Culture and Cooking
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First published in 1881.According to the Preface: "This is not a cookery book. It makes no attempt to replace a good one; it is rather an effort to fill up the gap between you and your household oracle, whether she be one of those exasperating old friends who maddened our mother with their vagueness, or the newer and better lights of our own generation, the latest and best of all being a lady as well known for her novels as for her works on domestic economy--one more proof, if proof were needed, of the truth I endeavor to set forth--if somewhat tediously forgive me--in this little book: that cooking and cultivation are by no means antagonistic. Who does not remember with affectionate admiration Charlotte Bronté taking the eyes out of the potatoes stealthily, for fear of hurting the feelings of her purblind old servant; or Margaret Fuller shelling peas?"
Catherine Owen
Catherine Owen, from Vancouver, BC, has published sixteen collections of poetry and prose, including The Wrecks of Eden (Wolsak and Wynn, 2002), Frenzy (Anvil Press, 2009), Designated Mourner and Riven (ECW, 2014 and 2020). Her work has won the Stephan G. Stephansson Prize, been translated into Italian and toured Canada twelve times. She now edits, tutors, and hosts the podcast Ms. Lyric's Poetry Outlaws from Delilah, her 1905 home in Edmonton, AB.
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Culture and Cooking - Catherine Owen
CULTURE AND COOKING OR ART IN THE KITCHEN BY CATHERINE OWEN
Published by Seltzer Books
established in 1974, now offering over 14,000 books
feedback welcome: seltzer@seltzerbooks.com
Vintage cook books available from Seltzer Books:
The Library of Cookery by the Woman's Institute of Arts and Sciences
Cookery and Dining in Imperial Rome by Apicius
Early English Means and Manners, 13 cook books
Cooking Before 1800, 12 cook books
The Mary Frances Cook Book or Adventures Among the Kitchen People
A Little Cook-Book for a Little Girl by Benton
A Little Book for a Little Cook by Hubbard
Cassell's Vegetarian Cookery
The Suffrage Cook Book by Kleber
The International Jewish Cook Book by Greenbaum
Margaret Brown's French Cookery Book
The Italian Cook Book by Gentile
The Cook's Decameron by Waters
Pennsylvania Dutch Cooking
Culture and Cooking by Owen
Le Créateur, en obligeant l'homme à manger pour vivre, l'y invite par l'appétit et l'en récompense par le plaisir.
--BRILLAT SAVARIN.
CASSELL, PETTER, GALPIN & CO., NEW YORK, LONDON, AND PARIS. 1881
COPYRIGHT, 1881, BY O. M. DUNHAM.
PRESS OF J. J. LITTLE & CO., NOS. 10 TO 20 ASTOR PLACE, NEW YORK.
PREFACE.
CHAPTER I. PRELIMINARY REMARKS
CHAPTER II. ON BREAD.
Sponge for bread.--One cause of failure.--Why home-made bread often has a hard crust.--On baking.--Ovens.--More reasons why bread may fail to be good.--Light rolls.--Rusks.--Kreuznach horns.--Kringles.--Brioche (Paris Jockey Club recipe).--Soufflée bread.--A novelty 12
CHAPTER III. PASTRY.
Why you fail in making good puff paste.--How to succeed.--How to handle it.--To put fruit pies together so that the syrup does not boil out.--Ornamenting fruit pies.--Rissolettes.--Pastry tablets.--Frangipane tartlets.--Rules for ascertaining the heat of your oven
CHAPTER IV. WHAT TO HAVE IN YOUR STORE-ROOM.
Mushroom powder (recipe).--Stock to keep, or glaze (recipe).--Uses of glaze.--Glazing meats, hams, tongues, etc.--Mâitre d'hôtel butter (recipe).--Uses of it.--Ravigotte or Montpellier butter (recipe).--Uses of it.--Roux.--Blanc (recipes).--Uses of both.--Brown flour, its uses 28
CHAPTER V. LUNCHEONS.
