Love or Lust: Volume II
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Being a ‘Bardolator’, I cracked William Shakespeare’s “Venus and Adonis” and while reading the lines, the following lines invited my attention: “Love comforteth like sunshine after rain, But Lust’s effect is tempest after sun; Love’s gentle spring doth always fresh remain, Lust’s winter comes ere summer half be done; Love surfeits not. Lust like a glutton dies; Love is all truth. Lust full of forged lies.” (Page No: 1278; Lines: 799-804)
The above golden words of ornament studded with rubies of axiomatic truth, deep sense of Emeralds, the portrayal of human emotions of pearls and the universal truth of diamonds, inspired me to write a novel, romantic novel or a novelette, for which I started probing for Love is all truth. Lust full of forged lies.” (Page No: 1278; Lines: 799-804)
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Love or Lust - Muthukrishnan
LOVE ORLUST (Volume II)
BY
MUTHUKRISHNAN
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ISBN 9789354586781
© MUTHUKRISHNAN 2021
Published in India 2021 by Pencil
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All rights reserved worldwide
No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the Publisher. Any person who commits an unauthorized act in relation to this publication can be liable to criminal prosecution and civil claims for damages.
DISCLAIMER: This is a work of fiction. Names, characters, places, events and incidents are the products of the author's imagination. The opinions expressed in this book do not seek to reflect the views of the Publisher.
Author biography
ABOUT AUTHOR
R. Muthukrishnan, a Bardolator, is a retired Professor whose native place is Tiruchirappalli and started this professional career as a writer ever since his adulthood and has furthered his knowledge by writing plays in the college celebrations and then after his retirement from the service, delved into a full-time writer of novels, especially romantic novels, based on human psychology and Shakespearean plays and sonnets. In all his novels, Shakespearean quotations are in spate, significantly. His portrayal of characters are realistic and some real events are spun into a fixed form from his pragmatic life by which one can realize the reality of the situation in which the characters of the novel play their role
Contents
CHAPTER No; SIXTEEN
CHAPTER No ...SEVENTEEN
CHAPTER No .....EIGHTEEN
CHAPTER No...NINETEEN
CHAPTER No...TWENTY
CHAPTER No ...TWENTY ONE
CHAPTER No...TWENTY TWO
Preface
PREFACE
Being a ‘Bardolator’, I cracked William Shakespeare’s Venus and Adonis
and while reading the lines, the following lines invited my attention:
"Love comforteth like sunshine after rain,
But Lust’s effect is tempest after sun;
Love’s gentle spring doth always fresh remain,
Lust’s winter comes ere summer half be done;
Love surfeits not. Lust like a glutton dies;
Love is all truth. Lust full of forged lies." (Page No: 1278; Lines: 799-804)
The above golden words of ornament studded with rubies of axiomatic truth, deep sense of Emeralds, the portrayal of human emotions of pearls and the universal truth of diamonds, inspired me to write a novel, romantic novel or a novelette, for which I started probing for the theme and the characters and in my mind, there struck a name, BASKARAN (BASKAR, hypocoristic name) which means ‘Sun, Cute’ to play the role of a protagonist and another name for ‘heroine,
SHYAMALA’ belongs to ‘Aquarius with dominant planet Saturn
and Sathabisham
as her birth star, who is considered to be dominated by the Lord Sun and she is majestic, honest, self-confident, courageous and intelligent and she won’t bow her head to anyone, possess excellent management skills, excel in medicine, Engineering science and business. Another name, Sujatha’ conceived in my mind to have a congenital character of ferocity and possessiveness to defy our heroine,
Shyamala and dominate others. Like this, ones by one, eight characters formed in my mind to give life to this novel to title as
LOVE OR LUST’, Sivasankar—Maghathi, parents of Baskar; Gunasekar-Latha, parents of Shyamala; PremKumar, Sundhari or Kanmani, Peter, Veerapondi-these characters created situations and act their roles perfectly. Veerapondi is given the role as a sub-Inspector of Police but a villainous role, who encountered with our hero, Baskar
in the opening scene.
The events depicted in every chapter are so realistic that the above actors play their roles suitably.
