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Allison McVety: Selected Poems
Allison McVety: Selected Poems
Allison McVety: Selected Poems
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Allison McVety: Selected Poems

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Allison McVety's first collection, The Night Trotsky Came to Stay (Smith/Doorstop, 2007), was the overall winner of the 2006 Book & Pamphlet Competition, and was shortlisted for the Forward Best First Collection Prize 2008.

Her poems have appeared in The Times, The Guardian, Poetry Review and Poetry London, have been broadcast on BBC radio and anthologised in the Forward Poems of the Decade 20022011 and The Best British Poetry 2013.

A second collection, Miming Happiness, was published in 2010 and a third, Lighthouses in 2014. In 2011 Allison won the National Poetry Competition and in 2013 was recorded at the Southbank Centre for the Poetry Library's 60th anniversary.
LanguageEnglish
Release dateFeb 1, 2015
ISBN9781910367117
Allison McVety: Selected Poems

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    Book preview

    Allison McVety - Allison McVety

    from The Night Trotsky Came to Stay (2007)

    Portrait

    My father carried his mother through Yugoslavia

    and Greece. Stitched into the lining of his coat

    and, against regulations, she kept him company

    through the days he hid in back rooms and under stairs;

    suckled him on nights huddled in churchyards,

    with only the chatter of his pad and key. He folded her

    into his wallet, where she rubbed up against

    pound notes, discharge papers, a thank-you letter

    from General Tito. Around her neck, in miniature,

    her brother, on a row of cultured pearls: his face

    crimped by the crease of leather. His eyes give no hint

    of my mother, though he has her lips. He is his pre-gassed,

    pre-shot self. And I am the daughter of cousins, a woman

    with no children. I think of losing her in a crowd, slipping her

    into someone’s jacket, an open bag, that sagging pocket

    on the train, for her to live another life, our line travelling on.

    Telegram

    When it came, she put the envelope,

    moth wings still folded, still sealed,

    into a box too small to hold a dead-

    not-dead man. The lid, worked

    from the burl of an oak, is mortise

    and tenoned, closed on a blind

    hinge. For eighty years he’s been missing,

    presumed dead, killed in action.

    A telegram not read places him

    in a war grave, on last parade

    and in a field hospital on the fringe

    of a battleground healed with grass,

    his own scabs a knotty veneer,

    his memory lost. This box, a trousseau gift

    to tot up the cotton, linen, copper years,

    not meant to end with paper,

    is never opened, its dowels as raw

    as when the bradawl, auger, granny’s tooth

    had scrawled their marks, its lining spared

    the fading light. Imagine a man inside

    an envelope, inside a crowded box,

    tired of being; imagine lives lived inside out,

    of always being a hair’s breadth,

    a paper-knife, a bayonet slit from fact.

    How you can know a place

    and not. How you can know it

    through your feet, through the pitch

    and crack of pavement, through games:

    their stones and sticks,

    through hopscotch numbers

    scratched on flags with chalk or coal.

    Through the clip of ropes on kerbs,

    the tap on grids, through the clap of hands,

    the toll of dustbin lids, the spark

    of studs on boots. Through Messerschmidt

    and Spitfire arms, strobed or flecked

    with rationed sun. How you can see a thing,

    defined through shadows,

    the twitch of nets, the very thick of it.

    Through the snatch and flare

    of two fags lit with the same

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