Modern mentalism: Secrets, principles, tricks and psychology for the modern mentalist
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About this ebook
In this ebook you will find:
- Multiple outs principle
- Mind reading with "one step forward" principle
- Mind-reading nail writer
- Force
- Revelation of the skin tattoed card
- Muscle reading with pendulum dowsing
- Zener cards and sound reading
- An incredible method to perform a mind reading
- Memorize the sequenceof an entire deck shuffled by the spectator and reveal a card in the position indicated by the spectator
- Dual reality
- Mind reading through visual signals
- Revelation of the PIN for an unknown credit card
- Subliminal suggestions, psychological methods
- Book Test
- Find out which hand is hidden a coin in, with tricks and psychological methods
- Pateo force
- Magic Choice
- A spectator thinks of something, the mentalist calls a psychic friend and passes the phone to the viewer which will be revealed his thoughts
- A person touches an object without the mentalist seeing it, the mentalist still can find out who has touched the object
- Synchronized drinks
- Improvised partners
- Psychokinetic touch (3 methods), you can touch a person at a distance
- Stop Heartbeat
- Invisible deck
- Si Stebbins Deck
- Svengali Deck
- Carbon paper
- Peek wallet - wallet for mentalists
- TV methods, preshow, partners, hypnosis
- Bending metal, keys, spoons, forks, different methods
- Cold reading - practical script ready for use
- Pseudo Hypnosis
- Hypnosis, what is hypnosis, hypnotic induction, hand glued to the table, amnesia of the name
- Berglas Effect - improvised version
- Bonus - unpublished effect, the mentalist comes on stage carrying a box he places on a table in spectators’ view.
Invite a spectator on the stage and ask him to think of something.
The spectator opens the box on the coffee table the mentalist never touched and finds inside is inside the exact prediction of what he thought.
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Book preview
Modern mentalism - Giochidimagia
INTRODUCTION
Modern Mentalism! In the past magicians and illusionists were the only masters of illusions, or perhaps they were the most famous.
Whoever was a kid in the 80s met the magicians by watching them on TV: they did seemingly impossible things, but we all know that magic is the art of making the impossible seem possible.
When the great Silvan
appeared on some tv show, my father, who really loved illusionism, used to call me and I came running to watch the trick of the day.
I inherited this passion from my father. I still remember when, as child, I used to watch, enchanted, all those playing cards disappear and reappear in the unmatchable artist’s hands. I stood there, literally frozen, with my eyes wide open staring at the TV screen, while the rest of the world disappeared. I just think that I was kind of hypnotized and when I woke up I could only wonder How could he do it? It's impossible!
My father told me that magicians are used to train a lot. They talk oddly to confuse you and then always make sure that you see only what they want you to see.
This is the traditional magician’s image so many people grew up with. And, personally, I can say that it still excites me a lot.
Art does not differ from any other profession. Art stereotypes alternate over time: what is very popular today, whatever the reason, it will not be tomorrow and then will regain popularity again.
In recent years, the ‘Mentalist’ has become very popular, especially thanks to great illusionists as well as a succesful TV series with the same name.
The mentalist is the one who practices mentalism
. What is mentalism? It happens when the artist, the illusionist creates the illusion of having paranormal powers, such as being able to read your mind, knowing the past of an unknown person, making objects move and metals bend, controlling people’s thoughts with the power of his mind.
Some artists were so skilled that made believe many people that their miracles were real.
When tricks adopted to realize these miracles
were no longer sufficient to justify such powerful effects in the spectators’ eyes, the mentalists started combining skillful magician's tricks with sophisticated psychological techniques, which sometimes acted as support for the trick while other times they even constituted the method to achieve the desired effect.
Sophisticated techniques such as NLP, hypnosis, conversational hypnosis and suggestion were introduced in the mentalist’s repertoire.
A smart fusion where the audience could not distinguish where a technique ended and another began: the perceived effect, however, was definitely real.
In the mentalism context, the experiments
introduction is crucial. The term experiments
is very important, because it would be inconsistent to call them ‘tricks’ or games, if only for the emotions and feelings they elicit.
Moreover, if, by chance, the experiment fails, no problem - it was just an experiment.
The mentalist pays particular attention to the effect his theatrical and dramatic wonders produce. A wise and properly designed presentation and the subsequent revelation of a card chosen by the viewer can be an unforgettable miracle if performed with due involvement, in the appropriate context and with the right timing and finesse.
The mentalist resorts to modern and powerful weapons such as the body language and facial microexpressions reading, to read people's minds and often uses these techniques as a fake explanation of a certain effect as well as a method in itself.
In this treaty we have deliberately omitted the mathematical methods to achieve mentalism effects.
While acknowledging that several excellent artists use this kind of methods with great skill, combined with seamless presentations that generate real miracles in the audience’s eye, I personally think that, given the multitude of methods available, we can avoid the tell me how old are you, take a card, subtract the card number by the number of your years, divide the result by .... and so on
routine.
Although performed with all the necessary arrangements by an excellent artist, this kind of experiment
immediately evokes a convoluted mathematical formula that is not exactly what it takes to create emotion, ie magic!
Welcome to the magic world of modern metalism.
Hope you have fun!
Giochidimagia
Chapter 1
MIND READING, PREDICTIONS AND DIVINATIONS
Let's start this fascinating journey in the world of modern mentalism with some simple experiments.
GUESS A SELECTED CARD WITH MIND READING
Get a deck of cards and spread them in a fan. Show the cards to a spectator and request him to randomly cut the deck. Then ask him to memorize the card he saw.
Return the memorized card to the deck.
Hand the deck to the spectator and have him shuffle it, rub your hands together as if you are creating a magical fluid, place them on the subject’s temples and look him straight in the eyes.
Begins to reveal the details, if the card value is low or high, if it is a figure, if it has a bright color or not. Make intentional mistakes and then immediately correct yourself. Finally, reveal the card the spectator viewed.
The magnetic fluid of your hands carried the information from the subject's mind to the mentalist’s.
What’s the secret here? Of course, the card is forced to the spectator and after the forcing, everything else is mere acting.
‘Forcing a card’ means that you make the spectator believe that he freely chooses a card, when he actually selects the card the artist has led him to choose.
Mentalism entails several forces, but the most suitable are those including movements that recall the magician’s technical skills and sleight of hand: in this case, simplicity is the most appropriate choice.
To this effect, I show you a very simple illusive forcing method that does not even remotely reminds you of a technical device.
I learned this method from the superb magician Harry Lorayne and I quickly realized that it was a very suitable device for this kind of effect.
Let's see how to make this force.
Hold the cards deck in the dealing position
SAM_0096 (2)with you right hand fingers slip the last card in the deck about 1 - 1.5 cm back. This is the the card to be forced –suppose the 2 of hearts.
In the picture you can see the right hand only, in order to show the card backing. However, this operation is performed with both hands: the left hand holds the deck in position and the right hand slips the card back
SAM_0097with left hand spread open a fan of cards
SAM_0101Then invite the spectator to choose one point in the fan and interrupt it with a finger
SAM_0217Insert your forefinger through the cutting point chosen by the viewer and close the