Before I start, let me preface this by saying I am not an expert in AI-Generated Art. These platforms are still in their infancy, and nobody knows what the future holds for them or their effect on the graphic design industry, but I doubt they’ll ever replace graphic designers. I’ve experimented with various platforms, read articles, and watched videos. I’ve seen both sites of the debate argued. Some people don’t see AI-Art as a threat to our industry, while others are all doom and gloom, saying designers should start applying to work at McDonald’s as flipping burgers will soon become more lucrative than designing things. I don’t see AI-Generated art as a threat to the graphic design industry. And I’ll get to why in a bit. However, I’m not so sure about artists and illustrators. If that’s your profession, I suggest you pay close attention to how AI-generated art matures, as it will affect those creative people much more than it will designers. As I said, I’m no expert here. And these AI Art Generators are evolving fast. So what I say today may change soon. Who knows? I also haven’t tried all the various platforms nor used the ones I have tried to their fullest potential. So some of what I say today may be wrong. If that’s the case, if you know something I don’t, please reach out to me at feedback@resourcefuldesigner.com. I would love to be educated more on the subject. First, a story. Before I begin my discussion on AI-Generated Artwork, I want to tell you a story that will help put my beliefs into perspective. I entered the three-year Graphic Design program at my local college in 1989. The first two years were spent learning and applying design principles to our projects. We learnt things like design history, colour theory, using grids, layout hierarchy, typography and more. And we were taught the different tools of the trade, most of which are no longer in use and are considered archaic by today’s standards. It wasn’t until our third year, once we were familiar and comfortable with what being a graphic designer was, that we were granted access to the computer lab. Computers were still new to the industry back then, and very few design agencies used them. When I started working at the print shop after graduation, the first two years of my employment were spent designing everything by hand before I convinced the owner to invest in Macintosh computers. I don’t remember what year it was, but during school, a few of my classmates and I made a trip to Toronto for a graphic design trade show. It was the largest show of its kind in Canada and the third largest in North America. All the big names were there, including Adobe, Quark, and Microsoft, to name a few. I remember overhearing a conversation between two design agency owners at a demonstration put on by Adobe. They were talking about the introduction of computers to the design industry. Both were concerned that computers would harm the design industry by minimizing what they considered a particular skill set, that of a graphic designer. To them, computers took the “Art” out of being a “Graphic Artist.” With today’s mindset, It’s kind of crazy to think that back then, design agency owners thought computers would harm our industry. You can easily argue that computers have made the industry better. Having lived through that period, I can tell you that even though computers didn’t harm our industry, they did change it. Drastically, in fact. QuarkXpress, Photoshop and Illustrator replaced the standard tools of the trade, such as wax machines, no-repro blu pencils and Letraset rub-on type. And I know a few designers who left the profession because they couldn’t grasp the use of computers. So computers were introduced, the industry evolved, and the graphic design industry persevered. Microsoft Publisher Fast forward a few years, and personal computers are becoming more popular, with Windows-based machines outselling Apple. And Microsoft released a program called Microsoft Publisher t