Meanderings
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About this ebook
Betty McKenzie-Tubb has been scribbling since youth, beginning with contributions to the Sydney Morning Herald and to the ABC radio programme The Argonauts. She was Ancona 49 and wrote regularly to ‘Anthony Inkwell’. Degrees in Education and Arts have helped nourish her writing. She spent most of her working li
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Meanderings - Betty McKenzie-Tubb
Meanderings
Betty McKenzie-Tubb
Ginninderra PressContents
A Passion for Pencils
A Diet of Worms
A Letter of Excuse, 2 April 1580
An Unexpected Wedding
‘Chief Nourisher’
Face
Feet-blind Reverence
Hoist With My Own Petard
In Praise of the Full Sentence
Look at Me! Look at ME!
My Room 101
Not Eden
Red
The Fix
Terrorists on the Café Strip
The Lowbrow
The Men in my Life
‘To Be or Not to Be’
What’s in a Name?
Gone but not Forgotten – a Eulogy
‘There’s a Divinity that Shapes our Ends’
Surviving without Fractions and Dots
Luxury
The Evocation of Colour
Lexical Gold
Legs – a female view
Bogans
Uncle
The Winner Is…
Acknowledgements
Meanderings
ISBN 978 1 76041 216 6
Copyright © text Betty McKenzie-Tubb 2016
Cover design: Allana Buzzard Jones
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2016 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015
www.ginninderrapress.com.au
A Passion for Pencils
Virginia Woolf may have thought that nobody could feel passionately towards a lead pencil but then she’d never met Dawn French – or me, for that matter.
Her essay Street Haunting opens with the sentence, ‘No one perhaps has ever felt passionately towards a lead pencil’, but, in the manner of personal essays, she temporarily leaves the subject of lead pencils and sticks more closely to her subtitle, ‘A London adventure’, in which she describes the magic of walking London streets on a winter night. (Woolf died in 1941, so that magic may no longer exist.)
Only at the conclusion of the essay does she return to the trigger of her musings, the peg on which she hangs her thoughts; then the reader may be convinced of her affection for the instrument.
And here – let us examine it tenderly, touch it with reverence – is the only spoil we have retrieved from all the treasures of the city, a lead pencil.
There are writers who, like Tim Winton and the late Elizabeth Jolley, eschew the computer and use pen on paper. The remarkable and truly talented P.D. James at the age of ninety wrote her latest novel by hand, and at ninety-two was producing yet another opus in the same manner. She may use a pen but I like to think that she favours the speed of the pencil.
Dawn French has written her two novels with a pencil. She confesses to being a Luddite, though I doubt whether she rages around smashing every computer in sight. She enjoys the smell of the pencil, the sound it makes when put to the paper. She thinks that writing in this mode is ‘more organic’.
The sight of two or three newly sharpened pencils is a pretty one. They beg to be taken up and used. Of course, the tool has to be the right one or it won’t slide easily over the paper. A 2B, once commonly used by schoolchildren, is excellent. It makes a brave mark and glides smoothly. Idly leafing through some books recently, I read that the dying Venerable Bede directed someone at his bedside to ‘Take your pen, put it in order, and write quickly.’ That’s exactly what a newly sharpened 2B does and it’s a lovely sensation.
Some people are in love with pens and there are those who despise the admittedly useful biro in favour of the fountain pen. My history with pens is not a good one. In the pen and ink schooldays when one was fooled into thinking that being an ink monitor was a privilege, or even a reward for being good, my nibs invariably crossed and caused a fine splatter of ink which a modern abstract artist could claim as some kind of conceptual work – the randomness of the universe, perhaps – but which my teachers regarded with disapproval and deemed it to be what it was – a mess. My fingers too were constantly ink-stained and I developed a callus on my middle finger where the pen, held correctly between thumb and forefinger, nevertheless rested on the middle one. Even biros seem to develop little blobs of ink on the tips and these deposit themselves on the fingers or worse, on the paper.
No, the pencil is king. It is cheap, it uses some form of solar energy (that of the body, some sage asserted). When errors occur, they are simply erased; it is easily maintained and if it ‘crashes’ there’s a sharpener on hand. If great writers of yore managed to produce enduring masterpieces without the so-called advantage of technology, do we really think, as some would have us believe, that we write better when we use a computer?
I’m off to write a few deathless lines with my 2B.
A Diet of Worms
Who amongst us has not been on a diet of some kind? Diets for specific illnesses, for allergies, for optimum health, for the perfect figure.
The perfect figure is probably the most common and the most elusive. Appalled by the present epidemic of obesity, we’ve become obsessed with slimness, desiring (and I suppose this applies particularly to women) a stick figure. This is extremely difficult for those of us who have inherited fat-trapping genes. I belong to this group but when some of my overweight friends discipline themselves and lose tens of kilos, I feel quite sad because I’d rather have more of them than less, and anyway their faces cease to be plump and smiling and become lined and doleful. Face or figure: that’s the choice.
In the search for a svelte shape, we try, among others, the Israel diet, the Atkin diet, Jenny Craig, Weight Watchers, the current Paleo diet. As I recall, there was a chocolate diet which must have had universal if temporary appeal, though I am not sure that it worked – perhaps it comprised a Mars bar reward after a plate of lettuce.
In history, when I was a schoolgirl, my attention was once