The Grand Duke
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W. S. Gilbert
W. S. Gilbert (1836-1911) was an English librettist, dramatist, and poet. Born in London, Gilbert was raised by William, a surgeon and novelist, and Anne Mary, an apothecary’s daughter. As a child he lived with his parents in Italy and France before finally returning to London in 1847. Gilbert graduated from Kind’s College London in 1856 before joining the Civil Service and briefly working as a barrister. In 1861, he began publishing poems, stories, and theatre reviews in Fun, The Cornhill Magazine, and Temple Bar. His first play was Uncle Baby, which ran to moderate acclaim for seven weeks in 1863. He soon became one of London’s most popular writers of opera burlesques, but turned away from the form in 1869 to focus on prose comedies. In 1871, he began working with composer Arthur Sullivan, whose music provided the perfect melody to some of the most popular comic operas of all time, including H. M. S. Pinafore (1878), The Pirates of Penzance (1879), and The Mikado (1885). At London’s Savoy Theatre and around the world, The D’Oyly Carte Opera Company would perform Gilbert and Sullivan’s works for the next century. Gilbert, the author of more than 75 plays and countless more poems, stories, and articles, influenced such writers as Oscar Wilde and George Bernard Shaw, as well as laid the foundation for the success of American musical theatre on Broadway and beyond.
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The Grand Duke - W. S. Gilbert
W.S. Gilbert
The Grand Duke
EAN 8596547161059
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
Cover
Titlepage
Text
THE GRAND DUKE
OR
THE STATUTORY DUEL
By W. S. Gilbert
DRAMATIS PERSONAE.
RUDOLPH (Grand Duke of Pfennig Halbpfennig).
ERNEST DUMMKOPF (a Theatrical Manager).
LUDWIG (his Leading Comedian).
DR. TANNHUSER (a Notary).
THE PRINCE OF MONTE CARLO.
VISCOUNT MENTONE.
BEN HASHBAZ (a Costumier).
HERALD.
——
THE PRINCESS OF MONTE CARLO (betrothed to RUDOLPH).
THE BARONESS VON KRAKENFELDT (betrothed to RUDOLPH).
JULIA JELLICOE (an English Comdienne).
LISA (a Soubrette).
Members of Ernest Dummkopf's Company:
OLGA
GRETCHEN
BERTHA
ELSA
MARTHA
Chamberlains, Nobles, Actors, Actresses, etc.
——
ACT I.—Scene. Public Square of Speisesaal.
ACT II.—Scene. Hall in the Grand Ducal Palace.
Date 1750.
First produced at the Savoy Theatre on March 7, 1896.
ACT I.
SCENE.—Market-place of Speisesaal, in the Grand Duchy of Pfennig
Halbpfennig. A well, with decorated ironwork, up L.C. GRETCHEN,
BERTHA, OLGA, MARTHA, and other members of ERNEST DUMMKOPF'S
theatrical company are discovered, seated at several small
tables, enjoying a repast in honour of the nuptials of LUDWIG,
his leading comedian, and LISA, his soubrette.
CHORUS.
Won't it be a pretty wedding?
Will not Lisa look delightful?
Smiles and tears in plenty shedding—
Which in brides of course is rightful
One could say, if one were spiteful,
Contradiction little dreading,
Her bouquet is simply frightful—
Still, 'twill be a pretty wedding!
Oh, it is a pretty wedding!
Such a pretty, pretty wedding!
ELSA. If her dress is badly fitting,
Theirs the fault who made her trousseau.
BERTHA. If her gloves are always splitting,
Cheap kid gloves, we know, will do so.
OLGA. If upon her train she stumbled,
On one's train one's always treading.
GRET. If her hair is rather tumbled,
Still, 'twill be a pretty wedding!
CHORUS. Such a pretty, pretty wedding!
CHORUS.
Here they come, the couple plighted—
On life's journey gaily start them.
Soon to be for aye united,
Till divorce or death shall part them.
(LUDWIG and LISA come forward.)
DUET—LUDWIG and LISA.
LUD. Pretty Lisa, fair and tasty,
Tell me now, and tell me truly,
Haven't you been rather hasty?
Haven't you been rash unduly?
Am I quite the dashing sposo
That your fancy could depict you?
Perhaps you think I'm only so-so?
(She expresses admiration.)
Well, I will not contradict you!
CHORUS. No, he will not contradict you!
LISA. Who am I to raise objection?
I'm a child, untaught and homely—
When you tell me you're perfection,
Tender, truthful, true, and comely—
That in quarrel no one's bolder,
Though dissensions always grieve you—
Why, my love, you're so much older
That, of course, I must believe you!
CHORUS. Yes, of course, she must believe you!
CHORUS.
If he ever acts unkindly,
Shut your eyes and love him blindly—
Should he call you names uncomely,
Shut your mouth and love him dumbly—
Should he rate you, rightly—leftly—
Shut your ears and love him deafly.
Ha! ha! ha! ha! ha! ha! ha!
Thus and thus and thus alone
Ludwig's wife may hold her own!
(LUDWIG and LISA sit at table.)
Enter NOTARY TANNHAUSER.
NOT. Hallo! Surely I'm not late? (All chatter
unintelligibly in reply.)
NOT. But, dear me, you're all at breakfast! Has the
wedding taken place? (All chatter unintelligibly in reply.)
NOT. My good girls, one at a time, I beg. Let me
understand the situation. As solicitor to the conspiracy to
dethrone the Grand Duke—a conspiracy in which the members of
this company are deeply involved—I am invited to the marriage of
two of its members. I present myself in due course, and I find,
not only that the ceremony has taken place—which is not of the
least consequence —but the wedding breakfast is half
eaten—which is a consideration of the most serious importance.
(LUDWIG and LISA come down.)
LUD. But the ceremony has not taken place. We can't get a
parson!
NOT. Can't get a parson! Why, how's that? They're three
a
penny!
LUD. Oh, it's the old story—the Grand Duke!
ALL. Ugh!
LUD. It seems that the little imp has selected this, our
wedding day, for a convocation of all the clergy in the town to
settle the details of his approaching marriage with the
enormously wealthy Baroness von Krakenfeldt, and there won't be a
parson to be had for love or money until six o'clock this
evening!
LISA. And as we produce our magnificent classical revival