ruby Media Ministries 2020

All rights reserved no part of this publication may be reproduced or stored in a retrieval system or transmitted in any means or form, electronic, mechanical, photo copying, recording or other- wise without prior permission from the publisher.

ISBN

978 - 9988 - 3 - 2209 - 0

RUBY MEDIA MINISTRIES P.O.BOX 850

Kaneshie, Accra - Ghana.

0207 244 958

0245 767 448

[e-mail] PRINTED BY

PENTECOST PRESS LIMITED

COVER DESIGN BY JEDIDIAH SIGNATURE.

TABLE OF CONTENTS

Preface.....................................................iii

Foreword...................................................v

Dedication.................................................vii

Acknowledgement..........................................viii

Introduction.................................................1

Chapter 1 - The Role of Music...................................3

Chapter 2 - Some Gospel Hymns and Stories........................6

Chapter 3 - Some Songwriters/Composers and Experiences...........14

Chapter 4 - History of African American Music.................37

Chapter 5 - Music Composers and Personality Traits.................41

Chapter 6 - Lyricism..........................................45

Chapter 7 - Composition and Melody Writing......................48

Chapter 8 - What Every Musician should Know....................53

Chapter 9  -  Conclusion.......................................57

References.................................................59

PREFACE

Music is an art. According to Tolstoy (1960); The function of art is to transmit specific emotions from the artist to the listener in a direct way. Christian music is the overflow of the Christian heart, it is therefore necessary that Christian songs be crafted and drafted well in order to make the out-pouring of the heart memo- rable and connectible.

This second book has been a joy. During my study of music at the Methodist University College Ghana (2013-2016), I had the priv- ilege of studying Aesthetic Evaluation of Selected Art Works in the third year, (second semester). This wasn’t part of the subjects I registered in that semester, however with hindsight I will say this was a serendipitous act, a divine connection.

The University released the examination time table for that semester, two weeks to the examination. As it was required of students, together with some course mates, we went to the notice board to view and copy our respective timetables. I then noticed that the day and time for the examination of a theater course I reg- istered for that semester, clashed with a university required course, and as we all know University required courses are man- datory without which the required credit hours cannot be fulfilled, hence graduation will ultimately not be possible.

I quickly had to go and rectify it with the examination officers. It was there I was told that I shouldn’t have registered for the theatre course. This was due to the fact that, the theatre course was that of University of Cape Coast and the Music course was for Uni- versity of Ghana; A University of Cape Coast affiliated course against University of Ghana affiliated course. With the help of the

then Principal, the Very Rev. (Professor) S.K Agyapong, Former Head of Department, Professor Martin Owusu, and the lecturer in Charge of examination, Mr. Kras Kofi Arthur, I was quickly assisted to register a new music course which was the "Aesthetic Evaluation of Selected Art Works", to meet the shortfall created by this occurrence.

It wasn’t very easy from the beginning, knowing I had to grasp all that and sit for an examination in less than a month, but I was left with no choice, than to develop the love for it. Thanks to my lecturer, Mr. Anthony Nyamful who also took his time to take me through the