The Gondoliers, or the King of Barataria
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W. S. Gilbert
W. S. Gilbert (1836-1911) was an English librettist, dramatist, and poet. Born in London, Gilbert was raised by William, a surgeon and novelist, and Anne Mary, an apothecary’s daughter. As a child he lived with his parents in Italy and France before finally returning to London in 1847. Gilbert graduated from Kind’s College London in 1856 before joining the Civil Service and briefly working as a barrister. In 1861, he began publishing poems, stories, and theatre reviews in Fun, The Cornhill Magazine, and Temple Bar. His first play was Uncle Baby, which ran to moderate acclaim for seven weeks in 1863. He soon became one of London’s most popular writers of opera burlesques, but turned away from the form in 1869 to focus on prose comedies. In 1871, he began working with composer Arthur Sullivan, whose music provided the perfect melody to some of the most popular comic operas of all time, including H. M. S. Pinafore (1878), The Pirates of Penzance (1879), and The Mikado (1885). At London’s Savoy Theatre and around the world, The D’Oyly Carte Opera Company would perform Gilbert and Sullivan’s works for the next century. Gilbert, the author of more than 75 plays and countless more poems, stories, and articles, influenced such writers as Oscar Wilde and George Bernard Shaw, as well as laid the foundation for the success of American musical theatre on Broadway and beyond.
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The Gondoliers, or the King of Barataria - W. S. Gilbert
W. S. Gilbert
The Gondoliers, or the King of Barataria
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066431952
Table of Contents
Cover
Titlepage
Text
Dramatis Personae
Table of Contents
The Duke of Plaza-Toro (a Grandee of Spain)
Luiz (his Attendant)
Don Alhambra del Bolero (the Grand Inquisitor)
Marco Palmieri
Giusesppe Palmieri
Antonio
Francesco
Giorgio
Annibale
The Duchess of Plaza-Toro
Casilda (her Daughter)
Gianetta
Tessa
Fiametta
Vittoria
Giulia
Inez (the King's Foster-mother)
Chorus of Gondoliers and Contadine, Men-at-Arms, Heralds, and Pages
ACT I
Table of Contents
Scene.--The Piazzetta, Venice. The Ducal Palace on the rightFiametta, Giulia, Vittoria, and other Contadine discovered each tying a bouquet of roses.
Chorus of Contadine
List and learn, ye dainty roses, Roses white and roses red, Why we bind you into posies Ere your morning bloom has fled. By a law of maiden's making, Accents of a heart that's aching, Even though that heart be breaking, Should by maiden be unsaid; Though they love with love exceeding, They must seem to be unheeding-- Go ye then and do their pleading, Roses white and roses red!Fiametta. Two there are for whom, in duty, Every maid in Venice sighs Two so peerless in their beauty That they shame the summer skies. We have hearts for them, in plenty, We, alas, are four-and-twenty! They have hearts, but all too few, They, alas, are only two!Chorus Now ye know, ye dainty roses, Why we bind you into posies Ere your morning bloom has fled, Roses white and roses red!During this chorus Antonio, Francesco, Giorgio, and other Gondoliers have entered unobserved by the Girls--at first two, then two more, then four, then half-a-dozen, then the remainder of the Chorus.
RECIT.
Franc. Good morrow, pretty maids; for whom prepare ye These floral tributes extraordinary? Fia. For Marco and Giuseppe Palmieri, The pink and flower of all the Gondolieri. Giu. They're coming here, as we have heard but lately, To choose two brides from us who sit sedately. Ant. Do all you maidens love them? All. Passionately! Ant. These gondoliers are to be envied greatly! Gior. But what of us, who one and all adore you? Have pity on our passion, I implore you! Fia. These gentlemen must make their choice before you; Vit. In the meantime we tacitly ignore you. Giu. When they have chosen two that leaves you plenty-- Two dozen we, and ye are four-and-twenty. Fia. & Vit. Till then, enjoy your dolce far niente. Ant. With pleasure, nobody contradicente!
Song--Antonio
and
Chorus
For the merriest fellows are we, tra la, That ply on the emerald sea, tra la; With loving and laughing, And quipping and quaffing, We're happy as happy can be, tra la-- As happy as happy can be! With sorrow we've nothing to do, tra la,
And care is a thing to pooh-pooh, tra la; And Jealousy yellow, Unfortunate fellow, We drown in the shimmering blue, tra la,-- We drown in the shimmering blue!Fia. [Looking off.] See, see, at last they come to make their choice-- Let us acclaim them with united voice. [Marco and Giuseppe appear in gondola at back. All the Girls. Hail, gallant gondolieri, ben' venuti! Accept our love, our homage, and our duty. [Marco and Giuseppe jump ashore--the girls salute them.
Duet--Giuseppe
and
Marco,
with
Chorus of Girls
Giu. & Mar. Buon' giorno, signorine! Girls. Gondolieri carissimi! Siamo contadine! Giu. & Mar. [Bowing.] Servitori umilissimi! Per chi questi fiori-- Questi fiori bellissimi? Girls. Per voi, bei' signori O eccellentissimi! [The girls present their bouquets to Giuseppe and Marco, who are overwhelmed with them, and carry them with difficulty.Giu. & Mar. [Their arms full