Distant View of a Minaret (SparkNotes Literature Guide)
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Distant View of a Minaret (SparkNotes Literature Guide) - SparkNotes
Distant View of a Minaret
Alifa Rifaat
© 2003, 2007 by Spark Publishing
This Spark Publishing edition 2014 by SparkNotes LLC, an Affiliate of Barnes & Noble
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ISBN-13: 978-1-4114-7483-3
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Contents
Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs, & Symbols
Important Quotations Explained
Key Facts
Context
Alifa Rifaat was born in 1930 and spent her entire life in Egypt, where she was raised in the traditions and culture of Islam. Though Rifaat wanted to attend college and pursue an education and a career in the arts, her parents arranged for her to be married instead, and she submitted. Her husband died early in her married life, leaving her to raise their three children. Rifaat, a Muslim (a follower of Islam), could read only Arabic, so her exposure to literature was limited to works written in or translated into Arabic, and the Qur’an (the text of the Islamic religion) and the Hadith (a book of sayings of the Islamic prophet Muhammad).
Although Rifaat did not attend college, she did receive some education at the British Institute in Cairo (1946–1949). Rifaat continued reading works of Arab fiction and religious works, and she eventually began writing in 1955. Having traveled little in her life, many of her stories are set in provincial Egypt and are untouched by Western influence. As a result, instead of taking the conventional feminist approach and looking to the Christian West for a model of how women’s lives should change, Rifaat criticizes men for not fulfilling their role within the Islamic tradition. She does not question the role of women according to the Islamic faith, but rather depicts the hardships imposed on women because of men’s shortcomings. Her collection of short stories, Distant View of a Minaret (1983), features recurring ideas of sexual frustration, pervasive cultural pressures, and death.
In Islamic society, a woman is under the protection and rule of her husband if she is married, or of her oldest brother if she is single or widowed. She often has little or no control of finances or major decisions. Though Rifaat laments the limits placed on women in Islamic society in Distant View of a Minaret, she never questions Islam’s ultimate validity, and every story contains elements of the Islamic faith. Muslims believe there is one God, and that whatever occurs in a person’s life happens through the will of Allah (the Islamic word for God). Allah