Chinese Brush Painting Four Seasons: Paint Flowers, Birds, Fruits & More with 24 Step-by-Step Projects
By Fei Le Niao
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Chinese Brush Painting Four Seasons - Fei Le Niao
Fig. 8 Postcard
The lily in the painting symbolizes good wishes. Painted on a postcard, it is a special gift to be given to friends.
Preface
For thousands of years, the Chinese have divided a year into 24 solar terms, with six solar terms for each season. Mirroring the changes in climate and phenology, solar terms play a key role in daily life. For example, they guide farming activities and impact people’s diet, clothing, housing, and transportation. Many customs and habits related to solar terms have been preserved to this day, and a large number of literary and artistic works with solar terms as the theme have been generated, constituting an essential part of traditional Chinese culture. The 24 solar terms constitute a knowledge system of laws summarized by the ancients in their age-old contacts with nature, which perfectly integrates astronomy, farming, phenology, folk customs, and philosophical ideas, suggesting good wishes and wisdom for people to live in harmony with nature. In 2016, the solar terms were placed on UNESCO’s intangible cultural heritage list.
In the form of traditional Chinese painting, this book presents the various climatic characteristics of the 24 solar terms and their representative flowers, birds, fish, insects, fruits, vegetables, figures, and landscapes in separate and individual terms, along with an introduction to the solar terms.
The book presents the paintings associated with the 24 solar terms in the order of spring, summer, autumn, and winter. With each painting there is an introduction to a new painting technique. Plenty of blank space is left to encourage readers who love Chinese painting but dare not try it to create poetic pictures.
As well as painting on traditional paper, you can paint directly onto bookmarks, postcards, envelopes, or paper bags to give them to your friends as gifts. You can also put your artistic creations on everything from cups and penholders to notebooks, enhancing ordinary stationery.
Now, let’s start our journey through the traditional beauty of the 24 solar terms.
Fig. 9 Chinese Trumpet Flower
The Chinese trumpet flower is bright in color and rich in fragrance. Its tenacious vitality has caused it to be associated with lofty aspirations. In the painting, a young flower protrudes from the wall, drawing two bees to come and observe.
CHAPTER ONE
Tools and Materials
The tools of traditional Chinese painting are collectively referred to as the four treasures
—brush, ink, paper, and inkstone. The paintbrush is a traditional writing and painting tool originating in China, and is made of animal hair or bird feathers. Although ink has a single color, it is indispensable in traditional writing and painting. With this ingenious material, the exquisite artistic conception of Chinese calligraphy and painting can be fulfilled. Paper is one of the four great inventions of ancient China, and the types of Chinese painting paper are quite specific. The inkstone—one of the four treasures of the study—has been gradually replaced by ink and ink plates as a result of social progress, and is now more for collectors. Besides, painting cannot be done without pigments. In The Record of the Classification of Old Painters , a work of Chinese painting theory from the Southern dynasties (420–589), the method of coloring according to categories was proposed, whereby the objects in the painting were divided into categories, with one color applied to each. This chapter briefly explains the basics of the four treasures
and the fundamental blending of pigments.
1. Brush
There are a variety of ink brushes, including weasel-hair, goat-hair, and mixed-hair. Weasel-hair brushes are elastic, and are generally used to outline tree branches or trunks. Goat-hair brushes are highly absorbent, and are used for coloring and broad strokes. Mixed-hair brushes are moderately elastic and absorbent, and are good for outlining and coloring.
Weasel-hair brush.
Goat-hair brush.
Mixed-hair brush.
Sharp.
Round.
Strong.
Neat.
The basic standards for a good ink brush are that it should be sharp, round, strong, and neat.
Sharp
means that the tip of the brush must be pointed; round
means that the belly of the brush becomes round and full when absorbing water; strong
means that the brush must have some elasticity; and neat
means that the hair of the brush is of the same length when splayed.
Mixed-hair brush for painting.
Weasel-hair brush for outlining.
Goat-hair brush for painting.
Detail painting brush for outlining.
In this book, a mixed-hair brush is used for coloring a small area, a weasel-hair brush for outlining branches and stems, and a goat-hair brush for rendering pictures and coloring a large area. The fine strokes mentioned, such as for leaf veins and stamens, are achieved with a detail painting brush of any model. In painting, the direction of the brush generally changes according to the shape of the object.
2. Ink
In addition to ink and ink sticks that are classified based on form, pine-soot ink and oil-soot ink are categorized according to material. Pine-soot ink is made from pine ash, the color of which is relatively solid and ideal for xieyi (freehand brushwork) in painting. Oil-soot ink is made from the burning of a specific vegetable oil or animal oil. It is brilliantly dark, and adds a layer of gloss to gongbi (fine brushwork).
In addition to the choice of ink, the grasp of the layers of ink color is a fundamental skill. Ink color is divided into five layers:
Coke ink: ink poured directly from the bottle.
Dark ink: coke ink plus 10% clear water, at a ratio of 1:9 clear water to coke ink.
Heavy ink: coke ink plus 20% clear water, with a color