Special Subjects: Basic Color Theory: An Introduction to Color for Beginning Artists
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About this ebook
A perfect resource for new artists and art hobbyists, Basic Color Theory demonstrates the color wheel at work and covers all the essentials, including complementary, primary, secondary, and tertiary colors; hue, saturation, and value; color mood, temperature, and schemes; and how to create a color chart.
Each concept is clearly explained in easy-to-comprehend language so beginning artists can put their newfound knowledge to immediate use. Also included are step-by-step tutorials, as well as techniques for basic color mixing in different mediums.
Designed for beginners, the How to Draw and Paint series offers an easy-to-follow guide that introduces artists to basic tools and materials and includes simple step-by-step lessons for a variety of projects suitable for the aspiring artist. Basic Color Theory allows artists to widen the scope of their abilities, demonstrating how to create color and value charts, basic color mixing techniques, and a comprehensive approach to understanding color relationships.
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Special Subjects - Walter Foster Creative Team
BASIC COLOR THEORY
Color is a universal gift of beauty. Because it requires no effort to perceive and enjoy it, we often take it for granted. However, its absence in our lives is unthinkable. Consider a world wherein brilliant sunsets, vivid flower gardens, shimmering butterflies, and tropical fish shed their multicolored hues and morphed into monochromatic shades of gray. The experiences that we love and live for would change drastically! Would we still plant flower beds? Bird-watch? Sightsee? The implications are immense; such is our love affair with color.
—Patti Mollica
CONTENTS
What Is Color?
Understanding Light
The Color Wheel
Color Properties
Color & Value
Color Temperature
Color, Light & Shadow
Color Schemes
Pigment Types
Color Mixing
Color & Mood
Final Thoughts
WHAT IS COLOR?
Artists must understand color to know how to use it properly. Although there will always be some personal influence in the way we interpret and display it, we must understand color relationships before we can organize it in our paintings.
In the late 1600s, Sir Isaac Newton (1642–1727) conducted and published a series of experiments involving prisms, light, and color, which form the basis of our current understanding of color. These experiments involved refracting white light through a prism—a simple triangular glass object that separates light waves into individual colors. The results revealed that light could actually be broken down into seven individual colors: red, orange, yellow, green, blue, indigo, and violet. Until this discovery, it was assumed that a prism somehow colored
the light passing through it. To prove this wrong, Newton reversed the process: He projected the colors back into the prism, which resulted in pure white light. Artists and scientists alike were amazed by this breakthrough discovery that light is the source of all color.
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