Remarks on what to have for luncheons.--English meat pies.--Windsor pie.--Veal and ham pie.--Chicken pie.--Raised pork pie.--(Recipes).--Ornamenting meat pies.--Galantine (recipe).--Fish in jelly.--Jellied oysters.--A new mayonnaise luncheon for small families.--Potted meats (recipes).--Anchovy butter.--A new omelet.--Potato snow.--Lyonnaise potatoes
CHAPTER VI. A CHAPTER ON GENERAL MANAGEMENT IN VERY SMALL FAMILIES.
How to have little dinners.--Hints for bills of fare, etc.--Filet de b[oe]uf Chateaubriand (recipe).--What to do with the odds and ends.--Various recipes.--Salads.--Recipes
CHAPTER VII. FRYING.
Why you fail.--Panure or bread-crumbs, to prepare.--How to prepare flounders as filets de sole.--Fried oysters.--To clarify dripping for frying.--Remarks.--Pâte à frire à la Carême.--Same, à la Provençale.--Broiling
CHAPTER VIII. ROASTING
CHAPTER IX. BOILING AND SOUPS.
Boiling meat.--Rules for knowing exactly the degrees of boiling.--Vegetables.--Remarks on making soup.--To clear soup.--Why it is not clear.--Coloring pot-au-feu.--Consommé.--Crême de celeri, a little known soup.--Recipes
CHAPTER X. SAUCES.
Remarks on making and flavoring sauces.--Espagnole or brown sauce as it should be.--How to make fine white sauce
CHAPTER XI. WARMING OVER.
Remarks.--Salmi of cold meats.--B[oe]uf à la jardinière.--B[oe]uf au gratin.--Pseudo-beefsteak. --Cutlets à la jardinière.--Cromesquis of lamb.--Sauce piquant.--Miroton of beef.--Simple way of warming a joint.--Breakfast dish.--Stuffed beef.--Beef olives.--Chops à la poulette.--Devils.--Mephistophelian sauce.--Fritadella, twenty recipes in one
CHAPTER XII. ON FRIANDISES.
Biscuit glacée at home (recipes).--Iced soufflés (recipes).--Baba and syrups for it (recipe).--Savarin and syrup (recipes).--Bouchées de dames.--How to make Curaçoa.--Maraschino.--Noyeau
CHAPTER XIII. FRENCH CANDIES AT HOME.
How to make them.--Fondants.--Vanilla.--Almond cream.--Walnut cream.--Tutti frutti.--Various candies dipped in cream.--Chocolate creams.--Fondant panaché.--Punch drops
CHAPTER XIV. FOR PEOPLE OF VERY SMALL MEANS.
Remarks.--What may be made of a soup bone.--Several very economical dishes.--Pot roasts.--Dishes requiring no meat
CHAPTER XV. A FEW THINGS IT IS WELL TO REMEMBER
CHAPTER XVI. ON SOME TABLE PREJUDICES
CHAPTER XVII. A CHAPTER OF ODDS AND ENDS.
Altering recipes.--How to have tarragon, burnet, etc.--Remarks on obtaining ingredients not in common use.--An impromptu salamander.--Larding needle.--How to have parsley fresh all winter without expense.--On having kitchen conveniences.--Anecdote related by Jules Gouffée.--On servants in America.--A little advice by way of valedictory
PREFACE.
THIS is not a cookery book. It makes no attempt to replace a good one; it is rather an effort to fill up the gap between you and your household oracle, whether she be one of those exasperating old friends who maddened our mother with their vagueness, or the newer and better lights of our own generation, the latest and best of all being a lady as well known for her novels as for her works on domestic economy--one more proof, if proof were needed, of the truth I endeavor to set forth--if somewhat tediously forgive me--in this little book: that cooking and cultivation are by no means antagonistic. Who does not remember with affectionate admiration Charlotte Bronté taking the eyes out of the potatoes stealthily, for fear of hurting the feelings of her purblind old servant; or Margaret Fuller shelling peas?
The chief difficulty, I fancy, with women trying recipes is, that they fail and know not why they fail, and so become discouraged, and this is where I hope to step in. But although this is not a cookery book, insomuch as it does not deal chiefly with recipes, I shall yet give a few; but only when they are, or I believe them to be, better than those in general use, or good things little known, or supposed to belong to the domain of a French chef, of which I have introduced a good many. Should I succeed in making things that were obscure before clear to a few women, I shall be as proud as was Mme. de Genlis when she boasts in her Memoirs that she has taught six new dishes to a German housewife. Six new dishes! When Brillat-Savarin says: He who has invented one new dish has done more for the pleasure of mankind than he who has discovered a star.
