Horror Flick
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About this ebook
Adam escaped a brutal existence as the captive of a serial killer. When he writes the screenplay of his life, a greedy producer sees only dollar signs. Taking a small crew back to the cabin where Adam was held, they begin filming what is sure to be a low budget hit. But the killer has other plans.
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Book preview
Horror Flick - Gretchen Lovett
Horror Flick
A Screenplay
By
Gretchen Lovett
Copyright 2021
Independently Published
Disclaimer: Any resemblance to real persons living or dead is purely coincidental.
FADE IN
INT. TELEVISION STUDIO – DAY
REPORTER (35) sits opposite ADAM (19). Adam is comfortably dressed in jeans and a t-shirt with sneakers. Everything about him appears ordinary, except that he is nervously drumming his fingers and one knee twitches.
REPORTER
I’m here with Adam Scott, kidnap victim and newly discovered author. Hello, and welcome to the show.
ADAM
Thanks.
REPORTER
It must be difficult for you to talk about what happened.
ADAM
It gets easier. Everytime I tell the story, it gets a little easier.
REPORTER
And how many years ago was it now?
ADAM
I escaped three years ago today.
REPORTER
Three years. Can you tell us, how you escaped?
ADAM
I shot him.
REPORTER
And yet, they never found the body.
ADAM
That’s a lie. There was a body. I saw it.
REPORTER
But when you were able to lead the police back-
ADAM
There was a body!
REPORTER
I’m sorry. This must all be quite traumatic for you.
ADAM
Yes.
REPORTER
Your parents were killed, is that right?
ADAM
Yes. He killed my parents. I thought I was dead for sure, but he tied me up and put me in the car
.
REPORTER
And what made you interested in writing the screenplay of your abduction?
ADAM
It’s not just about the abduction. I witnessed at least three dozen murders in the five years I was held captive.
REPORTER
And you lead the police to the grave sites, correct.
ADAM
When we were able to find his killing ground, yes.
REPORTER
What was that like?
ADAM
It was terrifying.
REPORTER
So why write the screenplay?
ADAM
To exorcise the demons. To come to terms with what happened. To give myself some peace of mind.
REPORTER
It must have been a heartbreaking project.
ADAM
It was.
REPORTER
When can we expect to see it in the theaters?
ADAM
Well, I don’t know if I’m ready to share it yet. Just writing it was a struggle.
INT. DINER – NIGHT
Adam sits alone in a booth. He pours ketchup onto his eggs.
RACHEL (20) sits down opposite him. Rachel is beautiful, wearing revealing clothing.
RACHEL
I read it.
Adam looks down at his eggs, not eating.
RACHEL
Want to know what I think?
Adam nods.
RACHEL
I think it could work. But you’d really have to push the envelope, get out of your comfort zone.
ADAM
Would you be in it?
RACHEL
I would play the lead. Sarah. But you’d have to make some changes.
Adam pushes his eggs away.
ADAM
Like what?
RACHEL
I want to take it to the real location.
ADAM
No way.
RACHEL
It’s a gut-wrenching piece. You have to own up to it.
ADAM
I’m never going back there.
RACHEL
He’s gone. You’re safe. But you have to put yourself back where it happened. It’s the only way to do justice to the film.
Adam sighs.
ADAM
You really think it’s good?
RACHEL
It’s going to change our lives. Are you going to finish that?
Adam shakes his head.
RACHEL
Ketchup, on eggs?
ADAM
That’s the way he liked them.
RACHEL
Then why’d you do it?
Adam shrugs.
RACHEL
Come on. I know a guy who could get this done. I worked on a project with him before.
Rachel grabs the script and stands up.
Adam reaches in his pocket for his wallet.
EXT. BAR – NIGHT
A car pulls up to the bar.
Rachel exits the car.
INT. CAR – NIGHT
Inside the car, Adam watches as Rachel approaches the bar.
EXT. BAR – NIGHT
SEAN (25) stands outside the bar, talking on a cell phone. Sean is fashionably dressed, strong and masculine.
Rachel approaches Sean, smiling. She says something, with no audio.
Sean and Rachel kiss.
Rachel leads Sean over to the car.
Sean sticks