Under Milk Wood
By Dylan Thomas
()
About this ebook
The play is known for its lyrical and poetic language, capturing the dreams, desires, and inner thoughts of the characters. Thomas narrates the play, providing a rich and vivid description of the various residents and their activities, both during the day and at night.
Dylan Thomas (1914–1953) was a Welsh poet and writer, best known for his vivid and highly imaginative poetry. Born in Swansea, Wales, Thomas showed an early interest in literature and began writing poems during his teenage years. His early exposure to the works of poets like Gerard Manley Hopkins and W.B. Yeats influenced his poetic style.
Dylan Thomas led a tumultuous and bohemian lifestyle, marked by heavy drinking and a reputation for being a charismatic and passionate performer during his poetry readings. He spent much of his career in London and the United States. Unfortunately, his life was cut short at the age of 39 when he died in New York City in 1953.
Dylan Thomas
Dylan Thomas, born in 1914, began his career as a journalist in his native Swansea, Wales. He then moved to London where he worked in broadcasting and wrote film scripts, prose and drama to earn enough money to enable him to write what he most wanted to—poetry. He lived colorfully, even recklessly, until his untimely death in New York City in 1953. One of the 20th century’s most treasured writers, Dylan Thomas was a master craftsman of poetic complexity and richly obscure imagery. Thomas’s genius is made clear in this landmark recording through the everlasting gift he has given the word—his voice.
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Book preview
Under Milk Wood - Dylan Thomas
CAST OF CHARACTERS
First Voice
Second Voice
Captain Cat
First Drowned
Second Drowned
Rosie Probert
Third Drowned
Fourth Drowned
Fifth Drowned
Mr Mog Edwards
Miss Myfanwy Price
Jack Black
Waldo’s Mother
Little Boy Waldo
Waldo’s Wife
Mr Waldo
First Neighbour
Second Neighbour
Third Neighbour
Fourth Neighbour
Matti’s Mother
First Woman
Second Woman
Third Woman
Fourth Woman
Fifth Woman
Preacher
Mrs Ogmore-Pritchard
Mr Ogmore
Mr Pritchard
Gossamer Beynon
Organ Morgan
Utah Watkins
Mrs Utah Watkins
Ocky Milkman
A Voice
Mrs Willy Nilly
Lily Smalls
Mae Rose Cottage
Butcher Beynon
Reverend Eli Jenkins
Mr Pugh
Mrs Organ Morgan
Mary Ann Sailors
Dai Bread
Polly Garter
Nogood Boyo
Lord Cut-Glass
Voice of a Guide-Book
Mrs Beynon
Mrs Pugh
Mrs Dai Bread One
Mrs Dai Bread Two
Willy Nilly
Mrs Cherry Owen
Cherry Owen
Sinbad Sailors
Old Man
Evans the Death
Fisherman
Child’s Voice
Bessie Bighead
A Drinker
UNDER MILK WOOD
[Silence]
FIRST VOICE (Very softly)
To begin at the beginning:
It is Spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and-rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine to-night in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows’ weeds. And all the people of the lulled and dumbfound town are sleeping now.
Hush, the babies are sleeping, the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican, the undertaker and the fancy woman, drunkard, dressmaker, preacher, policeman, the webfoot cocklewomen and the tidy wives. Young girls lie bedded soft or glide in their dreams, with rings and trousseaux, bridesmaided by glow-worms down the aisles of the organplaying wood. The boys are dreaming wicked or of the bucking ranches of the night and the jollyrodgered sea. And the anthracite statues of the horses sleep in the fields, and the cows in the byres, and the dogs in the wet-nosed yards; and the cats nap in the slant corners or lope sly, streaking and needling, on the one cloud of the roofs.
You can hear the dew falling, and the hushed town breathing.
Only your eyes are unclosed to see the black and folded town fast, and slow, asleep. And you alone can hear the invisible starfall, the darkest-before-dawn minutely dewgrazed stir of the black, dab-filled sea where the Arethusa, the Curlew and the Skylark, Zanzibar, Rhiannon, the Rover, the Cormorant, and the Star of Wales tilt and ride.
Listen. It is night moving in the streets, the processional salt slow musical wind in Coronation Street and Cockle Row, it is the grass growing on Llareggub Hill, dewfall, starfall, the sleep of birds in Milk Wood.
Listen. It is night in the chill, squat chapel, hymning in bonnet and brooch and bombazine black, butterfly choker and bootlace bow, coughing like nannygoats, sucking mintoes, fortywinking hallelujah; night in the four-ale, quiet as a domino; in Ocky Milkman’s lofts like a mouse with gloves; in Dai Bread’s bakery flying like black flour. It is to-night in Donkey Street, trotting silent, with seaweed on its hooves, along the cockled cobbles, past curtained fernpot, text and trinket, harmonium, holy dresser, watercolours done by hand, china dog and rosy tin teacaddy. It is night neddying among the snuggeries of babies.
Look. It is night, dumbly, royally winding through the Coronation cherry trees; going through the graveyard of Bethesda with winds gloved and folded, and dew doffed; tumbling by the Sailors Arms.
Time passes. Listen. Time passes.
Come closer now.
Only you can hear the houses sleeping in the streets in the slow deep salt and silent black, bandaged night. Only you can see, in the blinded bedrooms, the combs and petticoats over the chairs, the jugs and basins, the glasses of teeth, Thou Shalt Not on the wall, and the yellowing dickybird-watching pictures of the dead. Only you can hear and see, behind the eyes of the sleepers, the movements and countries and mazes and colours and dismays and rainbows and tunes and wishes and flight and fall and despairs and big seas of their dreams.
From where you are, you can hear their dreams.