Since its Broadway opening last fall, Tom Stoppard’s “Leopoldstadt,” a play about a multigenerational Jewish family in Vienna, based on Stoppard’s own family history, has been met with critical acclaim. Hear from celebrated actor David Krumholtz, who plays the patriarch of the family, on how his Jewish identity has been transformed by the role, why he speaks to his young children about antisemitism, and the importance of Holocaust education today. _ Episode Lineup: (0:40) David Krumholtz __ Show Notes: Leopoldstadt: Tickets and more information Photo credit: Joan Marcus Listen to:  Our most recent podcast episode: Shabbat Shalom No More? One Year Later, Colleyville Synagogue Wrestles with Impact of Hostage Crisis Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you’ve enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with David Krumholtz: Manya Brachear Pashman:  Since its official Broadway opening on October 2 2022, Tom Stoppard's latest play Leopoldstadt has received widespread acclaim. One of the hottest tickets in town, it has been extended through July 2023. The drama follows multiple generations of a Viennese Jewish family over half a century, beginning in 1899. Through the Holocaust and beyond, the fictional family and the story is based on Stoppard's own. When he was in his 50s, the playwright learned that he was Jewish and had lost his grandparents and many other family members in the Shoah. With us now to discuss his role in the play is actor David Krumholtz, who plays Hermann Merz, the tragic patriarch of this fictional family who has converted to Catholicism for purposes of social and professional mobility, but discovers in the end it is to no avail. David, welcome to People of the Pod.  David Krumholtz: Thank you so much. Thanks for having me.  Manya Brachear Pashman: So I described your character as tragic, but it is a play about the Holocaust. So would you say all of the characters in this play are tragic? Would you agree? Walk our audience through Hermann Merz’s approach to life, to his Judaism. David Krumholtz: I don't see the character as tragic at all, which is sort of a conversation I needed to have with Patrick Marber, our director before I even auditioned for the role. I think he's heroic in many ways. He's doing the very best he can for his family, and for the future generations of his family, and in doing so, he has had to shed his Judaism. You get the sense, though, that he was kind of raised in the religion of business. The most important thing he inherited, this textile factory from his father, and his father did very well. And it seems to me that he was groomed  to take over and bring it to great success, build it farther than his father could have ever imagined. And for the sake of his family, and for the sake of future generations. So, certainly converting to Catholicism in late 19th century Austria, was one of the ways to do that, you know, he wasn't labeled anymore, it opened up channels that he probably would have had a harder time getting in on. He did all that he possibly could do to benefit from the choice. And it's a choice, ultimately, that he must have known broke his mother's heart, and alienated him from his family, from the more religious members of his family. And yet, he did it anyway. And he does suffer for it. And it seems to me he's willing to suffer for it. But when we learn about him, is that at the very core of who he is, he is Jewish. At the first instance, of someone challenging his Judaism or, you know, mocking his Catholicism, he's ready to kill the guy, literally. So we get the sense that this is a very, very deep seated issue that comes from, as he explains through a story about his grandfather being bullie