Summary of Pat Pattison's Songwriting Without Boundaries

By IRB Media

Please note: This is a companion version & not the original book.

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#1 Sense-bound writing is when you draw the images from your own experiences to the words of a song. It pulls the listener into the song by using his own memories as the song’s material.

#2 Write sense-bound when you draw the images from your own experiences to the words of a song. The more senses you incorporate into your writing, the better it breaths and dances.

#3 Just stop. Write that sentence without stopping to think, without taking notes, without saving, and without worrying about perfection. If you can do this, you can write anything. -> Sense-bound writing is when you draw the images from your own experiences to the words of a song. It pulls the listener into the song by using his own memories as the song’s material.

#4 When writing sense-bound, draw the images from your own experiences to the words of a song. The more senses you incorporate into your writing, the better it breaths and dances.

• Language: English
• Publisher: IRB Media
• Release date: Oct 8, 2022
• ISBN: 9798350040609

IRB Media

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Insights on Pat Pattison's Songwriting Without Boundaries

Contents

Insights from Chapter 1

Insights from Chapter 2

Insights from Chapter 3

Insights from Chapter 4

Insights from Chapter 1

#1

Sense-bound writing is when you draw the images from your own experiences to the words of a song. It pulls the listener into the song by using his own memories as the song’s material.

#2

Write sense-bound when you draw the images from your own experiences to the words of a song. The more senses you incorporate into your writing, the better it breaths and dances.

#3

Just stop. Write that sentence without stopping to think, without taking notes, without saving, and without worrying about perfection. If you can do this, you can write anything. -> Sense-bound writing is when you draw the images from your own experiences to the words of a song. It pulls the listener into the song by using his own memories as the song’s material.

#4

When writing sense-bound, draw the images from your own experiences to the words of a song. The more senses you incorporate into your writing, the better it breaths and dances.

#5

When writing object-based, draw the images from your own experiences to the words of a song. The more senses you incorporate into your writing, the better it breaths and dances.

#6

-> Sense-bound writing is when you draw the images from your own experiences to the words of a song. It pulls the listener into the song by using his own memories as the song’s material.

#7

When writing sense-bound, draw the images from your own experiences to the words of a song. When writing object-based, draw the images from your own experiences to the words of a song.

#8

When writing sense-bound, draw the images from your own experiences to the words of a song. When writing object-based, draw the images from your own experiences to the words of a song.

#9

When writing sense-bound, draw the images from your own experiences to the words of a song. When writing object-based, draw the images from your own experiences to the words of a song.

#10

When writing sense-bound, draw the images from your own experiences to the words of a song. When writing object-based, draw the images from your own experiences to the words of a song.

#11

When writing object-based, draw the images