CHAPTER I. A FEW PRELIMINARY REMARKS.
ALEXANDRE DUMAS, père, after writing five hundred novels, says, I wish to close my literary career with a book on cooking.
And in the hundred pages or so of preface--or perhaps overture would be the better word, since in it a group of literary men, while contributing recondite recipes, flourish trumpets in every key--to his huge volume he says, I wish to be read by people of the world, and practiced by people of the art
(gens de l'art); and although I wish, like every one who writes, to be read by all the world, I wish to aid the practice, not of the professors of the culinary art, but those whose aspirations point to an enjoyment of the good things of life, but whose means of attaining them are limited.
There is a great deal of talk just now about cooking; in a lesser degree it takes its place as a popular topic with ceramics, modern antiques, and household art. The fact of it being in a mild way fashionable may do a little good to the eating world in general. And it may make it more easy to convince young women of refined proclivities that the art of cooking is not beneath their attention, to know that the Queen of England's daughters--and of course the cream of the London fair--have attended the lectures on the subject delivered at South Kensington, and that a young lady of rank, Sir James Coles's daughter, has been recording angel to the association, is in fact the R. C. C. who edits the Official Handbook of Cookery.
But, notwithstanding all that has been done by South Kensington lectures in London and Miss Corson's Cooking School in New York to popularize the culinary art, one may go into a dozen houses, and find the ladies of the family with sticky fingers, scissors, and gum pot, busily porcelainizing clay jars, and not find one where they are as zealously trying to work out the problems of the Official Handbook of Cookery.
I have nothing to say against the artistic distractions of the day. Anything that will induce love of the beautiful, and remove from us the possibility of a return to the horrors of hair-cloth and brocatel and crochet tidies, will be a stride in the right direction. But what I do protest against, is the fact, that the same refined girls and matrons, who so love to adorn their houses that they will spend hours improving a pickle jar, mediævalizing their furniture, or decorating the dinner service, will shirk everything that pertains to the preparation of food as dirty, disagreeable drudgery, and sit down to a commonplace, ill-prepared meal, served on those artistic plates, as complacently as if dainty food were not a refinement; as if heavy rolls and poor bread, burnt or greasy steak, and wilted potatoes did not smack of the shanty, just as loudly as coarse crockery or rag carpet--indeed far more so; the carpet and crockery may be due to poverty, but a dainty meal or its reverse will speak volumes for innate refinement or its lack in the woman who serves it. You see by my speaking of rag carpets and dainty meals in one breath, that I do not consider good things to be the privilege of the rich alone.
There are a great many dainty things the household of small or moderate means can have just as easily as the most wealthy. Beautiful bread--light, white, crisp--costs no more than the tough, thick-crusted boulder, with cavities like eye-sockets, that one so frequently meets with as home-made bread. As Hood says:
Who has not met with home-made bread, A heavy compound of putty and lead?
Delicious coffee is only a matter of care, not expense--and indeed in America the cause of poor food, even in a boarding-house, is seldom in the quality of the articles so much as in the preparation and selection of them--yet an epicure can breakfast well with fine bread and butter and good coffee. And this leads me to another thing: many people think that to give too much attention to food shows gluttony. I have heard a lady say with a tone of virtuous rebuke, when the conversation turned from fashions to cooking, I give very little time to cooking, we eat to live only
--which is exactly what an animal does. Eating to live is mere feeding. Brillat-Savarin, an abstemious eater himself, among other witty things on the same topic says, L'animal se repait, l'homme mange, l'homme d'esprit seul sait manger.
Nine people out of ten, when they call a man an epicure, mean it as a sort of reproach, a man who is averse to every-day food, one whom plain fare would fail to satisfy; but Grimod de la Reynière, the most celebrated gourmet of his day, author of Almanach des Gourmands,
and authority on all matters culinary of the last century, said, A true epicure can dine well on one dish, provided it is excellent of its kind.
Excellent, that is it. A little care will generally secure