The charm of a great classic as a work of art in common with all great works of arts, lies in its eternal freshness and novelty; and to each and every mind, a great work will reveal a new meaning and a new charm which alone are the source of all the enjoyment one derives from reading it. How far it has been possible for me to reveal all the manifold charm of this great work of classical romance, it is for the reader or readers to judge. I’ve spared no pains in bringing together all the accessories to the enjoyment, selecting the best of all possible variants giving a rendering in English of the original, as I am a ‘PhiloEnglish as literal as the foreign phrases allow and adding critical , medical terms and psychological terms are added to flavour this novel ,LOVE OR LUST
Moreover, I am obliged to define the terms, Love’ and ‘Lust
and how these terms are applicable to our characters who play a predominant role in this novel. Love
is a set of emotions and behaviours characterized by intimacy, passion and commitment. It involves care, closeness, protectiveness, attraction, affection and trust. Love can vary in intensity and can change over time. It is associated with the range o positive emotions, including happiness, excitement life satisfaction and euphoria but it can also result in negative emotions such as jealousy and stress. Lust
is also a feeling of having a strong sexual desire, lubricity, for another person sometimes incestuously and it is the initial driving force that attracts one to a potential partner and it is what helps keeps the passion alive in a long-term relationship. Ultimately, ‘Lust is strictly based on sexual attraction was whereas ‘Love’ is based on emotional desire. Although,
Love and Lust" is different, these two feelings co-exist.
When Love
is sometimes sexual which can be seen in the character of Shyamala, whereas ‘Lust’ is always sexual as it is depicted in the character of ‘Sujatha’ and Sundhari. While ‘Shyamala’ is emotionally driven, Sujitha is physically driven. Further, , when ’Shyamala’ is connected romantically, emotionally, mentally and spiritually, ‘Sujatha’ and ‘Sundhari’ are sexually and physically connived with our hero, a mixture of Love and Lust
. Moreover, our first heroine is sometimes accompanied by sexual or physical connection with our hero, Sujatha’ is sometimes accompanied by emotional, mental, romantic or spiritual connection. But both "Shyamala and Sujatha’’ experience with lust during their relationship with Baskar.
CHAPTER No; SIXTEEN
CHAPTER NO: SIXTEEN
BLIND JEALOUSY IS A FREQUENT COROLLARY OF PASSIONATE LOVE.
THE IMPLICIT COGNITION OF ROMANTIC RIVALRY
There’s a hypothesis that concerns about infidelity that would lead people, particularly those displaying high chronic levels of romantic jealousy, to display a functionally coordinated set of implicit cognitive biases aimed at vigilantly processing attractive romantic rivals. Priming concerns about infidelity led people with high levels of chronic jealousy (but not those low in chronic jealousy) to attend vigilantly to physically attractive same-sex targets at an early stage of visual processing to strongly encode and remember attractive same-sex targets and to form implicit negative evaluations of attractive same-sex targets.. In each case, effects were observed only for same-sex targets that were physically attractive-individuals who can pose especially potent threats to a person's own romantic interests. It reveals a cascade of implicit, lower order cognitive processes underlying romantic rivalry and identifies the individuals most likely to display those processes. At a broader conceptual level, this illustrates the utility of integrating social cognitive and evolutionary approaches to psychological science.
Top of Form
Bottom of Form
WHICH TYPE OF BOYS GIRLS LIKE WILL BE DIFFERENT FOR EVERY GIRL. SOME GIRLS MIGHT BE DRIVEN TOWARD HOT GUYS WHILE OTHERS LIKE SOMEONE TO MAKE THEM LAUGH. NO MATTER WHAT GIRLS LOOK FOR IN A GUY FIRST, IT SHOULDN'T COME AS ANY SURPRISE THAT BEING ATTRACTIVE, CONFIDENT AND EASY TO TALK TO RANK HIGH.
No doubt, different girls will have different priorities when it comes to finding a significant other. One girl may want someone who makes her laugh above all else, while another one may not mind a lack of good jokes as long as she feels like a guy listens to what she has to say. However, the general list of things ladies look for in their guys is largely the same., teenage girls like guys who are cute, funny, smart, and make them feel good. Confidence is probably the number one thing that girls look for in boys. A guy who is self-confident has high self-esteem and believes in himself. This quality makes a boy more attractive because he genuinely feels good and likes himself-and girls are seeking these qualities in themselves. Girls especially love confidence because being around a confident guy makes them feel like he can be counted on If a guy wants to get a teenage girl's attention, he should follow basic grooming standards, such as showering, wearing deodorant, and wearing clean clothes. Girls will also notice a guy's style, including his clothes and hairstyle, but beyond the basics, there is how he carries himself and how comfortable he appears to be. Between the hipster, the lad (average guy), the metrosexual, the rocker, and gym buff, the style-conscious and impeccably groomed metrosexual profile did the best.
