All the Pretty Horses (SparkNotes Literature Guide)
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All the Pretty Horses (SparkNotes Literature Guide) - SparkNotes
All the Pretty Horses
Cormac McCarthy
© 2003, 2007 by Spark Publishing
This Spark Publishing edition 2014 by SparkNotes LLC, an Affiliate of Barnes & Noble
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (including electronic, mechanical, photocopying, recording, or otherwise) without prior written permission from the publisher.
Sparknotes is a registered trademark of SparkNotes LLC
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ISBN-13: 978-1-4114-7205-1
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10 9 8 7 6 5 4 3 2 1
Contents
Context
Summary
Characters
Chapter I - Part 1
Chapter I - Part 2
Chapter II
Chapter III
Chapter IV - Part 1
Chapter IV - Part 2
Analytic Overview
Study Questions
Review & Resources
Context
The first American colonials, the Puritans, envisioned the vast unexplored reaches of land to the west of the colonies as a desert wilderness,
where danger lurked most obviously in the form of hostile Native Americans. At the same time, however, the Puritans also thought of the American continent as somehow sacred, a new promised land. As white Americans began to explore westward, these two attitudes remained at the forefront of the American imagination. Ideas of the American West have become an important part of our literature and mythology; they are pervasive in the American mind. For as long as white Americans have lived on this continent, they have regarded the unsettled West with a mixture of fear and excitement. It has been seen as a place of possibility but also of peril: a proving ground.
It is obvious, of course, that the history of the exploration and settlement of the country west of the original colonies--with its attendant violence and savagery towards the Native Americans who already lived there--is the history of the United States. Even the original colonies, as an unknown and uncivilized frontier for the European colonists, were an expression of Western expansion. The great moments in the history of the West are the great moments in American history: the Louisiana Purchase of western lands in 1803; the Lewis and Clark overland expedition to the Pacific Northwest from 1804-1806; the mapmaking and explorations of John C. Fremont in the late 1830s and 1840s; and the 1849 gold rush that brought Americans westward in unprecedented numbers. The gold rush, especially, solidified in the American mind an image of the West as a place of vast possibility. And other facets were being added to the vision: the West was a place, far away from civilization, of violence and lawlessness; a place relatively devoid of women and children, dominated by the men who explored and settled it first, governed by their codes of strength and toughness; a place of lonely and awesome beauty. The West was, as the literary critic Jane Tompkins has written, a symbol of freedom, and of the opportunity for conquest.
While the boundaries of any geographical area that might be known as the West
have changed dramatically (for the Puritans, Western Massachusetts was quite far enough West), the popular imagination began to delineate areas that represented the ideas they associated with the West. This was--again, in Tompkins' words--the West of the desert, of mountains and prairies.
The West was the area in which cowboys roamed along the great cattle trails. This West certainly existed. And the idea of the West as a breeding ground for American traits of individualism and risk-taking, as a place of possibility where a poor man might become rich, is surely an idea authenticated by history. But it