Gilded Newport Mysteries Series

With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress-Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice-or if her disappearance may be directly connected to the murder . . .

In a historical mystery for Downton Abbey fans, a society reporter covers a killer party in Gilded Age Newport. Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts' summer home. She also has a job to do-report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt's financial secretary, who plunges off a balcony faster than falling stock prices. Emma's black sheep brother Brady is found in Cornelius's bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . .

Late nineteenth-century Newport, Rhode Island, is home to some of America's wealthiest citizens. For society reporter Emma Cross, a less well-heeled cousin to the illustrious Vanderbilts, trailing gossip and glamour will lead her straight into murder . . . Emma's job is to take note of the real players off the field-Newport's well-bred elite. But the fashionable façade is breached when a woman demands to speak to the wife of Senator George Wetmore-until she is escorted off the grounds by the police. The next morning, police detective Jesse Whyte asks Emma to meet him at the Wetmores's Bellevue Avenue home, Chateau sur Mer, where the senator's wife, Edith, has mysteriously asked to see her. Upon entering the mansion, Emma is confronted with a crime scene-the intruder from the polo match lies dead at the foot of a grand staircase. Edith Wetmore implores Emma to use her reporter skills and her discretion to investigate. When Emma learns the victim was a prostitute-and pregnant-she wonders if the senator was being blackmailed. As Emma peels back layers of deception and family secrets, she may have met her match in a desperate killer who will trample anyone who gets in the way . . .

After a disappointing year as a society columnist for the Herald and staying with her more well-heeled Vanderbilt relatives in New York City, Emma has returned to the salty air, glittering ocean vistas, and grand stately mansions of Newport, Rhode Island, more determined than ever to report on hard news. But for now she's covering the social event of the season at Ochre Court, a coming-out ball designed to showcase Cleo Cooper-Smith, who will be literally on display, fittingly as Cleopatra, in an elaborate tableau vivant. Recently installed modern electricity will allow Miss Cooper-Smith to truly shine. But as the deb ascends to her place of honor, the ballroom is plunged into darkness. When the lights come back on, Cleo sits still on her throne, electrocuted to death. Quickly establishing that the wiring was tampered with, Emma now has a murder to investigate. And the array of eligible suspects could fill another ballroom-from a shady New York real estate developer to a neglected sister and the mother of a spurned suitor. As Emma begins to discover this crime has unseen connections to a nefarious network, she puts her own life at risk to shine a light on the dark motives behind a merciless murder.

The days are getting shorter as summer's end approaches, which means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The neocolonial mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma had hoped to leave her days as a society reporter behind her. But at the last moment, she must fill in and attend the Harvest Festival. With nearly every eligible daughter of Newport high society in attendance, Emma can almost hear romantic dreams shattering like glass slippers when the prince fails to appear. The next morning, he is found dead in the side garden at Crossways, making it clear a murderer crashed the party. The prince has been stabbed in the same manner as another man, recently found on nearby Bailey's Beach-who strongly resembles Emma's half-brother Brady's father, presumed dead for nearly thirty years after a yachting mishap. As Emma investigates a connection between the two victims, she is joined on the hunt by Mamie Fish herself. But they must hurry-before the killer slips away like the fading summer . . .

In late nineteenth-century Newport, Rhode Island, journalist Emma Cross discovers the newest form of transportation has become the newest type of murder weapon … On a clear July day in 1899, the salty ocean breeze along Bellevue Avenue carries new smells of gasoline and exhaust as Emma, now editor-in-chief of the Newport Messenger, covers Newport’s first-ever automobile parade. But the festive atmosphere soon turns to shock as young Philip King drunkenly swerves his motorcar into a wooden figure of a nanny pushing a pram on the obstacle course. That evening, at a dinner party hosted by Ella King at her magnificent Gothic-inspired “cottage,” Kingscote, Emma and her beau Derrick Andrews are enjoying the food and the company when Ella’s son staggers in, obviously still inebriated. But the disruption is nothing compared to the urgent shouts of the coachman. Rushing out, they find the family’s butler pinned against a tree beneath the front wheels of Philip’s motorcar, close to death. At first, the tragic tableau appears to be a reckless accident—one which could ruin Philip’s reputation. But when Emma later receives a message informing her that the butler bullied his staff and took advantage of young maids, she begins to suspect the scene may have been staged and steers the police toward a murder investigation. But while Emma investigates the connections between a competing heir for the King fortune, a mysterious child, an inmate of an insane asylum, and the brutal boxing rings of Providence, a killer remains at large—with unfinished business to attend to …

As a reporter, Emma is used to covering Newport's social events. But this time she is appearing on the arm of her fiance, Derrick Andrews, at a small but exclusive gathering of the New York Yacht Club at Beacon Rock, the Grecian-inspired summer "cottage" of Edwin and Elizabeth Morgan. The members-which include cousin and Yacht Club Commodore John Pierpoint Morgan and widow Lucy Carnegie, the first woman to be admitted to the Club-are there to discuss their strategy for the next America's Cup Challenge, to be held in New York Harbor the following summer. But it's Emma who must come up with a strategy when she discovers a woman's body bobbing against one of the hulls of the boats moored at the base of Beacon Rock. Is it possible she fell from the Newport ferry and was carried by the tide? Or could she have drowned herself or fallen victim to foul play? After the woman is identified as the missing daughter of a yacht designer, the police-with the exception of Emma's friend Detective Jesse Whyte-hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans, since her body was found floating near their property. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .

Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fete on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen. Held in Wakehurst's English-style gardens, the festivities will include a swordplay demonstration, an archery competition, scenes from Shakespeare's plays, and even a joust. As Emma wanders the grounds distracted by grief, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she's drawn by the barking of Van Alen's dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400's most influential members, Judge Clayton Schuyler. Could one of the countless criminals he'd imprisoned over the years have returned to seek revenge-or could one of his own family members have targeted him? With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to score a bull's eye to stop the killer from taking another life . . .