Postcard Stories
By Jan Carson and Benjamin Phillips
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About this ebook
Jan Carson
Jan Carson is a writer and community arts facilitator based in Belfast, Northern Ireland. She has a novel, Malcolm Orange Disappears (Liberties Press, 2014), and short story collection, Children’s Children (Liberties Press, 2016), as well as a micro-fiction collection, Postcard Stories (Emma Press, 2017). Her novel The Fire Starters was published by Doubleday in 2019 and won the EU Prize for Literature for Ireland the same year. In 2018 she was the inaugural Translink/Irish Rail Roaming Writer in Residence on the Trains of Ireland.
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Postcard Stories - Jan Carson
Week 1 – January 1st 2015
PORTBALLINTRAE HARBOUR
Susan Fetherston
Every New Year’s at midday we meet at the harbour and cast our ghosted bodies into the sea. We are no longer seventeen and, over the years, have progressed from last night’s underwear to trunks and t-shirts and, finally, oil-sleek wetsuits, straining to contain our spreading guts. Like soldiers returning from the Front we are fewer with each passing year. This morning we are two – and a handful of bemused children sheltering beneath their anorak hoods.
Afterwards, shivering, we say ‘Same time, next year?’ and mean, as our fathers must once have meant, ‘All good things must come to an end, even the sea.’
Week 2 – January 9th 2015
ALBERT BRIDGE, BELFAST
Tiffany Sahib
January 9th and every third person over the Albert Bridge is running. The marathon looms like the hope of Heaven or Judgement Day. Some are slick as river fish, in all their proper gear. Others make do with tracksuit bottoms and shirts occasionally slept in. The worst lack all conviction. They move from one mile to two, flat-footed in Converse hi-tops, their feet flip-flopping past the station and the market. From a distance they are pedestrian-slow. Up close they have the look of women who return library books half-finished. The noise of them running is the last hand of the applause parting as it cups the silence.
Week 3 – January 18th 2015
BOTANIC AVENUE, BELFAST
Helen Crawford
In the window of Oxfam a volunteer is undressing a red-haired mannequin. Embarrassed, or perhaps complicit, the mannequin looks upwards and to the right, her eyes painted aquarium blue. Her mouth is beginning to peel.
A volunteer lifts her dress gently and slips it over the place where the leg section slots into the torso. A gap the width of an HB pencil circles her hips like a low-slung belt. The volunteer is careful not to upset her further. Upwards then, over a navel-less belly, breasts set and coloured like two pale brown eggs.
‘Easy does it,’ he says, as he begins to negotiate her neck.
Even through the glass you can see the volunteer is enjoying every awkward second of this until her arms unlock, coming away in his hands like a semi-detached