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Don Juan, Cantos 13 - 16
Don Juan, Cantos 13 - 16
Don Juan, Cantos 13 - 16
Audiobook3 hours

Don Juan, Cantos 13 - 16

Written by Lord Byron

Narrated by LibriVox Community

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About this audiobook

These are the last four Cantos of his mock epic that Byron completed in the year before his death at the age of 36 in Messolonghi, Greece, where he had gone to fight for the nationalists against the Ottoman Empire. Juan, now in England, is invited to spend the autumn with a hunting party at the ancient country seat of Lord Henry and Lady Adeline Amundeville. There, he meets the most intriguing of the Byronic heroines, Aurora Raby, and is visited by a ghost with ample breasts (!). That is the narrative outline but hardly the focus of the last Cantos. Byron is more interested satirizing the frailty of faith, the fecklessness of the English aristocracy, the futility of English pastimes and the fawning of elected Members of Parliament over their middle-class constituents. Booze, banquets, belles and bishops are given the Byronic treatment, while his spleen is reserved for his critics and for "tyranny". (Summary by Peter Gallagher)
LanguageEnglish
PublisherLibriVox
Release dateAug 25, 2014
Don Juan, Cantos 13 - 16
Author

Lord Byron

Lord Byron was an English poet and the most infamous of the English Romantics, glorified for his immoderate ways in both love and money. Benefitting from a privileged upbringing, Byron published the first two cantos of Childe Harold’s Pilgrimage upon his return from his Grand Tour in 1811, and the poem was received with such acclaim that he became the focus of a public mania. Following the dissolution of his short-lived marriage in 1816, Byron left England amid rumours of infidelity, sodomy, and incest. In self-imposed exile in Italy Byron completed Childe Harold and Don Juan. He also took a great interest in Armenian culture, writing of the oppression of the Armenian people under Ottoman rule; and in 1823, he aided Greece in its quest for independence from Turkey by fitting out the Greek navy at his own expense. Two centuries of references to, and depictions of Byron in literature, music, and film began even before his death in 1824.

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