A Message from the Sea

By Charles Dickens

"How do you do, ma'am?" said the captain. "I am very glad to see you. I have come a long way to see you."Who hasn't dreamt of finding an old bottle between rocks on a beach somewhere, and seeing it has a rolled-up letter inside it? A Message from the Sea is a fairy tale by Charles Dickens and it tells the story of an American captain who travels a long way to deliver a message he found in at bottle to a family in a small English fishing village. It's a refreshing and happy read in which the impossible happens. -

• Language: English
• Publisher: SAGA Egmont
• Release date: Aug 26, 2020
• ISBN: 9788726586848

Charles Dickens

Charles Dickens (1812-1870) was an English writer and social critic. Regarded as the greatest novelist of the Victorian era, Dickens had a prolific collection of works including fifteen novels, five novellas, and hundreds of short stories and articles. The term “cliffhanger endings” was created because of his practice of ending his serial short stories with drama and suspense. Dickens’ political and social beliefs heavily shaped his literary work. He argued against capitalist beliefs, and advocated for children’s rights, education, and other social reforms. Dickens advocacy for such causes is apparent in his empathetic portrayal of lower classes in his famous works, such as The Christmas Carol and Hard Times.

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Charles Dickens

A Message from the Sea

SAGA Egmont

A Message from the Sea

The characters and use of language in the work do not express the views of the publisher. The work is published as a historical document that describes its contemporary human perception.

Copyright © 1860, 2020 Charles Dickens and SAGA Egmont

All rights reserved

ISBN: 9788726586848

1. e-book edition, 2020

Format: EPUB 2.0

All rights reserved. No part of this publication may be reproduced, stored in a retrievial system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor, be otherwise circulated in any form of binding or cover other than in which it is published and without a similar condition being imposed on the subsequent purchaser.

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Chapter I — the village

And a mighty sing’lar and pretty place it is, as ever I saw in all the days of my life! said Captain Jorgan, looking up at it.

Captain Jorgan had to look high to look at it, for the village was built sheer up the face of a steep and lofty cliff. There was no road in it, there was no wheeled vehicle in it, there was not a level yard in it. From the sea-beach to the cliff-top two irregular rows of white houses, placed opposite to one another, and twisting here and there, and there and here, rose, like the sides of a long succession of stages of crooked ladders, and you climbed up the village or climbed down the village by the staves between, some six feet wide or so, and made of sharp irregular stones. The old pack-saddle, long laid aside in most parts of England as one of the appendages of its infancy, flourished here intact. Strings of pack-horses and pack-donkeys toiled slowly up the staves of the ladders, bearing fish, and coal, and such other cargo as was unshipping at the pier from the dancing fleet of village boats, and from two or three little coasting traders. As the beasts of burden ascended laden, or descended light, they got so lost at intervals in the floating clouds of village smoke, that they seemed to dive down some of the village chimneys, and come to the surface again far off, high above others. No two houses in the village were alike, in chimney, size, shape, door, window, gable, roof-tree, anything. The sides of the ladders were musical with water, running clear and bright. The staves were musical with the clattering feet of the pack-horses and pack-donkeys, and the voices of the fishermen urging them up, mingled with the voices of the fishermen’s wives and their many children. The pier was musical with the wash of the sea, the creaking of capstans and windlasses, and the airy fluttering of little vanes and sails. The rough, sea-bleached boulders of which the pier was made, and the whiter boulders of the shore, were brown with drying nets. The redbrown cliffs, richly wooded to their extremest verge, had their softened and beautiful forms reflected in the bluest water, under the clear North Devonshire sky of a November day without a cloud. The village itself was so steeped in autumnal foliage, from the houses lying on the pier to the topmost round of the topmost ladder, that one might have fancied it was out a bird’s-nesting, and was (as indeed it was) a wonderful climber. And mentioning birds, the place was not without some music from them too; for the rook was very busy on the higher levels, and the gull with his flapping wings was fishing in the bay, and the lusty little robin was hopping among the great stone blocks and iron rings