I Hear You’re Rich: stories
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‘The writer who saved my life — or my soul.’ Merve Emre, The New Yorker
‘A true living hero of the American avant-garde.’ Jonathan Franzen
‘One of the very few contemporary prose writers who seem to be doing something independent, energetic, heartfelt.’ Lydia Davis
A new collection of stories from the ‘godmother of flash fiction’ (The Paris Review).
In Williams' stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life.
In perfectly honed sentences, with a sly and occasionally wild wit, Williams shows us how any moment of any day can open onto disappointment, pleasure, and possibility.
Diane Williams
Diane Williams is the founder and editor of the distinguished literary annual, NOON, the archive of which, as well as Williams’ personal literary archive, was acquired in 2014 by the Lilly Library. She is the author of eleven previous volumes of short fiction. She lives in New York City.
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I Hear You’re Rich - Diane Williams
I HEAR YOU’RE RICH
Diane Williams is the founder and editor of the distinguished literary annual, NOON, the archive of which, as well as Williams’ personal literary archive, was acquired in 2014 by the Lilly Library. She is the author of eleven previous volumes of short fiction. She lives in New York City.
Scribe Publications
18–20 Edward St, Brunswick, Victoria 3056, Australia
2 John Street, Clerkenwell, London WC1N 2ES, United Kingdom
3754 Pleasant Ave, Suite 100, Minneapolis, Minnesota 55409, USA
Published by Scribe 2023
Published by arrangement with Soho Press, New York, with the assistance of Rights People, London
Copyright © Diane Williams 2023
All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publishers and the author of this book.
The moral rights of the author have been asserted.
The following stories have appeared in Harper’s Magazine: One Woman and Five Men,
I Fixed My Hair,
Can This Be I?,
Fling,
and For Example, the Son.
The following stories have appeared in London Review of Books: ‘Gladly!’,
Seated Woman,
Tassel Rue,
To What Beautiful End?,
Riviera,
Mother of Nature,
Chuck,
Fredella,
Catalpa,
The Realist,
and Zwhip-Zwhip.
These stories first appeared, sometimes in a slightly different form, in BOMB: Picturesque in the Extreme
; in Conjunctions: Tale of Passion
; in Granta: Nancy’s Victory
, I Hear You’re Rich
; in INQUE: A Slew of Attractions
; in N + 1: Each Person to Her Paradise,
Take Your Dress Off,
The Assignment of Fate
; in The New Yorker: Live a Little
; in Southwest Review: We Had a Lot of Fun Dancing,
Tom’s Fine.
978 1 915590 58 9 (paperback edition)
978 1 761385 30 8 (ebook)
Catalogue records for this book are available from the National Library of Australia and the British Library.
scribepublications.com.au
scribepublications.co.uk
scribepublication.com
To
Rebecca Godfrey
Yes, I know you pity me, and you want to take care of me and you’d like to be selfish in a way that you’ve never tried before—an unbending, melting way . . .
—MAX BODENHEIM
CONTENTS
Oriel?
The Tune
Start Here
A Slew of Attractions
Keepsake
To What Beautiful End?
Zwhip-Zwhip
Gladly!
We Had a Lot of Fun Dancing
Seated Woman
For Example, the Son
Live A Little
Tale of Passion
Fredella
I Hear You’re Rich
Take Your Dress Off
Catalpa
The Assignment of Fate
Fling
Tassel Rue
Chuck
One Woman and Five Men
Each Person to Her Paradise
Mother of Nature
Can This Be I?
Everything Is Wonder
Riviera
Picturesque in the Extreme
Phoebe Moffat—the Early Years
The Realist
Tom’s Fine
I Fixed My Hair
Nancy’s Victory
ORIEL?
We were in the room where there is often a deep stream of daylight.
And my husband’s mother had made sunshine cake for us, but since she did not like to walk—it hurt her legs—I was the one who carried the platter with the sumptuous cake to the table.
But where best to look as I went forward? At the cake? Or at their faces? This task takes common sense and balance as do all my others.
What to name our baby?—a sobriquet that means rich? Why not