Making a girl laugh can heighten her attraction, as laughter is a natural aphrodisiac. Being funny can set a guy apart and make him appear more attractive, easy to relate to, and easy to approach. Laughter also increases positive feelings, so girls will automatically think more highly of a guy who makes them smile and laugh. The Art of Charm makes a girl laugh and make you memorable and create a lasting attraction. Girls love to engage and communicate, so a guy who is willing to have long conversations or who is a good listener will set himself apart from the rest. Developing conversation skills might mean learning how to listen, thinking up good questions to ask girls, and showing girls that you like them for more than just their physical appearance. Girls look for guys who are cute and good looking, but it's a personal taste as to what matters the most. Girls are much more interested in a warm smile and nice eyes (these may be what a girl looks for in a guy physically), but it's what's on the inside that counts. Girls will quickly get tired of good looks and seek out a guy who is confident and likable as a person. Even if you don't think you look good enough to get much a response from girls off the bat, the things you consider flaws may become things she loves about your appearance and what makes her find you even more attractive over time, dating coach Dan Bacon of The Modern Man explains. A girl can become truly attracted to an average guy's physical looks based on how he interacts with her. Guys can impress a teenage girl when they have manners and respect her. Just do nice things. Hold the door open for her, offer your jacket when she's cold, listen to her and make an effort to find common interests (bonus if you find you're both passionate about some of the same things!). Make your interactions about her and try to put her at ease as much as you can,. Everyone wants to feel respected,. Guys can show girls respect, by never pressuring her sexually, never talking down to her, pointing out her strengths, being respectful to the other important people in her life, and more. A feeling of chemistry or a spark is another important thing that sets apart guys who are just friends from guys who become boyfriends. That spark comes from confidence and physical attraction, but it's also about a deeper connection that can't be forced; it is about being magnetically drawn to one another.
After Baskar accomplished in placating and wheedling Shyamala in his favour, he took her G-String from the ground and donned it by himself saying,This G-String is more luckier than me as it clings to the Heavenly Gates forever.
His fingers smeared the curve of her vulva before fitting her G-string to its place comfortablyand she immediately gave her repartee:What’s the use of the closed Gates serving as the barrier to the pleasure? Like a soldier opening the Gates and entering into the Fort is a thrilling pleasure, isn’t it?
Baskar liked her pun and donned her waist with lehenga and kissing upon her deep valley of navel, he sighed and continued his ribaldry: It’s a home truth that good time brings good fortune. That mid night is my good time that brings me good fortune to relish me and flavour the epulation.
Relished with his riblad sweet nothings, Shyamala took her bodice and gave it to Baskar todon over her bosom. She smiled at him and said:"What a knave you’re to arrest me in the prison of sex and lust! Still it’s myssterious how I changed myself and have been prone to steamy feelings.
Baskar took her bodice and before fixing it to her erect breasts, he kissed them and then don it to her breasts saying, Now the ‘Love-Birds’ are caged.
Shyamala acknowledged his osculation upon her breasts and streaking the weavy crine , she replied:Albeit ‘Love-Birds are caged, they can be uncaged whenever your hands need them to give them freedom. How lively the ‘Love-Birds come out from the cage to peep out the world outside!
Shyamala drew Baskar near her and appressed his mouth to her caged birds and closing her eyes ecstatically, Aha! What a pleasure it renders me!
Donning her half sleeved baniyan upon her bosom, Baskar kneaded like dry humping her breasts along with her baniyan which was protruding well to reveal the contour of her erect boobs.outer part of her tight baniyan.
Sujatha as a ‘Voyeur’ was watching the whole drama by dint of CCTV Screen and began to yearn for such a situation to be enjoyed by Baskar. Sujatha, pandiculated and streeked, said to herself:After watching the drama as a voyeur, I can’t prevent myself from the torrid feelings and kinky ideas related to lubricity. I am aware of my foible related to amativeness and carnality that spring from my deep heart. .Like guys drooling ove the gorgeous ladies, I have been drooling over Baskar ever since I saw him and took a shine to him and slobbering over him. Should I take ‘Anaphrodisia
(drug to control sexual desire) from falling into the abyss of love-lorn? All cannot understand how I feel but escoterica. What John Seldon said is true that Pleasure is nothing else but the intermission of pain.
Am I left or destined to shack with Baskar who tranced me by his badinage. Aha! Prior to the meeting him, what halcyon days I had! But after meeting him love burgeoned between us and he made me crave for him. Did he exploit my foible as I allowed him to ogle at me when I was stripped down au naturel ? How cleverly he wielded his blarney! Albeit his constant and instant foreplay and coition, I am not blasé. It’s my maiden experience when he popped the cherry and swilled the organ and helped me laving in the john. From the sex-play, it is obvious that Baskar had already popped cherry of Shyamala for he had a smooth penetration into her organ….." She brooded once again.
The scene,’ penetration into her vulva’ instilled into her mind firmly by which her mind indulged with steamy feelings and she wanked by