The Day of Atonement
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Vladimir Korolenko
Короленко Владимир Галактионович (1853 - 1921), прозаик. Родился 15 июля (27 н.с.) в Житомире в семье уездного судьи, честного и неподкупного человека, потому и не сделавшего карьеры. Детские годы Короленко прошли в Житомире, где он начал учиться в гимназии, но закончил гимназический курс уже в Ровно, куда отец был переведен по службе. В 1871 окончил гимназию с серебряной медалью и поступил в Петербургский технологический институт, но тяжелое материальное положение заставляет его уйти из института и искать себе средства к существованию. Работает корректором, чертежником. В 1874 переезжает в Москву и поступает в Петровскую земледельческую и лесную академию. За отказ присягать Александру III был в 1881 сослан в Якутию, где провел три года. Первые рассказы были опубликованы в 1879 - 80 - "Эпизоды из жизни искателя", "Яшка", "Чудная". В 1882 - рассказ "Убивец", в 1883 - рассказ "Сон Макара". Впечатления сибирской жизни легли в основу многих рассказов, посвященных бродягам, каторжникам, "гулящим людям": "Соколинец" (1885), "Черкес" (1888) и др. В 1885 написан рассказ "В дурном обществе". Сибирская тема будет продолжена и в рассказах 1890-х годов: "Ат-Даван" (1892), "Марусина заимка" (1899). В 1893 писатель побывал в Америке на Всемирной выставке, а в 1895 написал рассказ "Без языка" о жизни украинского крестьянина-эмигранта в Америке. В 1896 переехал в Петербург, где вместе с Н.Михайловским стал издавать народнический журнал "Русское богатство". В течение последних шестнадцати лет (1905 - 21) Короленко работал над мемуарами "История моего современника", опубликованными в 1922. Смерть наступила от воспаления легких 25 февраля 1921 в Полтаве.
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The Day of Atonement - Vladimir Korolenko
Vladimir Korolenko
The Day of Atonement
SAGA Egmont
The Day of Atonement
Translated by Marian Fell
Original title: Судный день
Original language: Russian
The characters and use of language in the work do not express the views of the publisher. The work is published as a historical document that describes its contemporary human perception.
Cover image: Shutterstock
Copyright © 1891, 2021 SAGA Egmont
All rights reserved
ISBN: 9788726502091
1st ebook edition
Format: EPUB 2.0
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This work is republished as a historical document. It contains contemporary use of language.
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A Tale of little Russia ¹
The lights are out, the moon is rising.
The were-wolf in the wood is feeding.
— —Shevchenko.
I
Listen to me, man; go out of your khata on a clear night, or better still walk to the top of some little hill, and look well at the sky and the earth. Watch the bright moon climbing the heavens, and the stars winking and twinkling, and the light clouds of mist rising from the earth and wandering off somewhere one behind the other like belated travellers on a night journey. The woods will lie as if bewitched, listening to the spells that rise from them after the midnight hour, and the sleepy river will flow murmuring by you, whispering to the sycamores on its banks. Then tell me after that if anything, if any miracle, is not possible in this khata of God's which we call the wide world.
Everything is possible. Take, for instance, an adventure that happened to a friend of mine, the miller from Novokamensk. If no one has told you the story already, I will tell it to you now, only please don't make me swear that every word is true. I won't swear to a thing, for though I got it from the miller himself, I don't know to this day whether it really happened to him or not.
But whether it's true or not, I shall tell it to you as I heard it.
One evening the miller was returning from vespers in Novokamensk, which was about three versts, not more, from his mill. For some reason the miller was a little out of temper, though he himself could not have said why. Everything had gone well in the church, and our miller, who could shout with the best, had read the prayers so loudly and so fast that the good people had been astonished.
How he does bawl, that son of a gun!
they had exclaimed with the deepest respect. You can't understand one word he says. He's a regular wheel, he is; he turns and spins and you know he has spokes in him, but you can't see a single one, no matter how closely you look. His reading sounds like an iron wheel rumbling over a stony road; you can't catch a word of it to save your life.
The miller heard what the people were saying among themselves, and it made him glad. He knew how to work for the glory of God, he did! He swung his tongue as a lusty lad swings a flail on a threshing floor, till he was parched to the bottom of his throat and his eyes were popping out of his head.
The priest took him home with him after church, gave him tea, and set a full bottle of herb brandy before him, and this was afterwards taken away empty. The moon was floating high above the fields, and was staring down into the swift little Stony River when the miller left the priest's house and started home to his mill.
Some of the villagers were already asleep; some were sitting in their khatas eating their suppers by the light of a tallow-dip, and some had been tempted out into the street by the warm, clear autumn night. The old people were sitting at the doors of their khatas, but the lasses and lads had gone out under the hedges where the heavy shade of the cherry trees hid them from view, and only their low voices could be heard in various places, with an occasional peal of suppressed laughter, and now and then the incautious kiss of a young couple. Yes, many things can happen in the dense shade of a cherry tree on such a clear, warm night!
But though the miller could not see the villagers, they could see him very well because he was walking down the middle of the street in the full light of the moon. And so they occasionally called out to him as he passed:
Good evening, Mr. Miller! Aren't you coming from the priest's? Is it at his house you have been such a long time?
Every one knew that he could not have been anywhere else, but the miller liked the question, and, slackening his pace, he would answer a little proudly each time:
Yes, yes, I've made him a little visit!
and then he would walk on more puffed-up than ever.
On the other hand, some of the people sat as silent as mice under the eaves of their houses, and only hoped he would go by quickly and not see where they were hidden. But the miller was not the man to pass or forget people who owed him for flour or for grinding, or who simply had borrowed money from him. No use for them to sit out of sight in the dark, as silent as if they had taken a mouthful of water! The miller would stop in front of them every time and say:
Good evening! Are you there? You can hold your tongues or not as you like, but get ready to pay me your debts, because your time will be up early to-morrow morning. And I won't wait for the money, I promise you!
And then he would walk on down the street with his shadow running beside him, so black, so very black, that the miller, who was a bookman and always ready to use his brain if need be, said to himself:
Goodness, how black my shadow is! It really is strange. When a man's overcoat is whiter than flour why should his shadow be blacker than soot?
At this point in his reflections he reached the inn kept by Yankel the Jew, which stood on a little hill not far from the village. The Sabbath had been over since sunset, but the innkeeper was not at home; only Kharko was there, the Jew's servant, who took his place on Sabbaths and feast-days. Kharko lit his master's candles for him and collected his debts on each Hebrew holiday, for the Jews, as every one knows, strictly observe the rules of their faith. Do you think a Jew would light a candle or touch money on a holiday? Not he! It would be a sin. Kharko the servant did all that for the innkeeper, and he, his wife, and his children, only followed him sharply with their eyes to see that no stray five or ten copeck pieces wandered