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A Book of Cinquains
A Book of Cinquains
A Book of Cinquains
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A Book of Cinquains

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The cinquain is a five-line twenty-two syllable verse form created by Adelaide Crapsey in response to the tanka and haiku forms which were then coming into vogue among English-language poets. Because it is a western form, the cinquain is more expansive and rhetorical. It lends itself to a variety of uses. A Book of Cinquains contains poems that are descriptive, humorous, meditative and dramatic.
LanguageEnglish
PublisherXlibris US
Release dateMar 25, 2014
ISBN9781493187997
A Book of Cinquains
Author

Andrew Mangravite

Andrew Mangravite has published translations from Saint-Pol-Roux and other French Symbolist writers. He has also written extensively on film and fine art. A Book of Cinquains is a collection of his original poems. He currently resides in suburban Philadelphia and works as an archivist.

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    Book preview

    A Book of Cinquains - Andrew Mangravite

    Copyright © 2014 by Andrew Mangravite.

    Illustrations copyright 2014 by Carolee Karpell

    Library of Congress Control Number:   2014905424

    ISBN:      Hardcover      978-1-4931-8798-0

                     Softcover        978-1-4931-8797-3

                    eBook              978-1-4931-8799-7

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Rev. date: 05/08/2014

    To order additional copies of this book, contact:

    Xlibris LLC

    1-888-795-4274

    www.Xlibris.com

    Orders@Xlibris.com

    615624

    Curtain

    rung down; flutter

    of a lady fanning,

    that quickly in the empty streets

    it’s night.

    A sea,

    her unbound hair

    will wash the iris so

    tenderly, sailors might cherish

    that shore.

    (eye)%20pg%207%20bottom%20poem%20(sunset)%20pg%2012%20top%20poem.jpeg

    The breeze

    in gentle waves

    harmonized these things:

    the odors of the soil, the cries

    of birds.

    04/18/76.

    Sometimes

    a passing breeze

    will outline the body

    to make one’s brain become aware:

    I am.

    07/31/76.

    Cut roses,

    petals and leaves,

    delicate tissue all,

    but in their color and shape, exact,

    gem-like.

    08/22/76.

    Raining;

    I recall her

    jumping over puddles;

    she was barefooted, I always

    wore shoes.

    08/26/76.

    (legs)%20pg%209%20bottom%20poem%20(letters)%20pg%2023%20bottom%20poem.jpeg

    To die,

    must be a leaf

    falling into blackness

    of stream, or swirling in a wind

    so high… .

    10/22/76.

    Summer

    comes to meadows

    all the green things groan in

    pained erection; insects shriek

    colors.

    10/30/76.

    Sure foot

    autumn winds stalk

    through streets and empty parks

    even lovers have fled these places—

    fair game.

    12/28/76.

    Palm tree

    fronds rustle breezes,

    women with long fingers

    lost in admiration, reaching

    to touch.

    (eye)%20pg%207%20bottom%20poem%20(sunset)%20pg%2012%20top%20poem.jpeg

    Sunset

    incarnadines

    barren winter forests;

    O let the coldness in my heart

    now melt.

    Snapping,

    the brittle ice

    of the cicada’s cry

    gone, now this summer night begins

    to thaw.

    Hungry

    November’s winds

    cry out to eat the earth,

    a poor fare: dusty fields, bare trees,

    and stones.

    She is

    of the river,

    and

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