The expressions of certain faces in spiritual paintings or sculpture and of genuine spiritual teachers in photographs or in-person can communicate our own basic goodness or organic innocence when we are in an open state. Something in us responds to a face that dances to the rhythm of creation, that exudes the peace of surrender. We are hard-wired for connection, which gets made through the face—for example, by babies. As we get older, layers of defense show up in a mask, as tenson in the face. We use our faces to create an identity. There’s a lot of information in how we decorate the face to make it something it isn’t. Are we aware when we are looking for recognition through our faces? Grief or shock or intense need can create cracks in the mask that let the light of reality in. When we start to let in and accept what we have previously denied, we may find that we do not know who we are anymore. It’s not popular to look how we feel, to be honest about it. Breathing starts and finishes in the face, which is where we can start to connect to the body. We can learn to face the howling wind and the sun, which are both gifts. When our desires manifest, we can accept, and when they do not manifest, we can accept. Our face was not our face when we were born; it was the face of heredity. Our face can start to manifest the original terrain that exists before the mask. We are not the face, but something comes through the face. When the clouds part the sun is always there. What faces do we have to lose for our original face to appear? The experience of magic, mystery, and miracle, which can occur through surrender to the Carver’s hand, only comes through losing face. Jocelyn is a spiritual student, artist, therapist, mother, gardener, and builder whose main interest in life is growth, development, evolution, observing in awe and participating in the cyclic nature of life.