Mere Paintlines
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About this ebook
Ambitions thrive
As flickers of one's whims
Either kindled and fueled
Or dimmed and extinguished
By those of others."
MERE PAINTLINES presents
A rewarding illumination of this truth
In one hundred pieces of poetry.
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Mere Paintlines - Zelophehad Adah Sampson
Mere Paintlines
Zelophehad A. Sampson
Copyright
This work is produced specifically for distribution by lulu.com and its affiliates. It is an anthology of poems that are the sole copyright of its producer. The work should not be reproduced in any form or by any means without prior authorisation from its publisher.
Copyright © 2016 by Zelophehad A. Sampson
ISBN 978-1-326-64225-9
Dedication
God
Foreword
…Now, unless a man hears voices from another world, in which case we are forewarned; or affirms he has a special pipeline to the Deity, which is blasphemous—then every one of us fallible, sinful human beings is naturally limited in the same way in our efforts to understand our planetary home and live out our years as we should. It goes without saying that there are enormous differences in talents and opportunities but no matter who we are, knowledge and understanding seep into us through the old well-worn channels, and not otherwise. We learn in different ways. We learn by experiencing things through our several senses, as we experience the taste of chocolate. We reflect upon our experience and frame theories. If our theories are sound we derive wisdom from our experience; otherwise, experience simply confirms us in our mistakes.
There is, in other words, the empirical route to the truths in certain realms, and science—by and large—takes this route. Then there is the route of rationalism, where you start with a self-evident truth and proceed to draw inferences from it. The model here is mathematics. The matter is really more complex than this, for mathematics is not a wholly a priori discipline; and empirical science does rely on hypotheses and hunches for which its early mechanical paradigm had no place.
Beyond empiricism and rationalism there is another dimension of experience whose doors are opened wide for us by the several arts. I suppose there are some people for whom music is nothing more than rhythm and agreeable sounds, painting no more than pretty pictures, poetry no more than words that rhyme. But if the arts do have significance beyond this, then they do provide us with some clues as to the meaning of life….
Edmund Opitz, February 1978.
Reprinted by permission from Imprimis, a publication of Hillsdale College.
One
Coupled
I slipped from my seat to the floor.
It was the girls, so demure
You’d think they didn't exist.
I learnt their tongue to love them well;
They mocked my own to love me better.
We discussed intelligent sex
(An informed vagina meets a learned penis?);
They agreed and there was no bed;
And no dresses were subtracted.
To be persuaded to fall in love
Is to be patronized to stay in love.
This I welcome as a thespian duty;
Can consider with a business partner;
Will brood over in literary writing;
And my dignity will stay with me.
My woman should own me to love me,
Not love me to possess me;
To love so as to keep is to hate so as to let go.
Two
Until
I seek beside the sea
Guardian of some African child.
His vision is blurred by moonlight;
His strength is sapped in his sleep;
His dreams are flooded by dawn;
His sweat is warmth to his cheeks;
His cheeks—a sculptor's fire—
Are bereaved beyond solace
Where memory sustains the dead
In the memory of the living lost.
Alone beside the sea,
His tears pierce my being:
"Take me to my guardian's lair;
Charge him to hum my song;