LEARNING OBJECTIVES
Drawing glass can be difficult or even overwhelming, so this month we will look at ways of simplifying glass objects to create interesting artwork. We'll also work on toned papers as opposed to drawing on white. In the first section (page 60), we will work on grey paper and, in the second section (page 62), follow me as we draw the glass on black paper. Both drawings have the same object – a glass pear – but the reflections, colour and composition vary.
The paper's texture
As we're drawing glass, it's important to draw on paper that has minimal texture. Yes, you can blend the coloured pencil drawing with solvents or coloured pencil blenders, but drawing on textured paper is time-consuming. Whatever drawing paper you have, therefore, you must test it first before committing to drawing on it. How do you test it? Pick the smooth side and shade with a dark pencil over it to see how much texture appears. You'll also feel the texture, because coloured pencil will skip over it.
Sometimes I still draw on textured surfaces, because I like the vivid colour of the surface, but I know how frustrating it is to fill it in so pay attention to the paper's surface. I suggest working on Bristol vellum paper made by any major brand. I also like Koh-i-Noor's In-and-Out Pages
