Writing Magazine

LOVE RULES: How to write contemporary romance

Romance is consistently the biggest selling genre across the world, generating more than £1bn revenue annually. With thousands of titles published each year and the expectation that all romances end with ‘happily ever after’ (HEA) or ‘happy for now’ (HFN), it can be challenging for romance authors – both emerging and established – to come up with original story ideas.

Focusing on the sub-genre of contemporary romance, which can be broken down further into subcategories, such as drama, comedy, suspense, and travel, the challenge is not only to write stories that are fresh, original and appealing, but also relevant to contemporary romance readers. This challenge has been compounded in the past eighteen months by the global pandemic, with contemporary romance authors having to decide whether to avoid or embrace the pandemic in their writing.

So how do you, as an author of contemporary romance, write a story that is fresh, as well as appealing and relevant to readers?

Know your sub-genre

Many contemporary romance readers have one or more favourite sub-categories and read voraciously within each. They

You’re reading a preview, subscribe to read more.

More from Writing Magazine

Writing Magazine1 min read
Writing-competitions
www.writers-online.co.uk/writing-competitions ■
Writing Magazine3 min read
REAL LIFE, Great Stories
We think of our lives as a single narrative, a sequence of big events that have made us into the person we are, and this story is where most people start when they first consider writing a memoir. But the single narrative view is not the only way to
Writing Magazine3 min read
Standout, Breakout
For a few years I had pinned above my desk a Private Eye cartoon by Peter Cook. Two literary types at a book launch, ‘I’m writing a novel,’ says one, ‘neither am I,’ replies the other. It’s a curious irony, given the amount of time that authors spend

Related Books & Audiobooks